Note: This is a review for the entire Fullmetal Alchemist: Brotherhood anime, not for this particular volume of the set.
For the past several years, I had considered the original Fullmetal Alchemist to be my favorite anime of all time. It featured everything that I loved most about the genre: driven young protagonists, a fantastical and vibrant fictional world, a coherent set of combat mechanics, dynamic fight sequences, gorgeous animation, a well-thought-out and complete plot, and darker, more mature themes. Thus, when I heard that the series was being remade to more closely reflect Hiromu Arakawa's original manga series (which I have not read), I was excited to see the result. Could the full story written by the creator of the Fullmetal Alchemist universe manage to outdo the already-phenomenal anime that was more loosely based on her work?
The two answers to this question, I am happy to declare, are yes and hell yes. Although it gets off to a slightly uneven start, Fullmetal Alchemist: Brotherhood manages to surpass the quality of its predecessor by a healthy margin. It is one of the best television series I have seen, and it fulfills the promise of modern anime in a way that no other title has.
For those who are not familiar with either series, a brief plot synopsis is in order. Brotherhood follows the journey of two teenaged boys, Edward and Alphonse Elric, as they travel in search of the legendary philosopher's stone. Their world is a bit like Europe in the early 1900s, but with a significant twist: humans can tap into the power of alchemy, a mysterious science that enables its practitioners to reshape and reconfigure matter. In order to achieve their goals, Ed and Al must contend with their country's dangerous military, ambitious foreigners from the Far East, a revenge-obsessed serial killer, a traumatic past, and seemingly immortal foes with deadly supernatural powers.
One of the greatest strengths of this series is that, whereas the original FMA had a more direct and tightly-knit feel to it, Brotherhood is vast, open, and sprawling. The world is bigger, features a much larger cast of characters, and involves conflicts that are far greater and more earth-shattering in scope. The main characters seem to get more done, cover more ground, and learn more about the world around them. Even though Fullmetal Alchemist: Brotherhood is a mere 12 episodes longer than Fullmetal Alchemist, it feels as if it explores a great deal more content. This becomes especially satisfying when one reaches the massive, perhaps 15-episode-long, concluding arc. In this, all of the storylines and motivations of all of the characters converge for one massive, epic face-off, building towards a final resolution which--despite a touch of anime cheesiness--is legitimately emotionally powerful.
Another quality that makes Brotherhood so outstanding is its superb animation. I consider it quite tragic that many modern animes (Last Exile and Ergo Proxy come to mind) cut corners when it comes to the animating process, using numerous still shots and barely allowing the characters to move at all. Fortunately, FMAB stands in stark contrast to this trend. The series favors acrobatic battles, detailed movements, and impressive light effects, providing a genuine feast for the senses. The fight scenes deserve special praise here. There are dozens of excellent fights in Brotherhood, and in them, the animators succeed in conveying a magnificently kinetic, gravity-defying, and hard-hitting style of combat. If you aren't watching these sequences in all of their widescreen, blu ray, high definition splendor, then you are absolutely missing out. The only bad word that I have regarding the series' animation is that its backgrounds do tend to be underwhelming.
Which brings me to the few downsides of FMAB. To begin with, viewers who have already seen the original Fullmetal Alchemist might be bored during the earlier episodes of Brotherhood, since both animes start by following the manga rather closely. They made an effort to distinguish Brotherhood by presenting scenes differently and introducing some new characters, but to me, the first 13 episodes were something of a slog. Additionally, the beginning portions of FMAB contain a bit too much in the way of corny Japanese humor. I would be comfortable with this fact in and of itself, but the real issue is that the characters frequently switch over to goofy comedy mode in the middle of serious moments, such as the protagonists' first interaction with the main villain. Thankfully, this stops being an issue perhaps halfway into the show, after which point the humor is confined to separate, nonessential scenes. My final complaint is that the series' music was lackluster overall, consisting of only a few unextraordinary tunes that were repeated often. Some of it was alright, and the songs for the starting and ending credit sequences were almost all great, but I think that Brotherhood would have been more dramatic yet if it had featured a stronger soundtrack.
Having said all that, I believe these issues are negligible on the whole. The bottom line is that you should watch Fullmetal Alchemist: Brotherhood, period. (Watch it on Hulu, if you must.) It's exciting, smart, long, original, expansive, satisfying, and visually stunning. In many cases, anime series tend to be overrated; indeed, it is extremely difficult to find one with an amazon rating lower than four stars. Brotherhood, however, actually lives up to its hype. Anyone seeking a great, high-budget modern anime--or just a beautiful, character-driven story full of loss, struggle, and triumph--need not look any further than this masterpiece.