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10 of 10 people found the following review helpful:
5.0 out of 5 stars
Worthy of Hitchcock...., February 14, 2001
Like BLADE RUNNER before it, when FRANTIC came out in U.S theaters in 1988, it's box-office performance was rather dissappointing. The reason for this can be attributed to the fact that FRANTIC (like BLADE RUNNNER) was not cranked out by the Hollywood cookie cutter machine, and therefore not a movie for American masses. Delving a bit deeper into this, there are aspects of the film's feel, plot, performance and score that I'd like to touch on:FEEL Despite the fact that it's made by Warner Bros., FRANTIC has a distinctive European production feel to it. Yes, it's filmed in Paris,but the feel, pace and cinematography make one realize that Frantic is really a European film which has an American star at its helm. It's not often that big stars, such as Harrison Ford, step out of the Hollywood production scene to make a European-type feature. It's no surprise, then, that FRANTIC was hugely successfull in Europe. PLOT The film has the spirit of Hitchcock throughout it. Even its premise: Harrison Ford's(Dr. Richard Walker) wife mysteriously vanishes from his hotel upon arriving in Paris for a conference. It differes from other films with a similar plot (such as THE VANISHING and BREAKDOWN), in that the audience is just as at a loss as Walker is. We only know what he knows. We discover parts of the mystery as he methodically puts the peices together. This aspect is what really creates the film's gripping suspense and makes one relate and empathise with Dr. Walker's anguish. In the afore mentioned movies, there is a bi-linear plot where we see what is going on from the kidnapper's point of view, which make things all-too obvious. PERFORMANCE For those critics that say that Harrison Ford can't act, they obviously haven't seen this movie. To me, this is his best perfmance of his illustrious career. Harrison Ford is required to be in every scene of the film, since he is our eyes and ears. This is not an easy job, even for the most seasoned of actors, but Ford pulls it off masterfully. SCORE Ennio Morricone's score for this film is very appropriate. He weaves in suspensfull strings throughout the film along with jazzy undertoans and meloncholy pieces brilliantly complementing the Ford's performance and Polanski's vision. The opening and closing titles are distinctively Morricone, mixing an orchestra strings theme with an electric bass and drum set. Alas, the soundtrack CD has been out of print for years..... FRANTIC is not a perfect film, but clearly, it has not been given the credit that it deserves. It is a film that should not go unnoticed by movie-goers that appreciate atmospheric, suspense-filled thrillers with first-class permormances.
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