From Publishers Weekly
In this discerning biography, New York University English professor Karl convincingly argues that Kafka's (1883-1924) life cannot be grasped by following a path of events, stressing that the writer who "communicated the century to us" was simply too reticent to be revealed by a series of incidents. So Karl approaches Kafka's development by other lights, not only those cast by his fictions, diaries and letters, but also by taking a fresh look at the social history of the late Austro-Hungarian empire and Prague, its "third city"--particularly the phenomenon of "secessionism," the flight of artists, cults and ethnic groups of the period from the mainstream. The book's lengthy text deepens the enigma of Kafka's art. Karl cannot uncover the ultimate sources that summoned this tentatively assimilated son of a Jewish merchant to his literary calling, but skillfully details the routes Kafka took to write. We're shown that anxiety and emotions so burdened Kafka that a diagnosis of terminal tuberculosis in 1917 provides genuine spiritual uplift. Though the sentence of death--still seven years from its term--informed his writing, it did not fundamentally change the direction of his work. This critical biography is a fair bid for the single most comprehensive examination of the author in English. Photos not seen by PW.
Copyright 1991 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Copyright 1991 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From Library Journal
This book claims to be the definitive biography of the troubled author of such Modernist works as The Trial and The Metamorphosis . Karl is the author of equally weighty biographies of Conrad ( Joseph Conrad: The Three Lives , LJ 12/1/78) and Faulkner ( William Faulkner: American Writer , LJ 2/1/89), as well as works of criticism of 20th-century literature. He has amassed a prodigious amount of information and produced a thorough analysis of Kafka's difficult relationships with his parents and his fiancee, Felice Bauer, his exceptional distaste for reminders of bodily functions, his love-hate relationship with Judaism, and his antipathy to being closed in, all of which fed his creative genius. Many scholars will be pleased by the excellent description of the Austro-Hungarian culture, but general readers will wish for more editing. For academic and large public libraries.
- Ann Sapp, Montgomery Cty. Dept. of Public Libs., Md.
Copyright 1991 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
- Ann Sapp, Montgomery Cty. Dept. of Public Libs., Md.
Copyright 1991 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
