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French Clarinet Art
 
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French Clarinet Art

Paul Meyer Audio CD
3.8 out of 5 stars  See all reviews (8 customer reviews)


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Product Details

  • Audio CD (August 31, 1993)
  • Number of Discs: 1
  • Label: Denon Records
  • ASIN: B0000034YI
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #223,408 in Music (See Top 100 in Music)

 
1. Sonata for clarinet & piano in E flat major, Op. 167: I. Allegretto
2. Sonata for clarinet & piano in E flat major, Op. 167: II. Allegro animato
3. Sonata for clarinet & piano in E flat major, Op. 167: III. Lento
4. Sonata for clarinet & piano in E flat major, Op. 167: IV. Molto allegro
5. Andante et Allegro, for clarinet & piano
6. Petite pièce, for clarinet & piano (or orchestra), L. 120
7. Rhapsodie for clarinet & piano (or orchestra), L. 116
8. Sonatina for clarinet & piano, Op. 100: I. Très rude
9. Sonatina for clarinet & piano, Op. 100: II. Lent
10. Sonatina for clarinet & piano, Op. 100: III. Très rude
11. Duo concertant, for clarinet & piano, Op. 351
12. Caprice, for clarinet & piano, Op. 335a
13. Sonata for clarinet & piano, FP 184: I. Allegro tristamente
14. Sonata for clarinet & piano, FP 184: II. Romanza
15. Sonata for clarinet & piano, FP 184: III. Allegro con fuoco
16. Sonatine, for clarinet (or cello) & piano, H. 42: I. Modéré
17. Sonatine, for clarinet (or cello) & piano, H. 42: II. Lent et soutenu
18. Sonatine, for clarinet (or cello) & piano, H. 42: III. Vif et rythmique

 

Customer Reviews

8 Reviews
5 star:
 (4)
4 star:
 (1)
3 star:
 (1)
2 star:
 (1)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
3.8 out of 5 stars (8 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

16 of 16 people found the following review helpful:
5.0 out of 5 stars Fabulous Musicality and Technique, January 30, 2002
By A Customer
This review is from: French Clarinet Art (Audio CD)
Paul Meyer is an excellent clarinetist, but when playing French music, superlatives are exhausted. Here he is at his most delicate, and his lightness of touch is something to behold. The Debussy Premier Rhapsody especially is gorgeous. Undoubtably one of the most musical payers out there today, I feel that this recording is one of Meyer's very best. It should be essential listening for any clarinetist, and includes a nice array of works from the canon, and those slightly less well known. One of the most listened to recordings in my library.
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11 of 11 people found the following review helpful:
4.0 out of 5 stars Some beautiful interpretations here, October 7, 2003
By 
Clarinet Chick (Adelaide, South Australia) - See all my reviews
This review is from: French Clarinet Art (Audio CD)
I just bought this CD in the last 6 months and there is some absolutely BEAUTIFUL interpretations of the glorious music. Debussy's Premiere Rhapsodie is gorgeous with just the right amount of vibrato. I'm not sure about his use of vibrato in other parts of the recordings but it works particularly well here.

The Poulenc sonata is also a highlight for me - the second movement sends shivers up my spine!

My only gripe would be the speeds of the Saint Saens sonata. I think he has taken a rather ambitious tempo for the 1st and 2nd movements (particularly the 2nd) which I think loses some of the charm of the individual notes (makes the triplets sound a bit of a farce!) The last movement is crazy but ultimately appropriate I think.

Overall, I think that Paul Meyer's interpretation of the music his country has contributed to the classical genre is admirable and Eric Le Sage does much to complement his playing. I would recommend it as the cd to buy if you're looking for a recording of Debussy's Premiere Rhapsodie - I would've bought the CD for that alone.

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7 of 8 people found the following review helpful:
3.0 out of 5 stars Pure of tone, but wavering musicality, April 13, 2004
By 
george baker (Lansing, MI USA) - See all my reviews
This review is from: French Clarinet Art (Audio CD)
Although Meyer's tone on this particular CD may come near to matching Harold Wright's, his interpretation of the Saint-Saens is replete with musical fallacies, the most obvious of which is the inappropriately brisk tempo. The Saint-Saens particularly vexed me; the first mvt. (Allegretto), in which he hastily stumbled through important phrases such as the d to high d short passage. The tonguing passages were almost stridently quick.
For an excellent recording of the Saint-Saens, I would recommend Janet Hilton. Her tone is just as French-sounding as Meyer's, and possibly more so. Her recording of the Poulenc Sonata is just as amazing.
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