When all else fails, humor is the saving grace of a world awash in crisis. Thus, a sob becomes a hysterical segue into burst of laughter inspired by a twenty-four year old writer for- why not?- the infamous "Saturday Night Live". Rich's random flights of wit and fancy are presented in sections: "Growing Up"; "Going to Work"; "Relationships"; "Daily Life"; "Animals", and- again, why not? "God".
A quirky kid already hip to the craziness around him, Rich's collection kicks off with threat assessment, the same old canards adults have poured into the fertile imaginations of children for generations: "Got your nose.-Please just kill me. Better to die than to live the rest of my life as a monster." Then there is the matter of the tooth fairy: "Is she... a cannibal? What else does she take? Does she take eyes?" Or an intimate conversation between two frogs: "Why do human children dissect us?"
As the inquisitive boy grows through the awkward stages of adolescence no one can avoid, he betrays his geekiness, vaguely hoping to slide through a series of social blunders. The oddities only become more specific and embarrassing. Reality is closing in, time travel the only option for changing the past, unsuccessful Opium Wars, a Greek marathon, a creative approach to a seriously bad actor's presence in the world, life's absurdities served up as a rich buffet no mean feat for this young torturer of logic.
And who else but Rich could manufacture the hubris to challenge God, to ask the harsh questions ("Why did Seth Brody of Hartford, Connecticut, have a seizure while ordering a hamburger at Denny's?"). The age-old question of why bad things happen to good people is sometimes resolved as a simple case of mistaken identity. Okay, so certain types of humor are an acquired taste. But you never know until you sample the menu. It takes a unique mind to imagine these bizarre scenarios, the perspective of an absurdist and the free-floating anxiety of youth channeled into a universe that sorely needs a good laugh. Luan Gaines/ 2008.