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  • Freeman Etudes Books 3 & 4
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Freeman Etudes Books 3 & 4


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Audio CD, September 20, 1994
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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

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listen  1. Etude 17 3:14$0.99  Buy MP3 
listen  2. Etude 18 3:11$0.99  Buy MP3 
listen  3. Etude 19 3:12$0.99  Buy MP3 
listen  4. Etude 20 3:09$0.99  Buy MP3 
listen  5. Etude 21 3:18$0.99  Buy MP3 
listen  6. Etude 22 3:07$0.99  Buy MP3 
listen  7. Etude 23 3:10$0.99  Buy MP3 
listen  8. Etude 24 3:13$0.99  Buy MP3 
listen  9. Etude 25 3:17$0.99  Buy MP3 
listen10. Etude 26 3:09$0.99  Buy MP3 
listen11. Etude 27 3:10$0.99  Buy MP3 
listen12. Etude 28 3:05$0.99  Buy MP3 
listen13. Etude 29 3:15$0.99  Buy MP3 
listen14. Etude 30 3:17$0.99  Buy MP3 
listen15. Etude 31 3:13$0.99  Buy MP3 
listen16. Etude 32 3:03$0.99  Buy MP3 


Frequently Bought Together

Freeman Etudes Books 3 & 4 + Cage: Freeman Etudes, Books One & Two (Complete Music for Violin, Disc One)
Price for both: $34.35

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Product Details

  • Audio CD (September 20, 1994)
  • Number of Discs: 1
  • Label: Mode
  • ASIN: B000000NYR
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #607,638 in Music (See Top 100 in Music)

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4 of 5 people found the following review helpful By Daniel Cadorin on December 2, 1999
Format: Audio CD
I understand and is respectful the note left by tusai, even though I have another opinion. I've listened much of the music of Cage with the scores in my hands and one needs to understand that Cage always used the Chance in composing his music in order to not have preference for any note or noise, therefore I don't think Arditti's performance is cold, but rather is just Cage's music which is composed in that way. In this case, I think, he used again the I Ching in the whole fashion to rule each piece: pitch, dynamics, etc. are ruled by chance. If one follows up the performance by Irvine against looking at the score, it is amazing the precision of details: time, intensities, dynamics, and absolutely no details are missed. I suggest also, and probably this would have been Cage's wish, to listen several of these pieces together at the same time in such way you can have a quartet (or more) of Ardittis performing a new work of Cage ( I think you can have infinite performances of the same work).
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1 of 10 people found the following review helpful By A Customer on April 4, 1999
Format: Audio CD
I have a real problem with Arditti doing Cage. I think when you consume your entire life with goal-oriented,incessant goals toward an aesthetic object, how is it possible to think in an oppositional way without some time lapse, some retreat into Zen to really feel the spatial time. Given these Freeman Studies puts a hold on Cage's more traditionally beautiful Zen excursions, still how do we appraise them then. A raw unhihibited virtuoso display, non-conceived abstraction for the pure spirit of what??. I find Arditti cold and uninspired. He is a consummate quartet leader and should remain one. What is required I think in performing Cage is you always need to consider the full Cage, and not a frationalized one with a one-dimensional cast.
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