13 of 13 people found the following review helpful:
5.0 out of 5 stars
A frogging fabulous read!, May 2, 2005
If you like fairy tales, and you have a sense of humour, then I've no doubt you will love this book just as much as I did.
Once I started reading this, I just couldn't put it down. It's got the whole shebang: romance, humour, adventure, magic, witches both good and bad, fickle faeries, awesome dragons, and even a bat with agoraphobia.
This is an imaginative retake on the old Frog Prince story. By a strange twist of magic, when the Princess goes to kiss the frog--POOF!--she is also turned into a frog. From then on, the Frog Prince and Princess have to fight to survive in a less than frog-friendly world, and try to regain their former human selves.
The characters in this are adorable. Princess Emma is hardly your steroetypical princess. She's clumsy and awkward and headstrong, far more at home in the swamp than she was in her castle. Prince Eadric, the frog she kisses, is also far from being a typical prince. He has a healthy sense of witty sarcasm, and an even healthier appetite for food. He's also spent so long asking princesses to kiss him that he's become a little set in his ways, and never gives up asking Emma for a smooch. But he's got a good heart to match those amorous wiles, and courage to spare.
This is a fast paced book that is so good, you'll be sad when it's over.
I can't wait to read the sequels...
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6 of 6 people found the following review helpful:
5.0 out of 5 stars
Good!, May 6, 2008
A Kid's Review
This review is from: The Frog Princess (Tales of the Frog Princess) (Paperback)
This book was really good! I am 10 1/2 and I loved it and couldn't put it down until I was finished. I just bought more books from this author. I recommend it!
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22 of 29 people found the following review helpful:
3.0 out of 5 stars
Enjoyable but insubstantial fairy tale fluff, June 11, 2004
It has been well documented that a kiss is much more than the brief contact between two pairs of lips.
Indeed, as E. D. Baker points out, its transformative abilities have been well noted in stories as disparate as Sleeping Beauty, Snow White, and, of course, The Frog Prince. The kiss has lost none of its potency in Baker's skewed fairy tale, as fourteen year old Princess Emeralda discovers. Succumbing to the pleas of yet another talking frog claiming to be an enchanted prince (goodness, there seem to be rather a lot of those around), she reluctantly puckers up-- and is herself changed into a frog. She and her froggy companion, Prince Eadric, embark upon a quest to regain their humanity; it is, as Eadric puts it, "a matter of life or froghood." Their everything-but-the-kitchen-sink adventures include amusing episodes with Vannabe, the would-be wicked witch, a disgruntled swamp fairy, various enchanted and/or talking creatures, several kisses (few of them between humans), and insects of varying degrees of tastiness. Fireflies, anyone? Or perhaps a nice, crunchy dragonfly?
The first person narrative has a certain sprightly charm with a number of humorous and clever garnishes (the trash can vs. the trash can't; the difference between them becomes crucial when the contents of the trash can't are freed by Emma's spell), and as a whole is seldom less than enjoyable, though I was rolling my eyes when it came to a cartoonish talking bat named--wait for it--Li'l Stinker. The dialogue can be a bit wooden and very occasionally descends into downright corniness ("I would never have met the best friend I've ever had," says Emma to Eadric in a particularly cliche instance), but the book works well when being flippant and tongue in cheek, which it mostly is.
The greatest problem with the book is not what it does wrong, but what it fails to do, i.e. to be a really clever, memorable modern fairy tale. All the stereotypes of fairy tales are present, most turned on their heads with moderate success. But while they do subvert fairy tale conventions, neither characters, story, nor world really take on a life of their own. There is nothing to make Baker's enchanted forest or generic fantasy world stand out from any other, and the characters are almost equally wanting. Even as the narrator of her own story, Emma comes across as just another member of a new generation of unconventional princesses (brave, kind hearted, but also shy and clumsy), and Eadric, amusingly self centered and imperfect, is only a little more individual. While reading The Frog Princess, I was reminded of a host of other modern fairy tale characters with more, well, character. Grassina pales beside the forceful, relentlessly no-nonsense Morwen of Patricia C. Wrede's Enchanted Forest Chronicles, and Eadric is nothing to Diana Wynne Jones's flamboyantly egotistical and selfish but lovable Howl. The pointed wit and skilful manipulation of fairy tales seen in Patrice Kindl's Goose Chase and Vivian Vande Velde's The Rumpelstiltskin Problem make The Frog Princess seem a trifle labored in comparison.
Writing skewed, young adult fairy tales has become a very popular thing to do, with the result that a number of books have been recently published that deal with the same basic themes. Fairy tale aficionados will enjoy Baker's offering, but may find themselves returning to stronger novels in this subgenre. The Frog Princess is an amusing little book, but it covers no new ground and leaves no deep impression.
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