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French Film : Texts and Contexts
 
 
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French Film : Texts and Contexts [Paperback]

Susan Hayward (Editor), Ginette Vincendeau (Editor)
5.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

0415161185 978-0415161183 January 2000 2
The second edition of this innovative textbook brings together leading scholars to provide detailed analyses of twenty-two key films within the canon of French cinema, from the 1920s to the 1990s. Films discussed include:
* masterpieces such as Renoir's La Bete Humaine and Carne's Les Enfants du Paradis
* popular classics such as Les Vacances de Monsieur Hulot and Ma Nuit chez Maud
* landmarks of the New Wave such as Les 400 Coups and A bout de souffle
* important films of the 1990s such as Nikita and La Haine
The films are considered in relation to such issues as the history of French cinema, the social and cultural contexts of their production and reception, the relationship with Hollywood cinema, gender politics, authorship and genre. Each article is accompanied with a guide to further reading and a filmography of the director, and the new edition also includes a fully revised introduction and a bibliography on French cinema.

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Editorial Reviews

Review

...Hayward and Vincendeau's attention to the cultural specificity of French cinematic production as well as a wider interest in the medium as a whole has culminated in a rigorous examination of these films not only as cultural artifacts but also as technical and creative master productions to be studied and enjoyed by all.
L'Esprit Createur, Vol. 42, No.3 (Fall 2002), Meaghan Emery

An excellent new introduction never once forces generalities. The book's value is clear: all readers, whether they have seen the films or not, will profit from reading these essays.
Choice

About the Author

Susan Hayward is [title to be confirmed] at the University of Exeter. She is the author of French National Cinema (1990) and Key Concepts in Cinema Studies (1996). Ginette Vincendeau is [title to be confirmed] at the University of Warwick.

Product Details

  • Paperback: 368 pages
  • Publisher: Routledge; 2 edition (January 2000)
  • Language: English
  • ISBN-10: 0415161185
  • ISBN-13: 978-0415161183
  • Product Dimensions: 9.2 x 6.2 x 0.9 inches
  • Shipping Weight: 1.5 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #216,324 in Books (See Top 100 in Books)

 

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Inside This Book (learn more)
First Sentence:
Marcel Pagnol's series of three films, Marius, Fanny and Cesar, usually referred to as 'the trilogy', has conformed to the fate of many truly popular classics: adored by the public - they were all box-office hits - the films were put down by contemporary critics as bad boulevard theatre or Marseillais melodramas (Bardeche and Brasillach 1948, 411). Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
les valseuses, beur films, banlieue films, femme est une femme, des brumes, youthful revolt, pleine lune, des cerises, heritage film, nouvelle vague, national cinema, mon amie, sound cinema, des films
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Jean-Luc Godard, L'Air de Paris, Cyrano de Bergerac, Jean Gabin, Lacombe Lucien, Eric Rohmer, Marcel Pagnol, New Wave, Jacques Becker, Julien Duvivier, Louis Malle, Ginette Vincendeau, Jean-Pierre Melville, Manchester University Press, Poetic Realism, Diane Kurys, Bertrand Blier, Robert Bresson, British Film Institute, Cambridge University Press, Claude Berri, Fritz Lang, University of California Press, Alain Resnais
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