It is 1923 in Munich. Two years have passed since Edward Elric’s sacrifice ripped him out of his world and into ours, separating him from his younger brother, Alphonse. In that time, Ed’s continued research into rocketry has allied him with Alphonse Heiderich, a fellow researcher who oddly resembles Ed’s brother. Progress has been slow, however, and Ed has become discouraged. But when he saves a quiet Gypsy girl with the power to read minds, Ed is quickly pulled into a plot by the Thule Society and the burgeoning Nazi Party that could drag both worlds into a terrible war.
Back in his own world, Al has been unlocking new secrets of alchemy and gaining incredible powers, all in the hopes of finding Ed.
Battling the occult, ideological extremists, and monstrous Homunculi lurking in the shadows, can the brothers find a way to reunite without causing chaos and bloodshed? What will happen when the world of alchemy and the world of modern science collide?
The Fullmetal Alchemist
theatrical feature, The Conqueror of Shambala
, takes place two years after the last episode of the popular broadcast series. Edward Elric has been transported to Earth and is living in Weimar-era Munich with Alphonse Heiderich, a young engineer who reminds him of Al. This Alphonse is working for the Thule Society, a group of Aryan fanatics who hope to cross dimensions to the world they call Shambala and acquire weapons that will ensure a German victory in the next war. Back in the world where the broadcast series took place, a restored Alphonse Elric searches for a way to bring Ed back. A combination of science and alchemy finally reunites the brothers--with unexpected consequences. Although the film is an exciting adventure that includes many of the familiar characters, viewers who haven't watched the TV series may have trouble sorting out who's who and what's where. The Conqueror of Shambala
marked the end of director Seiji Mizushima's and screenwriter Shou Aikawa's work with the Elric brothers: together, they preserved the essence of Hiromu Arakawa's winning characters while adapting them to a new medium. (Rated PG: violence, grotesque imagery, brief nudity, alcohol and tobacco use) --Charles Solomon