From School Library Journal
Grade 3-6–Educators will welcome this story, based on a true incident, about slaves who commandeered a Confederate ship and sailed to freedom. A present-day boy introduces the tale, which is told from his great-great-grandfather's point of view. Robert Smalls is the real pilot of the ship, even though the captain calls him a wheelman. Smalls and the nine-member crew kidnap the
Planter and carry five black women and their three children to safety by offering the steamer and its weaponry to a Union vessel. Samuel swabs the deck with the crew but does not know about the escape plan, even as his mother rouses him from sleep and hurries them noiselessly to the waiting boat. The dark colors and shadows in the realistic chalk-pastel drawings suggest the secrecy of the families' nighttime escape, while the facial features and body language express urgency. Endpapers feature reproductions of a map of the Charleston Harbor and a picture of Smalls. An author's note tells more about his subsequent military service and terms as both a South Carolina and U.S. legislator. Pair this title with Eloise Greenfield's
How They Got Over: African Americans and the Call of the Sea (HarperCollins, 2003), which tells Smalls's story in a collective biography that highlights historically significant African Americans connected to the sea.
–Julie R. Ranelli, Kent Island Branch Library, Stevensville, MD Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
The Civil War history is thrilling: in 1862, Robert Smalls, 23, a black wheelman on the Confederate steamship
Planter, and other members of the ship's slave crew, seized the ship and delivered it to the Union Army. Five black women and three children escaped to freedom with the crew, and Rappaport uses the fictionalized viewpoint of one of the children to tell her story. Mama wakes Samuel in the night, and they row out to the
Planter, which skims over the water past the Union fleet until all aboard are free. Though personal narrative gives the story immediacy, and the handsome illustrations show the strong child and his proud, smiling family standing tall, Rappaport's lengthy note about Smalls is even more exciting than the fiction. For readers who want to know more, she has provided a bibliography and list of Web sites. Link this with Pamela Duncan Edwards'
Barefoot: Escape on the Underground Railroad (1998).
Hazel RochmanCopyright © American Library Association. All rights reserved