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From the Other Side / South

na , Chantal Akerman  |  Unrated |  DVD
5.0 out of 5 stars  See all reviews (1 customer review)

Price: $34.98 & FREE Shipping on orders over $35. Details
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Product Details

  • Actors: na
  • Directors: Chantal Akerman
  • Format: NTSC
  • Language: French
  • Subtitles: English
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Number of discs: 2
  • Rated: Unrated
  • Studio: Icarus Films
  • DVD Release Date: April 17, 2012
  • Run Time: 99 minutes
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • ASIN: B0071WQ9MI
  • Amazon Best Sellers Rank: #364,979 in Movies & TV (See Top 100 in Movies & TV)

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Editorial Reviews

Product Description

With her unmistakable style, Akerman examines the risks taken by undocumented immigrants from Mexico crossing over to Arizona. Exploring Agua Prieta, Mexico, Douglas, Arizona, and the desert in between, she mixes beautiful and evocative landscapes with interviews with the families of immigrants, American sheriffs, fearful locals, and advocates. In a post-9/11 America in the grips of rising xenophobia and in the midst of a contentious debate on border control, Akerman shows the hypocrisy and paranoia involved in U.S. immigration policy and its failure to acknowledge the economic dependence of the U.S. on undocumented laborers. - (Amy Taubin, Film Comment) A bonus disc will include another film by Chantal Akerman, South, a documentary that was originally planned as a meditation on the American south, inspired by Akerman s love of William Faulkner and James Baldwin, and intended to serve as both an echo and a counterpoint to her earlier documentary, From the East, a film made about a journey through Eastern Europe in the early nineties. However, the focus of the film was dramatically altered following a brutal murder that took place during its development. In Jasper, Texas, James Byrd Jr., an African-American man, was severely beaten by three white men, then chained to their truck and dragged three miles through the county. Akerman situates this hate crime within the context of the surrounding community and landscape, exploring the reactions of the citizens in Jasper and allowing the story to unfold on its own in a pensive and respectful fashion.


Stunning! As human testimony [it's] unforgettably forceful. --Stuart Klawans, The Nation

A spare, painterly and scrupulously unsentimental look at the plight of illegal Mexican immigrants massed at the United States border. Both eerily beautiful and filled with a quiet compassion. --Dave Kehr, The New York Times

Chilling! Stunningly composed... In a few deft interviews [the film] shows the hypocrisy and paranoia involved in U.S. immigration policy and its failure to acknowledge the economic dependence of the U.S. on undocumented laborers. --Film Comment

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Most Helpful Customer Reviews
1 of 2 people found the following review helpful
Both these films have real strengths, although I find South (aka Sud)
the more powerful.

Sud is an odd mix of old and new styles for Akerman. And while there are difficult,
slow patches, the overall effect is shockingly powerful. For about 15 minutes the
film resembles her earlier cinema photo montages that give a sense of time and place
only through raw image and sound, the camera still, or slowly moving past often seemingly
random images that somehow add up to a coherent whole (as in D'Est,and Hotel Monterey).

But, in Sud, suddenly there are head on interviews, a shockingly 'normal' style for this
experimental film-maker, talking first about racism in the South and how it has (and
hasn't ) changed, and then about the infamous James Byrd case, where, in 1998, an African
American was dragged to his death for 3 miles behind a pick-up truck by a trio of young
white supremacists.

We realize that the town and place of that horrific murder, Jasper, is what we've been
looking at for 15 minutes and It changes our whole perspective. We follow the Byrd
story through interviews with African-American friends and neighbors, white police
and reporters, and by watching a memorial service for Byrd, as well as an interview
with an expert about the white power movement and how it functions in the modern
day world.

Some of this feels rough, and almost shockingly amateurish, moving, but sometimes
without focus.
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