Customer Reviews

The Full Body Project: Photographs by Leonard Nimoy

5 star:		(11)
4 star:		(3)
3 star:		(2)
2 star:		(1)
1 star:		(2)

 

 

Shekhina was considered controversial because of the way the photographer combined feminine nudity with traditional Jewish male garments. I won't be surprised if his new book, a collection of photos of naked plus size women, causes a little friction as well.

Leonard Nimoy, 76, is an actor, author, director and photographer. He is best known as the pop culture icon Spock from the television series (and movie franchise) Star Trek. Nimoy has had a life long love of photography both as an observer and a creator. In the preface of The Full Body Project, Nimoy discusses how this project differs from his previous projects and how the professional models he's photographed in the past were representations of an idea or theme he wanted to portray. The Full Body Project has been a new and exciting learning experience for him and his wife Susan who often assists him on shoots.

The Full Body Project is a collection of fifty black and white photographs. The main focus of this collection is the women from Big Burlesque and Fat-Bottom Revue (plus size performers from San Francisco). This nude study appears to challenge the media ideal and demonstrate it is possible for the women, bigger than a size 0, 4, 8, 10 and beyond to be comfortable in their own skin. These are not glamor shots. You won't find any body makeup here. The pictures are real and raw, but definitely not distasteful.

The black and white images have strong shadows that highlight curves, lumps, bumps, stretch marks, and facial features but the most potent aspect of the majority of the images, after you get past the nudity, is the eyes. Regardless of their body you can't help but go back to the eyes. Natalie Angier, author of Woman: An Intimate Geography, mentions this in the Forward and it is so true. She also likens the model's shapes to the Venus of Willendorf figurines we are so familiar.

The cover is adorned with a group shot inspired by a famous 1989 Herb Ritts' photo of a group of nude supermodels clustered together on the floor. Other less obvious pieces of inspiration include Helmut Newton's (Dressed) & (Naked), Henri Matisse's La Dance, Marcel Duchamp's Nude Descending a Staircase and Raphael's The Three Graces.

Several images from Nimoy's original encounter with the woman who started him on this path appear in this collection; although, to me, they seem to segregate the final shots from the beginning of the book with their obvious difference in tone and structure. I'm not saying they are bad photos. They are interesting in themselves, they just feel out of place.

The forms within The Full Body Project are not body types commonly used by many modern photographers or the fashion industry. A lot of the hype will go towards the body types but I want to add another milestone. I'm guessing not one of these women is under the age of thirty. Something else that is ignored or often tampered with. They encourage discussion about our concepts of beauty, cultural stereotypes, health, and more.

Could these women pose for better, more flattering pictures of themselves? Sure. They could even be Photoshopped, duct taped and every other trick there is but these women are real, they are beautiful, they are proud and they are happy in their skins.

One of the first pictures that made an impression on me was on page 4. A group of women stand, two with their backs to a wall and two with their backs to the camera looking over their shoulders at the photographer (and viewers). I call this one "private club" because it looks like we've interrupted a private moment or clique. The next is on page 56. Six women, hands joined are dancing around in a circle. Their round curves are an interesting contrast to the square tiles on the floor which to me represents the culture that is trying to contain them. On page 62 and 63 is a diptych of four women. In one they are dressed in their performance costumes and in the other they stand in the same pose naked. On page 90 is an alternative to the formal staircase shot that appears earlier in the book. The women are each striking a girly pose, none looking at the camera but all looking happy they exist. And my absolute favorite is the closing shot on page 92 where six women are standing grouped together laughing their butts off.

If Nimoy wanted to convey a sense of self-acceptance and self-respect about these women and how they feel about their peers I think he has succeeded in his goal. He has taken the pictures in this book with the attitude that the female body is an art form in all its shapes and sizes and he has used compassion and realism to keep his female subjects' dignity intact. Something, society as a whole needs to work on.

I would have liked to have known more about the women in the photographs and each image taken. Perhaps a blurb on the image and what the Nimoy was thinking when he took it and why he chose to include it in the collection. I guess this is open to the viewer's interpretation but we are after all buying the image not only because of the content but because of the artist taking them. Tucker does discuss Nimoy's life experience with photography and provides some perspective on the inspiration behind some of the photos. But for me this and the preface is not enough. I was left wanting to know more.

Who is this book for? It is for the fat activist; the nude photographer; the nudist; the fat admirer; the fat chick looking for representations of her own body; for anyone, man or woman trying to teach self acceptance and body image to others; for the Trekkie fan who collects Nimoy's works and for anyone else who is brave enough to experience real women. Reviewed by M. E. Wood.

This is a celebration of beauty. If it bothers you, take a look at your presumptions and prejudices. I am tired of seeing skinny, fake, bulb-boobed addicts constantly paraded on my television screen as something desirable. Women who throw up after eating, exercise to the point of exhaustion, or surrender to drugs in order to stay rail-thin are not interesting and not my ideal of beauty. There is certainly nothing healthy about that kind of life. Unfortunately our psyches are shaped by the daily images we are being fed by industries who rake in millions due to our guilibility: those who push diets, drugs, nip-and-tuck surgeries, etc. Follow the money. Allowing people to look natural, whatever that may be, does not fill the beauty industry coffers. If you think we're being sold this Wallstreet/Hollywood image of beauty for our own health and welfare, think again. Thank you, Leonard, for giving us powerful images of beautiful women.

Nice to see women from our own country who are delighted with their currently out of fashion bodies.

Mr. Nimoy's treatment of his subjects was respectful and human. Something the rest of the country should try to emulate. I particulary liked the pictures he did that were inspired by Matisse, Raphael, and Herb Ritt. These show that art does not have to be thin to be beautiful.

Amazing, wonderful, gorgeous. This book is so powerful- it can change how you view the "perfect body". Thank you Leonard Nimoy- what a gift to those of us with real woman's bodies!

For having the courage to depict these big, gorgeous generous women in their lovely natural state. This book is empowering to women of all sizes and shows that large sized women can be sexy and powerful. Bravo to leonard nimoy for bucking the system and rejecting the brainwashed ideas of beauty that we are fed on a daily basis.

This is a book I can truly say I am delighted I own. It is full of beautiful women who are having an incredible amount of fun. A contrast between the photo on the cover of the book and the "supermodel" photo that inspired it is like comparing gemstones with thin plastic imitations. Bravo for Leonard Nimoy and for all the gorgeous women who fill the pages of his book.

This book was a birthday present for my husband. He loved it!!! It shows how beautiful ALL women are. Leonard Nemoy has captured the beauty of the every day woman.

I'm sad to report that I "felt" nothing from this book. I am in no way a prude...nudity doesnt shock or offend me at all , so I was looking forward to having a real 'artful', heartfelt experience in reading this book, and studying the photos. Nimoy's sensibilities have always appealed to me. HOWEVER...by the time I turned the last page, all I came away with was; " Okay. That was a big coffee table book full of glossy black and white photos of large ( mainly tattooed) women". It didn't strike me as profound. Maybe my expectations are too high in general..I don't know, but in the past I HAVE seen photos, sculptures, and drawings of full figured nudes that took my breath away. This one didn't. Sorry Leonard!

I bought this book out of fascination. It shows photographs of women with figures like mine, much closer to the average than the skinny beanpoles in magazines. It shows these women in such a way that the fat is totally revealed, but somehow only another facet to their beauty.

I had the good fortune of being able to get this copy autographed this past weekend at Dragoncon, so I'm as happy as can be at the moment.