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The Friday Book: Essays and Other Nonfiction [Mass Market Paperback]

John Barth (Author)
5.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

November 1, 1985

"Whether discussing modernism, postmodernism, semiotics, Homer, Cervantes, Borges, blue crabs or osprey nests, Barth demonstrates an enthusiasm for the life of the mind, a joy in thinking (and in expressing those thoughts) that becomes contagious... A reader leaves The Friday Book feeling intellectually fuller, verbally more adept, mentally stimulated, with algebra and fire of his own."--Washington Post

Barth's first work of nonfiction is what he calls "an arrangement of essays and occasional lectures, some previously published, most not, most on matters literary, some not, accumulated over thirty years or so of writing, teaching, and teaching writing." With the full measure of playfulness and erudition that he brings to his novels, Barth glances into his crystal ball to speculate on the future of literature and the literature of the future. He also looks back upon historical fiction and fictitious history and discusses prose, poetry, and all manner of letters: "Real letters, forged letters, doctored letters... and of course alphabetical letters, the atoms of which the universe of print is made."

"The pieces brought together in The Friday Book reflect Mr. Barth's witty, playful, and engaging personality... They are lively, sometimes casual, and often whimsical--a delight to the reader, to whom Mr. Barth seems to be writing or speaking as a learned friend."--Kansas City Star

"No less than Barth's fiction these pieces are performances, agile, dexterous, robust, offering the cerebral delights of playful lucidity."--Richmond News Leader

--This text refers to an out of print or unavailable edition of this title.


Editorial Reviews

Amazon.com Review

A classic collection of essays now published in a new edition (with a new afterword by the author), The Friday Book was the first work of nonfiction by novelist John Barth, author of The Sot-Weed Factor, Giles Goat-Boy, and Chimera. Taking its title from the day of the week Barth would devote to nonfiction, the three dozen essays discuss a wide range of topics from the blue crabs of Barth's beloved Chesapeake Bay to weighty literary subjects such as Borges, Homer, and semiotics. Even when taking on serious matters, Barth's essays are shrewd, playful, and often very funny. --This text refers to an out of print or unavailable edition of this title.

Review

""Whether discussing modernism, postmodernism, semiotics, Homer, Cervantes, Borges, blue crabs or osprey nests, Barth demonstrates an enthusiasm for the life of the mind, a joy in thinking (and in expressing those thoughts) that becomes contagious. Indeed, if you've ever wondered what modernism, postmodernism, and semiotics mean, you've found the right place to learn." -- Washington Post

--This text refers to an out of print or unavailable edition of this title.

Product Details

  • Mass Market Paperback: 281 pages
  • Publisher: Perigee Trade (November 1, 1985)
  • Language: English
  • ISBN-10: 0399512098
  • ISBN-13: 978-0399512094
  • Product Dimensions: 8.9 x 5.9 x 0.9 inches
  • Shipping Weight: 1.1 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,608,266 in Books (See Top 100 in Books)

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11 of 13 people found the following review helpful:
5.0 out of 5 stars A literary master lets us into his head., August 14, 1997
So you're a writer worried about the future of your art? Or you're a reader wondering if you're the last of your breed? Well, here's a book to comfort your soul (and give you a good idea of where to go next).

In this, his 1st collection of non-fiction, John Barth, long-considered a master-practitioner of fiction, gives us several dozen essays that should be on the syllabus of any class dealing with the art & craft of writing. As strong a philosopher as he is a storyteller, Barth shows us how his outlook on all things literary has affected his output, especially in the 2 strongest pieces: "The Literature of Exhaustion" & "The Literature of Replenishment." But singling out these 2 essays is like focusing on "Hamlet" and "King Lear" while ignoring the rest of Shakespeare. Like the Bard himself, John Barth is a man whose idea of play is more rigorous & demanding than most people's idea of a career (and what a career he's had!). Here's a book that will make better readers & writers out of all who read it. Oh, and it's funny as hell as well.
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Inside This Book (learn more)
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First Sentence:
Of the making of writers there is no end till The End unmakes them. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
dramaturgical relation, narrative involvement, mythic heroism, black humorists, day beacon, apprentice writers, postmodernist fiction, one crawling, other nonfiction, tragic view
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Chesapeake Bay, Johns Hopkins, Eastern Shore, Jorge Luis Borges, Roderick Random, Penn State, Walt Whitman, Leslie Fiedler, Shah Zaman, Giles Goat-Boy, Don Quixote, Ebenezer Cooke, James Joyce, Coast Guard, Dorchester County, John Gardner, The Floating Opera, Finnegans Wake, Gabriel Garcia, John Hawkes, King Shahryar, Thomas Mann, William Gass, Axis Mundi
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