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  • From Elvis in Memphis
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From Elvis in Memphis


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Audio CD, August 27, 1991
$15.52
$11.89 $2.42

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Elvis Aaron Presley was born to Vernon and Gladys Presley in a two-room house in Tupelo, Mississippi, on January 8, 1935. His twin brother, Jessie Garon, was stillborn, leaving Elvis to grow up as an only child. He and his parents moved to Memphis, Tennessee, in 1948, and Elvis graduated from Humes High School there in 1953.

Elvis’ musical influences were the pop and country music ... Read more in Amazon's Elvis Presley Store

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Frequently Bought Together

From Elvis in Memphis + Elvis Is Back: Legacy Edition + Elvis Presley: Legacy Edition
Price for all three: $43.61

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Product Details

  • Audio CD (August 27, 1991)
  • Number of Discs: 1
  • Label: RCA
  • ASIN: B000002WEH
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (107 customer reviews)
  • Amazon Best Sellers Rank: #587,414 in Music (See Top 100 in Music)

1. Wearin' That Loved On look
2. Only The Strong Survive
3. I'll Hold You I My Heart
4. Long Black Limousine
5. It Keeps Right on A-Hurtin'
6. I'm Movin' On
7. Power Of My Love
8. Gentle On My Mind
9. After Loving You
10. True Love Travels On A Gravel Road
11. Any Day Now
12. In The Ghetto

Editorial Reviews

Product Description

In January 1969, Elvis Presley was still mighty fired up from the success of his legendary NBC-TV "comeback" special, which had aired only a little over a month before. Eager to record some relevant music after a decade of, for the most part, horrible movie soundtracks, Presley entered Chip Loman's famous (122 chart hits in three years at the time) American Studio in Memphis to jam with the also famous house band. Several hit singles would come from these sessions, including "Suspicious Minds," "Don't Cry Daddy," "In the Ghetto," and "Kentucky Rain." From Elvis in Memphis is the first of two albums that came from the American recordings--and it's slightly better than Back in Memphis, including as it does "Long Black Limousine" (about a huge star returning to a small hometown in a hearse, and a song many Presley obituaries would late quote) and a cover of Chuck Willis's "Any Day Now" that actually tops the original. It's worth noting that all the tracks from the American Sessions are available on the box set From Nashville to Memphis: The Essential '60s Masters.

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In January 1969, Elvis Presley was still mighty fired up from the success of his legendary NBC-TV "comeback" special, which had aired only a little over a month before. Eager to record some relevant music after a decade of, for the most part, horrible movie soundtracks, Presley entered Chip Loman's famous (122 chart hits in three years at the time) American Studio in Memphis to jam with the also famous house band. Several hit singles would come from these sessions, including "Suspicious Minds," "Don't Cry Daddy," "In the Ghetto," and "Kentucky Rain." From Elvis in Memphis is the first of two albums that came from the American recordings--and it's slightly better than Back in Memphis, including as it does "Long Black Limousine" (about a huge star returning to a small hometown in a hearse, and a song many Presley obituaries would late quote) and a cover of Chuck Willis's "Any Day Now" that actually tops the original. It's worth noting that all the tracks from the American Sessions are available on the box set From Nashville to Memphis: The Essential '60s Masters. --Bill Holdship

Customer Reviews

I definitely recommend this to all Elvis fans.
Jane Brownley
I think this was the album that showed Elvis's music was changing with the times.
Fivehorizons2000
Here is Elvis' studio comeback album from 1969.
Phil S.

Most Helpful Customer Reviews

67 of 69 people found the following review helpful By hyperbolium on July 28, 2009
Format: Audio CD
Elvis Presley wasn't just the King of Rock `n' Roll, he was an artist who prospered in spite of an unsympathetic manager, and a star who rose to a second great peak, resurrecting himself from the ashes of a moribund career. His incendiary, game-changing hits of the `50s led to the start of a bright film career, but after losing his crown in a repetitive string of artistically lean popcorn movies, it took a string of three key performances to regain the throne. The first, 1967's How Great Thou Art, was a gospel album anchored in Elvis' musical roots; the second, an iconic NBC comeback special in 1968, proved he still had the rock `n' roll spark; and the third, this 1969 return to his Memphis home ground, showed he still had something new and potent to offer. There was more, including live and country albums in 1970 and 1971, but the artistic and commercial renaissance of 1967-69, capped by this soul and gospel masterpiece (and its hit single, "In the Ghetto"), is one of the great comebacks in music history.

Even more impressive, the album's dozen tunes are less than half the Memphis sessions' output. RCA's 2-CD Legacy reissue collects 36 tracks from Elvis' stay at Chip Moman's American Studio, adding ten tracks from the second platter of From Memphis to Vegas - From Vegas to Memphis (subsequently reissued as
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49 of 50 people found the following review helpful By T. Schmidt on May 19, 2000
Format: Audio CD
This is the single best collection of Elvis' 1969 comeback recordings. The first compilation of this material, _The Memphis Record_, suffered from muddy sound quality and horrible mixing (especially in the removal of the brass and strings from "Suspicous Minds"). Last year's 2-CD _Suspicous Minds_ contained the masters in their entirety, including a handful of fairly weak tracks. The reissue of _From Elvis in Memphis_ compresses the best of these sessions onto one smokin' disc!
The original 1970 release of _From Elvis in Memphis_ contained 12 tracks, with "In the Ghetto" as the torch-bearer. The new reissue pads the original 12 tracks with another 8 which were initially released as singles around the same time. The result is perhaps the best single Elvis CD ever released.
While the King is generally regarded as a "country boy", it is the R&B tracks which are most memorable. "Wearin' That Loved On Look" kicks off the proceedings with a fiery energy which sustains itself throughout the entire CD. "Long Black Limousine" and "Power of My Love" easily justify Elvis' title as the King of Rock n' Roll. These are the performances of a man reborn; a man eager to reclaim his place in the rock and roll hierarchy.
No Elvis record is complete without a country influence. This CD does more than satisfy. "It Keeps Right On a-Hurtin'" and "True Love Travels on a Gravel Road" both come across as heartfelt performances while Glen Campbell's "Gentle on My Mind" gives this reviewer goosebumps.
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40 of 41 people found the following review helpful By DJ McGovern on November 16, 2001
Format: Audio CD Verified Purchase
Elvis was 34 years old when he recorded this brilliant collection of pop, country, blues and soul music. It's an eclectic mix, and probably not to all tastes, but one thing is abundantly clear - Elvis was at his peak when he set foot in the American studios in Memphis that winter of 1969.
Vocally, this is a very different Elvis from even two years earlier, when he was still producing the sweet almost-crooning sound associated with soundtracks such as Blue Hawaii. Here his voice is stronger and darker, and the raucous opening track (Wearin' that loved on look) shows he is not afraid to sacrifice beauty of sound for a more dramatic effect. That's not to say this album doesn't contain some mellow singing as well - In the Ghetto is proof of that.
But what makes this album great is the sheer individuality displayed in every track as Elvis gives each song his trademark commitment and energy. Stand-outs for me include Only the Strong Survive, in which Elvis transforms an otherwise standard song into a very personal statement; a definitive Gentle on My Mind; After Loving You (with its brilliant vocal gyrations); Any Day Now; and the haunting and moving True Love Travels On A Gravel Road.
The bonus tracks include two songs that should have been on the original album - Suspicious Minds and Kentucky Rain. It's great to have them reunited with their companion pieces from the same recording sessions.
Just one tiny criticism - why has BMG included a photo of the Hollywood Elvis on its cover? It's precisely THAT Elvis that this album seeks to escape from! Perhaps they were being ironic?
The liner notes are excellent, and complement a masterful artistic statement from pop's greatest icon.
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