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Free Jazz (The Roots of Jazz)
 
 
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Free Jazz (The Roots of Jazz) [Paperback]

Ekkehard Jost (Author)
5.0 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

March 22, 1994 The Roots of Jazz
When originally published in 1974, Ekkehard Jost's Free Jazz was the first examination of the new music of such innovators as Sun Ra, Ornette Coleman, and the Art Ensemble of Chicago. Jost studied the music (not the lives) of a selection of musicians—black jazz artists who pioneered a new form of African American music—to arrive at the most in-depth look so far at the phenomenon of free jazz. Free jazz is not absolutely free, as Jost is at pains to point out. As each convention of the old music was abrogated, new conventions arose, whether they were rhythmic, melodic, tonal, or compositional, Coltrane's move into modal music was governed by different principles than Coleman's melodic excursions; Sun Ra's attention to texture and rhythm created an entirely different big bang sound then had Mingus's attention to form.In Free Jazz, Jost paints a group of ten "style portraits"—musical images of the styles and techniques of John Coltrane, Charles Mingus, Ornette Coleman, Cecil Taylor, Archie Shepp, Albert Ayler, Don Cherry, the Chicago-based AACM (which included Richard Abrams, Joseph Jarman, Roscoe Mitchell, Lester Bowie, Anthony Braxton, and the Art Ensemble of Chicago), and Sun Ra and his Arkestra. As a composite picture of some of the most compelling music of the 1960s and '70s, Free Jazz is unequalled for the depth and clarity of its analysis and its even handed approach.

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Editorial Reviews

About the Author

Ekkehard Jost is professor of musicology at the University of Giessen in Germany, and has written seven books. He plays baritone and bass saxophone, and bass and contrabass clarinet, and has recorded seven records as leader or co-leader. He is vice president of the Association of Jazz Musicians in Germany, and president of jazz and new music institutes in Hessen and Darmstadt.

Product Details

  • Paperback: 214 pages
  • Publisher: Da Capo Press (March 22, 1994)
  • Language: English
  • ISBN-10: 0306805561
  • ISBN-13: 978-0306805561
  • Product Dimensions: 9.2 x 5.9 x 0.6 inches
  • Shipping Weight: 10.4 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #291,410 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
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Most Helpful Customer Reviews

10 of 10 people found the following review helpful:
5.0 out of 5 stars Informative and vintage technical text, February 17, 2004
By A Customer
This review is from: Free Jazz (The Roots of Jazz) (Paperback)
This book covers the music of Coltrane, Mingus, Ornette, Cecil Taylor, late period Coltrane, Shepp, Ayler, Cherry, AACM, and Sun Ra. It is valuable as an historical text, since Jost gives good outlines of each musician's career (up to 1974, when the book was published). The German author Jost gives in depth descriptions of formal aspects of each musician's work, which is most interesting in the case of the composers whose work extensively involves the working out of musical structures. It is a very rational approach to a very complex subject. At times, I felt that the absence of discussion of political or spiritual aspects of the music was not a good thing, but it seems like Jost's goal was to discuss history and form for the most part. It's a view of Free Music from a Western point of view.
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10 of 10 people found the following review helpful:
5.0 out of 5 stars Great analysis of a misunderstood genre, January 17, 2000
By A Customer
This review is from: Free Jazz (The Roots of Jazz) (Paperback)
This book serves as an excellent survey of free jazz in the 60's. Jost uses plenty of examples and a lots of objectivity to write a book that celebrates the many virtues of this multifaceted genre, while maintaining a realistic perspective. He doesn't hesitate, however, to criticize free musicians where it is due, giving his more frequent positive comments more weight. A must for any student of the avante-garde.
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9 of 11 people found the following review helpful:
5.0 out of 5 stars Nice, Concise, and Worth the Price, July 23, 2001
This review is from: Free Jazz (The Roots of Jazz) (Paperback)
This is a great book, but, thankfully, it differs from other books on the same topic. This is a fairly in-depth analysis of the musicians' MUSIC. Don't expect long anecdotes about Cecil Taylor's life or John Coltrane's spirituality or about revolutionary politics or whatever. Jost feels that this stuff is abundant in others' books and accounts of the "free" movement, and that it has distracted us from the music itself. That's what I love about this book; the author isn't afraid to dig deep into the music. Also, most of his recorded examples are easy to find (or at least available somewhere). There isn't any of that "one time in 61' I saw Ornette play the harmonica in this pub in sweden and....". This book makes this seemingly difficult music more accessible...check it out.
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Inside This Book (learn more)
First Sentence:
At the end of the Fifties, Ornette Coleman made the programmatic statement, "Let's play the music and not the background" (from Williams 1970. p. 207). Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
rubato ballads, rhythmic groundwork, motivic improvisation, modal playing, musical totality, avantgarde music, ballad interpretations, functional harmonic progressions, free jazz, futuristic sounds, free tempo, kinetic density, melodic spans, stylistic areas, rhythmic differentiation, collective improvisation, sound improvisations, dynamic gradations, complete communion, tonal centre, jazz criticism, ensemble passages, musical conception, jazz magazine, hard bop
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Sun Ra, Don Cherry, Ornette Coleman, Cecil Taylor, New York, Archie Shepp, Art Ensemble, John Coltrane, Albert Ayler, Miles Davis, Eternal Rhythm, Pharoah Sanders, Favorite Things, Heliocentric Worlds, Joseph Jarman, Love Supreme, Anthony Braxton, John Tchicai, Charles Mingus, Charlie Parker, Coleman Quartet, Experimental Band, Lester Bowie, Roscoe Mitchell, Elvin Jones
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