Amazon.com Review
Kathryn Chetkovich is an alchemist of the unremarkable. She knows that the momentous is always evident in small, suddenly decisive moments and phrases. Yet the characters in
Friendly Fire can't quite figure out the secrets and codes they encounter amid the everyday. As Chetkovich's underdogs bump up against über-mensches, subterfuge often seems the only way out. In "Appetites" (which Garrison Keillor selected for
The Best American Short Stories 1998 ) Amanda can't seem to stop lying to her new roommates. Then, however, she suddenly realizes that she might be able to get at the truth she's been avoiding: "I felt them looking at me, half-smiling, confused. I was almost home. 'I sent a man to the hospital once.'"
Friendly Fire is the perfect title for this edgy, arresting collection, in which family and friends can't seem to stop hurting one another. In the title story five women who share little but a wry approach to loneliness meet regularly for dinner. When one announces that she's met a new man, "around the room our hearts go hard and soft at the same time, the way they do when someone you love gets something they want." Chetkovich makes you not only hear "the lilt of the unheard question" but know instantly what it is--whether it's one a parent would rather not have to ask a grown child, or a would-be pickup line at a very odd party. --Kerry Fried
From Publishers Weekly
Although these 11 smart stories explore traditional short-story territory (e.g., the frightened emptiness of a young single woman new to the big city, the wedding of an ex-lover, the fraught relationships between mothers and daughters), they do so with unusual, plainspoken panache and twisty plots. In "Magic Acts," Daphne finds herself pregnant by an unsuitable partner. In need of comfort, she visits her sister, Lila, a lesbian, and her partner, Gwen, and discovers they have decided to become parents by artificial insemination. "It's a picture of inefficiency somehow?each person coming from a place someone else needs to go," reflects Daphne. Sadness, irony and good humor coexist throughout the collection. "It's my mother, that realist, who always puts temporary happiness in a long-term context," reflects a grown daughter in the title story. Chetkovich's sprightly prose allows an unusual display of character and situation in a few pages. Refreshingly robust, Chetkovich's stories have heart, action and resonance. They announce a young writer who knows not only how to probe her characters' lives but also how to make them entertaining. (Sept.) Writers' Workshop.
Copyright 1998 Reed Business Information, Inc.