FROM HELL is the story of Jack the Ripper, perhaps the most infamous man in the annals of murder. Detailing the events leading up to the Whitechapel killings and the cover-up that followed, FROM HELL is a meditation on the mind of a madman whose savagery and violence gave birth to the 20th century. The serialized story, presented in its entirety in this volume, has garnered widespread attention from critics and scholars. Often regarded as one of the most significant graphic novels ever published, FROM HELL combines meticulous research with educated speculation, resulting in a masterpiece of historical fiction both compelling and terrifying. This new edition, which has been completely re-mastered, is certainly the finest edition of the book produced to date.
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Editorial Reviews
Amazon.com Review
The mad, shaggy genius of the comics world dips deeply into the well of history and pulls up a cup filled with blood in From Hell. Alan Moore did a couple of Ph.D.'s worth of research into the Whitechapel murders for this copiously annotated collection of the independently published series. The web of facts, opinion, hearsay, and imaginative invention draws the reader in from the first page. Eddie Campbell's scratchy ink drawings evoke a dark and dirty Victorian London and help to humanize characters that have been caricatured into obscurity for decades. Moore, having decided that the evidence best fits the theory of a Masonic conspiracy to cover up a scandal involving Victoria's grandson, goes to work telling the story with relish from the point of view of the victims, the chief inspector, and the killer--the Queen's physician. His characterization is just as vibrant as Campbell's; even the minor characters feel fully real. Looking more deeply than most, the author finds in the "great work" of the Ripper a ritual magic working intended to give birth to the 20th century in all its horrid glory. Maps, characters, and settings are all as accurate as possible, and while the reader might not ultimately agree with Moore and Campbell's thesis, From Hell is still a great work of literature. --Rob Lightner
Review
As ambitious and affecting as anything ever rendered in pictures and word balloons. --Salon
At once a meditation on evil, a police procedural and a commentary on Victorian England ... an impressive piece of work. --The Los Angeles Times
My all-time favorite graphic novel ... an immense, majestic work about the Jack the Ripper murders, the dark Victorian world they happened in, and the birth of the 20th century. --Warren Ellis, Entertainment Weekly
At once a meditation on evil, a police procedural and a commentary on Victorian England ... an impressive piece of work. --The Los Angeles Times
My all-time favorite graphic novel ... an immense, majestic work about the Jack the Ripper murders, the dark Victorian world they happened in, and the birth of the 20th century. --Warren Ellis, Entertainment Weekly
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Most Helpful Customer Reviews
98 of 108 people found the following review helpful
Format:Paperback
This is a classic work, as dense and as demanding as any novel, and perhaps the closest to literature a graphic novel has ever come. It could only have flowed from the pen of the great Alan Moore, whose Swamp Thing and Watchmen revolutionized graphic storytelling. He and Eddie Campbell have done wonderful work here. I merely write to correct a couple of errors in other reviews.
First, jplatt@webspan.net says this is only the first part of From Hell. The pictured edition does, I believe, contain the entire story, although there are single comics containing single chapters and other trade paperbacks containing fewer chapters than the above pictured edition. If you buy the pictured edition, you are getting a complete story from beginning to end. I read the above edition and found nothing missing -- it goes from before the first murder to after the last.
Second, editor Rob Lightner says that Moore believes, and wants us to believe, that Jack the Ripper was the Queen's physician and part of a Masonic conspiracy to kill the mother of Queen Victoria's grandson. I think this misses the point. Moore loves to make connections between things (see, for instance, his ongoing series Promethea), and the Masonic conspiracy gives him a lot of room to weave in the various aspects of the Ripper legend. I don't know that he necessarily believes it any more than he believes, as shown in From Hell, that the killer was able to predict the future while he was gutting his victims. Moore is a storyteller and his story contains many fantastic elements. It would be a mistake, I think, to attribute to Moore all the opinions expressed in this fine work of fiction.
39 of 42 people found the following review helpful
Format:Paperback
The most recent offering from Alan Moore, the author who, alongside Neil Gaiman, was responsible for bringing comic books to their fullest potential as art on par with novels, From Hell is a brilliant, moody, and well-researched re-telling of the Jack the Ripper story. Moore takes an interesting twist on the story - and one he himself admits that he believes is false - but the point of the book isn't so much a whodunit as a treatise on the combining of fact and fiction into myth, and the nature of sensationalism and crime in the 20th century.
From Hell features an amazing cast of characters and the story is told in sixteen chapters - two of which are a prologue and an epilogue. Moore weaves historical facts together to form a cohesive story, and draws on dozens of sources, both Ripper-related and otherwise. From Hell suggests that the Ripper was, in fact, William Gull, Physician Ordinary to the Royal Family and a member of the Freemasons (this fact is revealed very early on in the book, unlike the movie which IS a whodunit). Where high-level criminologists like FBI profiler John Douglas (inspiration for the Crawford character in Silence of the Lambs) seem to think that the crimes were motivated by a fear of women, Moore focuses on the calm, ritualistic nature of the murders, and the important connection between the victims - that they all knew each other.
Although in this book the crime itself was a Masonic ritual, I think it should be noted that Moore isn't trying to smear the Masons, and that should be obvious to anyone reading From Hell. His contention, one that more or less fits the 100-plus years worth of facts, is that William Gull was gradually going insane and had visions about Masonic deities - shreds of old ritual from Freemasonry's past that he blows out of proportion and begins to manifest, at least in his mind. There was nothing anti-Freemason in this book, but I realize people have to find something to get bent out of shape about.
The crowning achievement of this volume isn't the way Moore creates a perfect fit for Gull as the Ripper, but the appendix at the end in which he details the painstaking amount of research that went into this work. He has a reference for nearly every factual detail, and readily admits when he makes things up or dramatizes certain events for the story. It's an excellent resource for Ripperologists and scholars interested in Moore's book, and its inclusion is what makes From Hell such a fascinating read.
I absolutely recommend From Hell, especially if you enjoyed the film - the book is far more detailed, and doesn't sacrifice any historical accuracies to make a better story, as the movie did. If the film is a starting point, this graphic novel is the logical conclusion. Get it today; you will not be sorry you did.
32 of 34 people found the following review helpful
Format:Paperback
After his success with Swamp Thing, Watchmen, and half a dozen other projects, Alan Moore went into self-publishing, beginning Lost Girls, Big Numbers, and From Hell. Sadly, the first two remain unfinished (possibly indefinitely), but the third well makes up for it.
The exhausting amount of detail is the first thing one notices. From street philosophers, to royal courtesans and favorites to who had the most popular literature at the time, Moore has done everything humanly possible to make the book disturbingly accurate. His footnotes are almost a book in and of themselves.
The take on the Jack the Ripper murders, while off-putting to the weaker stomachs among us, is psychological horror coupled with intrigue, sordid love affairs, and human perversity in almost every form. If you want to feel novacaine-numb good after reading something, pick up a Superman. If you want to be disturbed, challenged, and perhaps educated a bit, read From Hell.
Most Recent Customer Reviews
Solid, fun, True Moore Style
Jack the Ripper turned out to have more staying power than most people thought. Moore combines a great idea with facts to create a fun read. Read more
Published 1 month ago by C. J. Wesley
Offensive and disappointing
This huge graphic novel treats almost every aspect of the Jack the Ripper killings in the East End of London in 1888, and it's widely regarded as Moore's magnum opus. Read more
Published 5 months ago by Michael K. Smith
Brilliant in an Alan Moore kind of way.
"...this is the house that Jack built." This is a book that only Alan could write.
Wont bother to note the many good things of Alan Moores craft too much. Read more
Wont bother to note the many good things of Alan Moores craft too much. Read more
Published 7 months ago by Juan Vargas
you won't believe how good it is
This is so good I couldn't believe it the first time I read it. It's not just the best graphic novel as everybody agrees but it might be my favorite recent work of fiction,... Read more
Published 9 months ago by B. Dain
How Can Something From Hell Be So Good!
After reading Alan Moore's "From Hell," all I have to say is---WOW! An action packed, and dynamic historical thriller about the events surrounding the mysterious "Jack the Ripper"... Read more
Published 9 months ago by Brian J. Alexander
A Fascinating, Grisly Twist on Unsolved Murders
Sir William Gull, Queen Victoria's royal surgeon, is enlisted by the Crown to aid in the cover-up of a scandal that could jeopardize the public image of the Royal Family. Read more
Published 10 months ago by Liz W.
Great story done a bad turn...
The story is excellent as usual from Moore, but also as usual, the art SUCKS. Not just the art, but the lettering also. Makes reading this a CHORE. Read more
Published 15 months ago by Dr Gonzo
Look Inside First! Its a comic book
I watched the movie From Hell and thought this would be a great book to read. When I opened it for the first time, I was in shock, it is written like a comic book. Read more
Published 15 months ago by Jessi
Boring as hell!!!
Great story, but overwhelming dialogue, boring ass narrating, and why in the hell would an old man kill whores?!
Published 20 months ago by BOB2012
Very good stuff, this.
Alan Moore, From Hell (Top Shelf, 2000)
From Hell, which was finally completed and released in book form in 1999, was snatched up by Hollywood almost overnight and... Read more
From Hell, which was finally completed and released in book form in 1999, was snatched up by Hollywood almost overnight and... Read more
Published 21 months ago by Robert P. Beveridge
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Front Cover | Table of Contents | First Pages | Back Cover | Surprise Me!
There, two pennorth on the nail. Read the first page Key Phrases - Capitalized Phrases (CAPs): (learn more)
Inspector Abhcrlinc New!
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Citations (learn more)
This book cites 42
books:
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56
books
cite this book:
See all 56 books citing this book
- Jack the Ripper: The Facts by Paul Begg on 6 pages
- Jack the Ripper by Stephen Knight on 5 pages
- Our Kings and Queens: Victoria Hb (Our Kings & Queens) by Margaret Stephen on 4 pages
- Born in Blood: The Lost Secrets of Freemasonry by John J. Robinson in Back Matter (1), Back Matter (2), and Back Matter (3)
- Jack the Ripper: Letters from Hell by Stewart P. Evans in Back Matter (1), Back Matter (2), and Back Matter (3)
See all 42 books this book cites
- The Extraordinary Works Of Alan Moore by George Khoury on 15 pages
- Lights Out for the Territory: 9 Excursions in the Secret History of London by Iain Sinclair on 6 pages
- Iain Sinclair (Salt Studies in Contemporary Literature & Culture S.) by Robert Bond in Back Matter (1), Back Matter (2), and Back Matter (3)
- Women, Crime and Language by Frances Gray in Back Matter (1), and Back Matter (2)
- What's Eating Johnny Depp?: An Intimate Biography by Nigel Goodall on page 289, and Back Matter
See all 56 books citing this book
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