This book of essays is the first to explore French films in the 1990s. It focuses on continuity with the 1980s in terms of genres and preoccupations such as definitions of a national cinema, the heritage film, gay/lesbian issues, and ethnic issues. It also explores key differences between the two decades in film and examines the issues of community and political reflection.
French Cinema in the 1990s: Continuity and Difference
and over one million other books are available for Amazon Kindle.
Learn more
FREE Two-Day Shipping for students on millions of items. Learn more |
| ||||||||||||||||||||
Book Description
Editorial Reviews
About the Author
1996 Director of the Centre for Research into Film, University of Newcastle upon Tyne 1995 Professor of French Cultural Studies, University of Newcastle upon Tyne 1991-1995 Senior Lecturer French Studies, University of Newcastle upon Tyne 1978-1991 Lecturer French Studies, University of Newcastle upon Tyne
Product Details
Would you like to update product info or give feedback on images?
|
Customer Reviews
|
There are no customer reviews yet.
|
|||
|
Video reviews
|
Inside This Book
(learn more)
First Sentence:
CONTINUITY and difference, the subtitle of this volume, are terms used by Susan Hayward in her introduction to French National Cinema. Read the first page Key Phrases - Capitalized Phrases (CAPs): (learn more)
Irma Vep, Bye Bye, Douce France, Second World War, Les Roseaux, Spike Lee, Josiane Balasko, Mme Alvarez, Carrie Tarr, Jurassic Park, Les Amants du Pont-Neuf, United States, French Revolution, Maggie Cheung, Keith Reader, Mauvais Sang, New York, Bel Canto, Brigitte Rollet, Digital Domain, North Africa, Title of Film Year Director, Cannes Film Festival, Coline Serreau, Communist Party New!
Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
CONTINUITY and difference, the subtitle of this volume, are terms used by Susan Hayward in her introduction to French National Cinema. Read the first page Key Phrases - Capitalized Phrases (CAPs): (learn more)
Irma Vep, Bye Bye, Douce France, Second World War, Les Roseaux, Spike Lee, Josiane Balasko, Mme Alvarez, Carrie Tarr, Jurassic Park, Les Amants du Pont-Neuf, United States, French Revolution, Maggie Cheung, Keith Reader, Mauvais Sang, New York, Bel Canto, Brigitte Rollet, Digital Domain, North Africa, Title of Film Year Director, Cannes Film Festival, Coline Serreau, Communist Party New!
Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 68
books:
See all 68 books this book cites
6
books
cite this book:
See all 6 books citing this book
- Cinema, Colonialism, Postcolonialism: Perspectives from the French and Francophone Worlds by Dina Sherzer on 5 pages
- Coline Serreau (French Film Directors) by Brigitte Rollet in Front Matter, page 19, and Back Matter
- French National Cinema (National Cinemas) by Susan Hayward on page 1, and Back Matter
- Vichy France: Old Guard and New Order, 1940-1944 by Robert O. Paxton on page 58, and Back Matter
- French Today: Language in its Social Context by Carol Sanders in Back Matter (1), and Back Matter (2)
See all 68 books this book cites
- French Cinema: A Student's Guide by Phil Powrie in Back Matter (1), and Back Matter (2)
- French Popular Culture: An Introduction by Hugh Dauncey in Front Matter
- Feminist Discourse and Spanish Cinema: Sight Unseen (Oxford Hispanic Studies) by Susan Martin-Marquez in Back Cover
- French Popular Culture: An Introduction by Hugh Dauncey in Front Matter
- Fifty Contemporary Filmmakers (Routledge Key Guides) by Yvonne Tasker on page 59
See all 6 books citing this book
Suggested Tags from Similar Products(What's this?)Be the first one to add a relevant tag (keyword that's strongly related to this product).
|
Customer Discussions
|
This product's forum
Active discussions in related forums
Search Customer Discussions
|
Related forums
|
