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Fug You: An Informal History of the Peace Eye Bookstore, the Fuck You Press, the Fugs, and Counterculture in the Lower East Side [Hardcover]

Ed Sanders
3.6 out of 5 stars  See all reviews (7 customer reviews)

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Book Description

December 13, 2011
Fug You is Ed Sanders's unapologetic and often hilarious account of eight key years of "total assault on the culture," to quote his novelist friend William S. Burroughs.

Fug You traces the flowering years of New York's downtown bohemia in the sixties, starting with the marketing problems presented by publishing Fuck You / A Magazine of the Arts, as it faced the aboveground's scrutiny, and leading to Sanders's arrest after a raid on his Peace Eye Bookstore. The memoir also traces the career of the Fugs--formed in 1964 by Sanders and his neighbor, the legendary Tuli Kupferberg (called "the world's oldest living hippie" by Allen Ginsberg)--as Sanders strives to find a home for this famous postmodern, innovative anarcho-folk-rock band in the world of record labels.


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Editorial Reviews

Review

Village Voice, 11/29/11
“[A] vivid memoir of the decade…Today’s Occupy Wall Street movement can take, if not a lesson, at least inspiration (and perhaps solace) from Sanders’s triumphs and travails.”

Publishers Weekly, 12/12/11
“[Sanders] engagingly depicts how the culture of New York City in the 1960s shifted from the beats to the hippies.”
 
PopMatters.com, 12/5/11
“Sanders tells the story in a series of vignettes that are sometimes funny, occasionally frightening, and typically littered with the names of The Famous and The Dead…In the end this is a work that recalls with vivid and loving detail the haphazard glory of those wild, wild bygone times.”
 
Hartford Advocate, 12/7/11
“Sanders ties all of his earliest threads—up to 1970—together in the most engagingly idiosyncratic memoir of the year…Indeed, now that his friend and mentor Allen Ginsberg is dead, Ed Sanders is the strongest living link between the Beat Generation, the hippies and all other underground currents that have trickled along the countercultural pipeline since then.”
 
High Times, February 2011
“This brilliant memoir not only chronicles the band’s early days, but paints an outrageous, inspiring picture of life among the artistic outlaws of New York’s Lower East side in the ‘60’s.”

New York
Post, 12/11/11
“Sanders…brings us back to those idealistic days.”

Baltimore
Sun, 12/8/11
“In short, impressionistic chapters, Sanders details his adventures, as well as his encounters with seemingly everyone who was anyone in the Beat and hippie scenes…Sanders provides a fly-on-the-wall view of many facets of a turbulent decade.”

Metro Focus, 12/13/11
“In addition to Sanders’ enlightening  personal take on New York in the ’60s, the pages of Fug You are lined with wonderful gems from the poet’s personal archive. Between the covers the reader will discover doodles by the likes of Burroughs and Sanders himself, rare Fugs concert photos and flyers, many drawings of cannabis leaves, intimate shots of Allen Ginsberg and other demented, wonderful esoterica.”
  
New World Review, Vol. 5, Num. 28
“At its best, Fug You evokes the wide-eyed spirit of adolescence, with its delusions of purity and heartbreaking enthusiasm and dynamism.”
 
Huffington Post, 1/3/12
“A picaresque chronicle of the 1960s filled with scrupulously documented recollections of Sanders's adventures and misadventures in poetry, politics, and rock 'n' roll.”
 
Richmond Times-Dispatch, 12/22/11
“It's the perfect gift for those seeking poignant and often hysterical historical precedent for their musically inspired civil disobedience…Regardless of your political or musical stripe, Fug You is a riveting account of a history that is still relevant today.”
 
New York Times, 1/12/12
 “[Sanders] has described his 1960s in various ways over the years…but Fug You…may be the master source…[A] funny, instructive, nourishing book.”
 
Under the Radar, January 2012
“Engaging from start to finish.”
 
Buffalo News, 1/8/12
“[A] hugely engaging book from the heart of America's mid-century bohemian circus.”
 
DangerousMinds.net, 1/6/12
“This isn’t a wobbly sentimental journey. The writing is sharp, witty and full of precise detail and facts…What kept Sanders interesting from the very beginning is still very much in operation in this new book: the clarity of his bullshit detector and his irreverent take on virtually everything, including himself.”
 
The Wire (UK), January 2012
“Ed Sanders is one of the real geniuses of the last 50 years…Fug You delivers everything it promises. It dishes dense details on early 1960s underground scenes we can scarcely imagine in the 21st century…A very funny book.”

Washington Post, 1/29/12
“A detailed…and often wistful memoir.”

Rolling Stone, 2/16/12
“Hippies will love tales of protests and of films of neighbors shagging in the name of art. It’s unclear whether Sanders’ attempt to exorcise the Pentagon of satanic forces succeeded, but his book, like the Fugs, proves ‘bacchic defiance’ can be truly inspiring.”
 
TheMillions.com, 1/30/12
“There is glee in Sanders’ vivid telling, playing straight man to an absurd world.”
 
Newark Sunday Star-Ledger, 2/5/12
“In his rollicking memoir…Sanders catalogs both the witty and the horrifying during the tumultuous decade of protest, in which the Lower East Side moved from the Summer of Love to murder, heroin and rage.”
 
WomanAroundTown.com, 12/26/11
“[Sanders’] got a wicked sense of humor and absolutely no filter for his opinions and observations.”
 
Village Voice blog, 2/17/12
Fug You is excellent and good fun.”
 
Stuff I Like blog, 2/11/12
“Sanders is a smart guy, an entertaining writer, politically astute, and fortunate to be alive and involved in such a series of movements. Anyone who lived through the last gasps of hippiedom, the radical political scene of the ‘70s, New York City in the ‘70s and ‘80s, and lived and died with the pop culture of America these last few decades, will be entertained nostalgically by Fug You.”
 
Mojo, February 2012
“Boasts a wealth of stranger-than-fiction tales from [Sanders’] overlapping times as a taboo-breaking singer-songwriter, fearless anti-war protester, and operator of a censorship-testing arts magazine and Lower East Side bookstore…[His] explicit accounts are enhanced by vintage photos and illustrations from rare magazines, letters, and posters.”
 
TheNervousBreakdown.com, 2/22/12
“A treasure trove of memories…A reminder that the Fugs were not just an ephemeral rock group but the very quintessence of the counterculture.”
 
Midwest Book Review, February 2012
“A lively documentation of the entire experience [of the 1960s] not from a reporter’s vantage point, but from the viewpoint of an active participant.”
 
Prague Post (Czech Republic), 3/7/12
“This inspiring, enlightening book is a compendium of 1960s American culture enlivened by hilarious stories, unbelievable adventures and, surprisingly, more than a tab of humility…It is rare that a memoir of the 1960s captures not only the sense of excitement and infinite possibility of those halcyon days, but also the later, sober reassessment…One soon comes to realize Sanders' story is, in a way, the nation's story, as well. This is an invaluable publication for fans of Sanders and The Fugs, children of the '60s or anyone who wants to get a better sense of that legendary decade from one of the people who contributed to its genius, genial anarchy.”
 
Woodstock Times, 3/8/12
“Allen Ginsberg, Jack Kerouac, William Burroughs, Jonas Mekas, Tuli Kupferberg…These counterculture luminaries and many others come to vivid life…A fascinating read…The book is liberally illustrated with photos and facsimiles of print pages from Sanders’ extensive archives, creating a compelling tapestry of the decade.”
 
Blogcritics.org, 3/15/12
“What makes Fug You special is how Sanders provides a nearly seamless bridge between the Beats of the fifties to the hippies of the sixties…This is a great history of the era by someone who shouldn’t remember things, but actually does. Ed Sanders still knows where the bodies are buried. Fug You is recommended for those like myself who were too young to know what was going on around us, or for that matter, for those who were there. It remains a fascinating time in our history, and Sanders tells his memorable story quite effectively.”
 
TheThousands.com, 3/14/12
“A fascinating road map to where folk, punk, peaceniks, beatniks, heroin, jazz, pot, speed, poetry, underground film, the underground press and the Lower East Side all crossed paths.”
 
KEXP.org, 4/2/12
 “A joy to read…This memoir is delightfully illustrated with flyers for Sanders’ contemporaneous Peace Eye bookstore happenings and mimeographed creations; song lists for lusted-after bootlegs of The Fugs; and detailed by explanations of how all their songs were written and recorded…A book of freak genealogy and prophecy any fan of fringe rock and politics shouldn’t miss.”
 
Chronogram.com, 3/30/12
“One comes away from Fug You

About the Author

Ed Sanders co-founded the Fugs, opened the Peace Eye Bookstore, and appeared on the cover of Life magazine. He is the author of The Family and lives in Woodstock, New York.

Product Details

  • Hardcover: 448 pages
  • Publisher: Da Capo Press; First Edition edition (December 13, 2011)
  • Language: English
  • ISBN-10: 0306818884
  • ISBN-13: 978-0306818882
  • Product Dimensions: 6 x 1.7 x 9 inches
  • Shipping Weight: 1.4 pounds (View shipping rates and policies)
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #141,814 in Books (See Top 100 in Books)

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Customer Reviews

3.6 out of 5 stars
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Most Helpful Customer Reviews
8 of 8 people found the following review helpful
5.0 out of 5 stars Fugging Terrific! May 3, 2012
Format:Hardcover
Yes, as someone else states in another review, "this is a book of reminisces and not an autobiography." But what a fun reminiscence it is! There are plenty of serious books which study the events of the 1960s counterculture. Sanders, however, takes us on a wild and zany ride through New York's Lower East Side during the sixties. Not taking himself too seriously (what a relief for a change!) he leads us down Avenue A, introducing us to the fascinating artists, writers, activists, and eccentrics who haunted the East Village's unique artistic cultural center.

When we think of the 1960s counterculture, too often the images which come to mind are of Haight-Ashbury and West Coast hippies. The Beat generation is often considered the "seed" or "precedence" of the 1960s. In Sanders work, however, the Beats (with the exception of Kerouac) are VERY much a part of the 1960s counterculture. After all, Allen Ginsberg once dubbed Fugs band member Tuli Kupferberg "the world's oldest hippie." Ginsberg, himself, is a frequent character of "Fug You." The flow of Beat culture into the counterculture of Sanders' 1960s is much more seamless, prominent, and connected than many historians of the sixties have acknowledged. In "The Sixties," Todd Gitlin suggested that the difference between the 1960s counterculture and the Beats is that the Beat Generation "side-stepped" society instead of trying to change it. By Sander's account, Ginsberg and various other Beats are tireless activists of the decade. Hmmm.

Sanders does lead us to ponder an important point about art, the counterculture, and economics. Due to rent control of Lower East Side apartments, artists were allowed to spend the majority of their time BEING artists (imagine that!) instead of working long hours at sh&!t jobs. A true artist community was able to thrive where creativity and poetry flowed throughout the neighborhood, the coffee shops, books stores (such as Sander's Peace Eye Bookstore) and popular hangouts. So, in a way, New York's legendary counterculture contribution during the 1960s, was made possible, in part, by an economic factor. It's hard for young people today to live the free-spirited, dissident, and creative lifestyle that allowed the likes of Sanders and fellow Fugs to really challenge the status quo and take a stand against injustice, inequality, and invasions on free speech and expression. Enormous student debt and the high cost of living means basic survival now trumps youthful creativity and drains the piss and vinegar out of our would-be firebrands.

Having been a Classics major during my undergraduate years, Sanders also rekindled the love I used to have for ancient mythology. I read "Fug You" because I've always been fascinated with the nostalgia of the 1960s so Sanders' blend of his own Classical interests with the counterculture was an added bonus.

Unless you are totally lacking in a sense of humor, this book is guaranteed to make you laugh. Since reading it, I've also added some hilarious word whoppers to my lexicon. Not sure if Sanders made up these bawdy terms or not but I've found myself spicing up my daily conversation with some real terrific doozies. Linguistically, this book is a hoot! Ironically, I had to edit every curse word in this review before Amazon would allow me to post it. Fug you, indeed.

If I could ask Sanders one question, it would be "did you ever find out if the Marilyn Monroe night statue was worth a sh$itload?" Read the book and you'll get it.
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5 of 5 people found the following review helpful
5.0 out of 5 stars Fug's-Eye View of History May 11, 2012
By S. Aydt
Format:Hardcover|Amazon Verified Purchase
Ed Sanders is a polymath who has worked in poetry, music, prank and activism. Last year, I ready his poetry epic 1968, which tells the history of that strange year in compelling verse. In Fug You, Sanders offers a treasure chest of stories, portraits of famous artists, jokes and deep insight into the political struggles of the time. Anyone interested in the mini-Renaissance in New York's East Village will find this a delightful companion to Patti Smith's JUST KIDS. It's smart, witty and cantankerous without falling into maudlin nostalgia. Edward Sanders offers the kind of offbeat insight that is all too rare in memoirs. he doesn't take himself too seriously and the magic of place and time is conjured with all the beauty one would expect from a Minstrel Yippie. Don't miss out on this one!
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1 of 1 people found the following review helpful
5.0 out of 5 stars Poets make the best historians October 24, 2012
Format:Hardcover
We were assigned to read this book for a graduate class in editing and publishing. I'm grateful for this assignment, because I wouldn't have found this book, or its author, on my own, and I am so grateful for both. My life and my understanding of this world and our nation's history is enriched thanks to Sanders and his thoughtful, thorough history.

Ed Sanders, founder of the '60s protest band the Fugs, participant in the Mimeograph Revolution, poet, writer, hippy, peacenik, also becomes what is most important in a memoirist: interpreter. Sanders takes a year-by-year chronological perspective of the 1960s, and using what seem to be comprehensive archives, he recreates his activities, from his trial for obscenity in his literary review, to ins and outs of running a band, to the interactions he had with his well known '60s friends, such as Allen Ginsberg, and also Janis Joplin, Andy Warhol, William Burroughs, and many others.

Sanders' voice is personable and authentic, and he shares real emotional moments and reactions to the tumult and upheaval of the world he found himself in after he lit out from Kansas City for the Lower East Side of New York City after memorizing Ginsberg's Howl. During these years, he studied Greek and Egyptology at NYU, got married, became a father, ran a book store (the Peace Eye Book Store), recorded best selling albums, played concerts worldwide, published the leading protest poetry of a generation, shot film footage of amphetamine heads, was put on trial, saw friends become heroine addicts, levitated the Pentagon and protested in Chicago in 1968. More than anything else I have read of the era, Sanders' nearly day-to-day remembrance of this pivotal time in our nation's history brought this era to life for me. In fact, I shared it with my husband, who was a teen during those years, and he, too, is incredibly grateful for the work.

I highly recommend this book, which reads almost as an "oral history" of the time from someone who wasn't merely there; he was in the middle of it all. It's so readable, so alive with his energy and verve and hope for the times. It's a great way to look back and share in that formative era of our nation.
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