Freedom in the Groove

Joshua Redman | Format: Audio CD

Product Details

• Audio CD (September 24, 1996)
• Original Release Date: September 24, 1996
• Number of Discs: 1
• Label: Warner Bros / Wea
• ASIN: B000002NA7
• Also Available in: Audio Cassette  |  MP3 Download
• Average Customer Review: 4.5 out of 5 stars  See all reviews (17 customer reviews)
• Amazon Best Sellers Rank: #123,926 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

10 of 10 people found the following review helpful:

5.0 out of 5 stars Definitely a good thing., June 1, 2001

By 

Thomas Hoberg (Oberlin, OH United States) - See all my reviews

This review is from: Freedom in the Groove (Audio CD)

I've recently read a couple critics who actually use terms such as "rather disappointing" and "bland" in reference to this CD. I have to wonder exactly what these critics are listening for as they reach these conclusions; to me, Redman, backed up by an absolutely phenomenal rhythm section, offers forth an intense display of energy and musicianship. I don't see how it is possible that somebody could listen to this CD with open ears and not notice how incredibly exciting the music is. Anybody who can't hear raw creativity and energy on "Freedom in the Groove" is thinking too much, in my humble opinion. I don't remember if it was Pops, Miles, or Duke that said, "If it sounds good, it is good." But this music is very, very good.

It should be noted that the rhythm section is rock solid throughout, and the entire quintet really meshes nicely during solos and so forth. Certainly, some of Redman's later music is brilliant as well. But this album shouldn't be overlooked in the least.

11 of 12 people found the following review helpful:

5.0 out of 5 stars Josh at his finest., January 27, 2001

By 

Zach Powers "wordist" (Savannah, GA) - See all my reviews

This review is from: Freedom in the Groove (Audio CD)

Since he burst onto the jazz scene in the early 90's, Joshua Redman has constantly redefined the role of the jazz musician. Without abandoning his jazz roots he has found innumerable ways to advance the art of music. His musical sensibilities allow him to demonstrate tremendous musicality while at the same time making everything he plays popularly accessible.

This album was the point at which his stunning synthesis of genres really came into its own. Redman always records with only the finest musicians, and this album demonstrates it clearly with all four of the supporting cast truly understanding Redman's music and his mission. Brian Blade is the best drummer out there as far as I'm concerned (check out his CD "Perceptual" w/ the Brian Blade Fellowship). Peter Bernstien works the guitar, Peter Martin on piano, and Christopher Thomas handles the bass. All three of these guys are probably in the top 10 of young musicians on their respective instruments.

The entire album is great, and it's quite easy to play straight through, but I have a few favorite tunes. "Cat Battles" is awesome; great melody, great changes and great soloing by everybody. The first track, "Hide and Seek", is just cool, if only for Redman's incredible intro. I have some friends who live by "When the Sun Comes Down", and I sure can't argue with the fact that its a beautiful song.

This and his next two releases "Timeless Tales" and "Beyond" might very well be the future of jazz, and I wouldn't be at all disappointed if they were.

7 of 7 people found the following review helpful:

5.0 out of 5 stars Perfect balance of soul and skill, June 5, 2000

By 

"[e-mail]" - See all my reviews

This review is from: Freedom in the Groove (Audio CD)

This is by far my favorite Joshua Redman recording, along with his playing on Chick Corea's Tribute to Bud Powell (1997). Some of his older recordings were too flashy for me, and the Times Changing session too "academic." On this session, however, Redman finds the perfect blend of unity and variety. The grooves are inspiring, and the melodies are bluesy yet very unique. Harmonically adventurous, yet soulful and spirited. I would even venture so far as to call this session the Blue Trane of the 90's.