Franny and Zooey [Mass Market Paperback]

J.D. Salinger (Author)

Book Description

Publication Date: May 1, 1991

The author writes: FRANNY came out in The New Yorker in 1955, and was swiftly followed, in 1957 by ZOOEY. Both stories are early, critical entries in a narrative series I'm doing about a family of settlers in twentieth-century New York, the Glasses. It is a long-term project, patently an ambiguous one, and there is a real-enough danger, I suppose that sooner or later I'll bog down, perhaps disappear entirely, in my own methods, locutions, and mannerisms. On the whole, though, I'm very hopeful. I love working on these Glass stories, I've been waiting for them most of my life, and I think I have fairly decent, monomaniacal plans to finish them with due care and all-available skill.

Editorial Reviews

Review

Volume containing two interrelated stories by J.D. Salinger, published in book form in 1961. The stories, originally published in The New Yorker magazine, concern Franny and Zooey Glass, two members of the family that was the subject of most of Salinger's short fiction. Franny is an intellectually precocious late adolescent who tries to attain spiritual purification by obsessively reiterating the "Jesus prayer" as an antidote to the perceived superficiality and corruptness of life. She subsequently suffers a nervous breakdown. In the second story, her next older brother, Zooey, attempts to heal Franny by pointing out that her constant repetition of the "Jesus prayer" is as self-involved and egotistical as the egotism against which she rails. -- The Merriam-Webster Encyclopedia of Literature

About the Author

J.D. Salinger was born in New York in 1919. His first story was published in 1940 and he wrote a further twenty short stories before he 'found his subject' with the short novel The Catcher in the Rye (1951). The book has enormous popular success, particularly with students. It was followed by a collection of short stories, For Esme, With Love and Squalor, which encapsulated many of the themes later to be found in Salinger's linked series of works about the Glass Family. --This text refers to the Hardcover edition.

Product Details

• Mass Market Paperback: 208 pages
• Publisher: Little, Brown and Company (May 1, 1991)
• Language: English
• ISBN-10: 0316769495
• ISBN-13: 978-0316769495
• Product Dimensions: 4.2 x 0.6 x 6.8 inches
• Shipping Weight: 2.4 ounces (View shipping rates and policies)
• Average Customer Review: 4.2 out of 5 stars  See all reviews (269 customer reviews)
• Amazon Best Sellers Rank: #138,801 in Books (See Top 100 in Books)

More About the Author

Born in New York in 1919, Jerome David Salinger dropped out of several schools before enrolling in a writing class at Columbia University, publishing his first piece ("The Young Folks") in Story magazine. Soon after, the New Yorker picked up the heralded "A Perfect Day for Bananafish," and more pieces followed, including "Slight Rebellion off Madison" in 1941, an early Holden Caulfield story. Following a stint in Europe for World War II, Salinger returned to New York and began work on his signature novel, 1951's "The Catcher in the Rye," an immediate bestseller for its iconoclastic hero and forthright use of profanity. Following this success, Salinger retreated to his Cornish, New Hampshire, home where he grew increasingly private, eventually erecting a wall around his property and publishing just three more books: "Nine Stories," "Franny and Zooey," "Raise High the Roof Beam, and Carpenters and Seymour: An Introduction." Salinger was married twice and had two children. He died of natural causes on January 27, 2010, in New Hampshire at the age of 91.

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#19 in Books > Literature & Fiction > Classics

#67 in Books > Teens

#19 in Books > Literature & Fiction > Classics

#67 in Books > Teens

Most Helpful Customer Reviews

110 of 115 people found the following review helpful

5.0 out of 5 stars Do it for the Fat Lady March 7, 2005

By Guillermo Maynez

Format:Mass Market Paperback|Amazon Verified Purchase

This book consists of two interrelated stories about members of the Glass family. These kids (seven of them if I remember well) are the children of a showbusiness family from New York and they used to be genius-kids who appeared on a radio show answering quizzes and philosophizing. Apparently the Glass kids had a special education in an ecumenical religiosity and philosophy, and their situation as whiz kids has led to emotional distress, much a-la Holden Caulfield but more illustrated. By the way, in terms of its central themes, this book could be said to be the closing of the full circle of Caulfield's story. The Glasses, just like Caulfield, are intelligent people, very frustrated with the inadequacies of life in general and the people who surround them. They are very neurotic in a New York way. They are angry because people aren't as intelligent as they should be, and because the ways of the world are not what reason and humanism tell us they should be. How to cope with it?

In the first story, Franny, a young college girl, arrives in New Haven (Yale) to be with her preppy and also intellectualizing boyfriend for a football weekend. They go to a cafe to have some food (and drinks and cigarettes). The story is simply the account of their talk. Salinger is one of the greatest masters of frenzied and fast dialogue, and it shows here. Franny is telling his boyfriend about all the phoniness of campus life, about the lunacy and presumptuosness of teachers and classmates. She tells him how she has read a book about a Russian monk who discovers a special Jesus prayer. If you repeat this prayer incessantly, it will become a part of you and repeat itself automatically, bringing you closer to grace and peace. The conversation starts getting out of hand as Franny gets carried away and as the boyfriend becomes rather estranged, until Franny collapses on her way to the restroom. When she wakes up, she is constantly whispering the Jesus prayer.

In the second story, Franny is at her parents' home in NY, recovering from her nervous breakdown. In a long talk with her brother Zooey (both of them being the youngest Glass children), they confront each other's traumas, weaknesses, genius and problems with the world. Zooey is also extremely talented and aware of the inadequacies of the world, but he seems to be in a (slightly) better emotional phase than Franny. The dialogue is moving, neurotic and masterful. After they argue rather violently, Zooey goes to another room and calls Franny pretending to be an older brother living away. In a further conversation Zooey forces Franny to understand that following a simple but futile recipe will not do the trick. The Jesus prayer is not enough: we have to accept the world as it is as well as the people around us. We can not be "catchers in the rhye". But we should live an ethical life, just because (which made me think of Kant's "categorical imperative"). As Seymour Glass, the eldest brother, once said to Zooey, sometimes you have to do things "for the Fat Lady", that is, just because it is the right thing to do, even if no one will notice.

"Frany and Zooey" is written in a lower key. It is unprententious, unlike its characters, but deep down it is about profound questions. How to cope with this mad world filled with people who are not bright nor good? Can you save the world? How to live? Yes, sometimes we have to do things we wouldn't like to do, but we have to do it, if only for the Fat Lady.

37 of 40 people found the following review helpful

5.0 out of 5 stars Salinger at His Finest September 28, 2004

By K. Brown

Format:Mass Market Paperback

Many Salinger fans, upon reading Franny and Zooey, are quick to draw comparisons to Catcher In the Rye. That was exactly what I did the first time I read this novel nearly twenty five years ago; but after several years of lauding Franny and Zooey as the pinochle of Salinger's work, it dawned on me that while there are angry or confused youngsters who feel like societal misfits in each novel, they come from such different worlds that comparing the two stories is just, well... apples & oranges.

What made Franny and Zooey more endearing to me was the family dynamics. In contrast to Catcher in the Rye's focus on Holden Caulfield's unhappiness as an individual, the nervous breakdown that Franny Glass suffers early in the story has more to do with being a member of the Glass Family than it does her individual anxieties. And unlike Holden, who is coping in the larger world, Franny suffers as a shut-in at the home she grew up in.

I believe that most people who have dealt with well meaning but misguided families will find themselves drawn toward this story. The Glass Family is one of the finest examples of a large and dysfunctional family (before it was cool to be dysfunctional), with an emotionally charged but diverse collection of grown children dealing with the complexeties of their upbringing.

The story focuses equally on Franny and her older brother Zooey. They are two youngest children in the Glass Family, raised by their parents and older siblings on vaudeville style entertainment, philosophy and intelligentsia. While Franny's breakdown seems a mystery to her and paralyzes her emotions, Zooey is pent up with anger and well too aware of the emotional wreckage their upbringing has left the Glass offspring to clean up. Feeling a bond with Franny as the two youngest children, Zooey wants to help his sister, but must first temper his rage and self destructive tendencies.

Going into much more detail would be an injustice to anyone who has yet to read this story. In my opinion, this is a classic story of twentieth century Americana. From Zooey's self loathing to the dialogue between him and his busy-body mother to Franny's aggravation with her boyfriend Lane, J.D. Salinger gives us a portrait of a family in crisis, unequaled until The Ramones recorded the dark comedic "We're a Happy Family" years later. And no, I'm not kidding! Gabba Gabba!

107 of 124 people found the following review helpful

4.0 out of 5 stars A cult classic of the fifties, worth reading today May 1, 2001

By Joanna Daneman #1 HALL OF FAMETOP 10 REVIEWERVINE™ VOICE

Format:Mass Market Paperback

This was THE book of the 50's and early 60's, along with Catcher in the Rye. In some strange way, J.D. Salinger caught the angst of the young and thoughtful and they grabbed these books with both hands. But do they speak to youth (or anyone else) today?

Well, maybe Franny and Zooey is worth a look. For one, take the fact that "The Prayer of Jabez" is on the best seller list now for weeks. This book recommends a fixed prayer, to be repeated as sort of a meditation. In Franny and Zooey, Franny, a brilliant and introspective teenager, comes home frantically repeating the "Jesus Prayer", looking for some kind of metaphysical escape from herself. She's looking for some kind of Zen-like release from ego. Part of growing up is discovering who we are and we may not like everything we see. Part of maturation, much later on, is accepting even those flaws. But Franny wants an instant release from distasteful self-discovery, so she heads instead for destruction.

Her brother Zooey saves her by an ingenious bit of sophistry; isn't focusing on escaping the self a form of egotism? He argues that her ideas are flawed and provides a lot of interesting arguments about her belief system. For example, his astute remarks that Franny disapproves of Jesus and is more sympathetic with Buddhism is strikingly akin to people today who feel strongly they must become vegetarian and disapprove of Christians and yet cannot say exactly why, except that they feel Christians criticize them and that animals are somehow innocent and all-loving. Consider this quote from Zooey:

"And the other thing you disapproved of- the thing you had the Bible open to- was the lines 'Behold the fowls of the air: for they sow not, neither do they reap, nor gather into barns; yet your heavenly Father feedeth them.' That was all right. That was lovely. That you approved of. But, when Jesus says in the same breath, 'Are ye not much better than they?'- ah, that's where little Franny gets off. That's where little Franny quits the Bible cold and goes straight to Buddha, who doesn't discriminate against all those nice fowls of the air. All those sweet, lovely chickens and geese that we used to keep up at the Lake."

Salinger's uncanny depiction of the anguish of youth, coupled with Eastern mysticism and an eccentric but lovable family became a cult classic in the 50's. While Catcher in the Rye unerringly pinpoints the feelings of a teenage boy, Franny catches so much of the feelings of a girl that some analysts of the book have proposed that the real reason behind Franny's breakdown was that she was pregnant. I totally reject that notion, but it is interesting that her troubles are so well described that readers ascribe a typical teen trouble, rather than the fact that Franny, like Holden Caulfield, is facing maturity with fear and loathing. Worth reading.