From Publishers Weekly
It's usually wise for a memoirist to have either an intrinsically interesting life or unusual sensitivity to the meaning of personal experiences. Dawson, unfortunately, has neither. The premise of his comics memoir is, as he puts it, that when I think of Queen I can remember my whole life: he's been obsessed with the British rock band and its late front man, Freddie Mercury, since he was a child living in England, and they're the madeleine that triggers memories of his life's significant events. But he barely explains why they mean so much to him, other than that they rock (Mercury's sexuality is mentioned briefly, once), and his recollections are the common stock of geeky, misunderstood adolescent male cartoonists. Dawson's black-and-white artwork is smoothly paced, fluid caricature in the vein of Joe Sacco or Alex Robinson, and his narration neatly evokes the hyperdramatic worldview of a teenager; some of the individual anecdotes he recalls are amusing, as when he imagines the breakup of Wham! or shows himself as a 10-year-old belting out Bohemian Rhapsody a cappella at a talent show and being hustled off stage. While Dawson rambles at times, anyone who was ever obsessed with a creator will recognize some of the whimsical story.
(June) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Grade 10 Up–As a boy in England, Dawson saw the rock group Queen on television; his older brother offered him a cassette of the group's
Frankie Goes to Hollywood album and an obsession was born. In his first full-length book, he gives readers a gently nuanced autobiography in which Queen's lead singer, Freddy Mercury; Mike's little sister, Sarah; their grandmother; and of course Mike himself undergo many of life's stunning changes: emotional independence, self-expression, illness, and loss. When the family leaves England to live in New Jersey, Dawson imports his devotion and spreads his enthusiasm for Queen among his new schoolmates. As an adult, he re-creates these early- and middle-adolescent years with candor, sweetness, and emotional insight. His black-and-white images depict highly individualized characters–including the wide-nosed, orthodontics-wearing author–and panels are constructed to great effect. For teens who have found one particular song or singer to provide the theme music for their lives, as well as for budding artists, Dawson's story is, indeed, rhapsodic.
–Francisca Goldsmith, Halifax Public Libraries, Nova Scotia Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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