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Fun Home: A Family Tragicomic [Bargain Price] [Hardcover]

Alison Bechdel (Author)
4.6 out of 5 stars  See all reviews (142 customer reviews)


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Book Description

June 8, 2006
A fresh and brilliantly told memoir from a cult favorite comic artist, marked by gothic twists, a family funeral home, sexual angst, and great books.

This breakout book by Alison Bechdel is a darkly funny family tale, pitch-perfectly illustrated with Bechdel's sweetly gothic drawings. Like Marjane Satrapi's Persepolis, it's a story exhilaratingly suited to graphic memoir form.

Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian home, a third-generation funeral home director, a high school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with his male students and a family babysitter. Through narrative that is alternately heartbreaking and fiercely funny, we are drawn into a daughter's complex yearning for her father. And yet, apart from assigned stints dusting caskets at the family-owned "fun home," as Alison and her brothers call it, the relationship achieves its most intimate expression through the shared code of books. When Alison comes out as homosexual herself in late adolescense, the denouement is swift, graphic -- and redemptive.

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Editorial Reviews

From Publishers Weekly

Starred Review. This autobiography by the author of the long-running strip, Dykes to Watch Out For, deals with her childhood with a closeted gay father, who was an English teacher and proprietor of the local funeral parlor (the former allowed him access to teen boys). Fun Home refers both to the funeral parlor, where he put makeup on the corpses and arranged the flowers, and the family's meticulously restored gothic revival house, filled with gilt and lace, where he liked to imagine himself a 19th-century aristocrat. The art has greater depth and sophistication that Dykes; Bechdel's talent for intimacy and banter gains gravitas when used to describe a family in which a man's secrets make his wife a tired husk and overshadow his daughter's burgeoning womanhood and homosexuality. His court trial over his dealings with a young boy pushes aside the importance of her early teen years. Her coming out is pushed aside by his death, probably a suicide. The recursively told story, which revisits the sites of tragic desperation again and again, hits notes that resemble Jeanette Winterson at her best. Bechdel presents her childhood as a "still life with children" that her father created, and meditates on how prolonged untruth can become its own reality. She's made a story that's quiet, dignified and not easy to put down. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine

That Alison Bechdel kept a childhood journal made Fun Home a perhaps more true-to-life project than it would have been if she'd relied on memory alone. A powerful graphic novel-memoir, Fun Home documents Bechdel's childhood experiences and coming-of-age as a woman and lesbian. At its center lies her heartbreaking relationship with her distant father, which produces emotionally complex and poignant reflections and clean, bitonal images. While detractors cited confusing chronology and repetition of events, literary buffs enjoyed the challenging references to Albert Camus, James Joyce, and classical mythology. In the end, Fun Home "is an engrossing memoir that does the graphic novel format proud" (New York Times).

Copyright © 2004 Phillips & Nelson Media, Inc.


Product Details

  • Hardcover: 240 pages
  • Publisher: Houghton Mifflin; 1 edition (June 8, 2006)
  • ISBN-10: 0618477942
  • ASIN: B001KZHGFQ
  • Product Dimensions: 9.1 x 6.3 x 0.9 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (142 customer reviews)
  • Amazon Best Sellers Rank: #720,896 in Books (See Top 100 in Books)

More About the Author

ALISON BECHDEL has been a careful archivist of her own life and kept a journal since she was ten. Since 1983 she has been chronicling the lives of various characters in the fictionalized "Dykes to Watch Out For" strip, "one of the preeminent oeuvres in the comics genre, period" (Ms.). The strip is syndicated in 50 alternative newspapers, translated into multiple languages, and collected into a book series with a quarter of a million copies in print. Utne magazine has listed DTWOF as "one of the greatest hits of the twentieth century."

Customer Reviews

Most Helpful Customer Reviews
121 of 124 people found the following review helpful
Format:Hardcover
FUN HOME A FAMILY TRAGICOMIC is the latest work from the highly skilled, insightful, neurotic and wry-humored pen of Alison Bechdel, best known for her "Dykes to Watch Out For" comic strip. (One of the longest-running queer comic strips, "Dykes to Watch Out For" is over 20 years old, has been syndicated in hundreds of papers, released in over 10 books, and is available online via the author's website.) FUN HOME is Bechdel's graphically rendered account of growing up in rural Pennsylvania in the 1960s and 70s with a particular focus on influences of her father`s life and death.

Beginning with some of Bechdel's earliest memories of her father, readers meet a man who was an intelligent, emotionally distant yet volatile, narcissistic perfectionist who struggled with secrets. Trapped in the town not only of his youth but that of his ancestors for several generations, Bechdel`s father worked in the family business, a funeral home (known in the family as the "Fun Home") established by her great-grandfather in the 19th century. In addition to his interest in local history and historic preservation, Bechdel's father was a closeted gay (or bisexual) man who had a string of affairs, primarily with younger men, throughout his life.

Divided into seven chapters, each of which deals with particular themes in her childhood, FUN HOME contains a strong emphasis on literary references. Chapters weave back and forth in time, revealing aspects of Bechdel's childhood and details of her father's death. Books and literature were an important influence in Bechdel's life growing up. Her father taught English Literature at the local high school while her mother studied theater and performed in community plays. The gothic revival home the family lived in (and which her father had restored) boasted a library. At one point Bechdel admits, "I employ these [literary] allusions ... not only as descriptive devices, but because my parents are most real to me in fictional terms" (66). It becomes apparent that literary discussion was one of the primary modes of communication between herself and her father.

Bechdel came out to her parents via a letter in the spring of 1980. Her declaration prompted her mother to point out to Bechdel that her father had been having affairs with men for years. Initially, this information appears to have been news to Bechdel, who reflects, "I'd been upstaged, demoted from protagonist in my own drama to comic relief in my parents' tragedy" (58). This "upstaging" is revealed as a theme in Bechdel's life as childhood milestones, such as her menarche, were overshadowed by the family preoccupation with and response to her father facing charges of "contributing to the delinquency of a minor." Apparently, her father's closet was not entirely secret and his extramarital activities added strain to the family. Her coming out was further upstaged when her father died in a questionable "accident" (it may have been suicide) just four months after her letter.

Bechdel spent years feeling shut down yet very guilty regarding her coming out and how it may have influenced her father's death. FUN HOME details the results of Bechdel's intellectual and emotional processing of her father's death, and her relationship with this complex, intelligent, conflicted, and often remote man. A powerful example of her self awareness includes her admission, "[evidence that he was considering suicide months before Bechdel came out] would only confirm that his death was not my fault. That, in fact, it had nothing to do with me at all. And I'm reluctant to let go of that last, tenuous bond" (86).

Book-length graphic stories are not a mainstay of this reviewer's reading. However, Bechdel's clean, distinctive illustration style with its wry observations and amusing details is fun to read and examine, and drew this reader into her story quickly. Indeed, it's regrettable that this review can only include quotations and not excerpts of Bechdel's drawings. Several delightful and revealing images are included, such as her grandmother chasing a "piss-ant," her early identification with Wednesday Addams, the summer of the locusts, her teenaged diary entries, and several aspects of her own adolescent self-discoveries. One cannot help but identify with Bechdel. However, despite the pain and struggle Bechdel has had facing her father's life and death, the book is neither morose nor depressing. The author has found peace with herself in regard to her father, her childhood, and who she is today. As she says in the dedication (to her mother and brothers) " We did have a lot of fun, in spite of everything."

FUN HOME is a wonderful graphic memoir that is engaging, heartrending, funny, and thoughtful. Readers will definitely want to stop by the Fun Home for this viewing.
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64 of 69 people found the following review helpful
Format:Hardcover
Wow. I've been trying to figure out how to start this review, but every opening sounds like it's belittling: "Proving that she can do more than her comic strip ..." or "Moving beyond her "Dykes"..." does a great disservice to Bechdel and the comic strip world she has been superbly chronicling for the past twenty-odd years. Bechdel isn't moving beyond anything here; she's just done something different.

It shouldn't come as any surprise that Bechdel is capable of producing such a great work -- she has proved time and again in both her comic strip and other media (her hilarious and much missed wall calendars from the 90s) that she can blend words, drama and humor as sharply as any. The surprise to me here is just how deeply Bechdel allows us to glimpse into her life.

"Fun Home" is no easy narrative: the story of Bechdel's family and especially her difficult father bends, buckles and then turns to reveal more truth as each chapter goes by. The art and detail are so well done that I didn't feel as though I was looking at pen and ink drawings but real photos reminiscent of Italian "fumetti" comics. When the book ended, I felt the need to go over it again and put the pieces together like a puzzle.

I first discovered Bechdel when I was a junior in college 15 years ago and I've been following her work ever since. Part of me wants to selfishly keep her as one of my own, somebody that I discovered before the mainstream and after I died, friends and family would find her books among my collection and think, "This is brilliant, if only we'd read her years ago!"

I'll probably spend the next few months saying, "You liked 'Fun Home'? Amateur! *I've* been reading Bechdel since 1991." But this book (and Bechdel's work in general) deserves a wide audience and all the success it gets.

Bravo Alison, bravo.
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22 of 23 people found the following review helpful
Brilliant and new. July 9, 2006
Format:Hardcover
From Alison Bechdel, author of the comic strip "Dykes to Watch Out For," comes a memoir of coming out and coming to terms with both the life and death of her closeted father. The funny "gay" memoir seems to be the latest trend, and I'll admit that I approached this book with more than a little trepidation. However, "Fun Home" has proven a happy surprise, a unique and first rate comic work by a truly serious artist.

It took me awhile to set down and attempt to put into words what I found so special about this book. First, this is a graphic book (a "comic" book if you will), and one that is equal parts graphic and comic in its depiction of a very real American family. Being raised in a funeral home in small town America could prove a challenge for anyone. Being an adolescent girl awakening to her own lesbianism with a closet case father who is both your High School English teacher and the local funeral director, is the stuff of great literature.

The author has an acute sense of the absurd, and an unparralleld ability to communicate life's little ironies. Without ever losing affection for her emotionally remote parents, Bechdel cuts to the heart of the matter and draws them warts and all. "Fun Home" is a genuine marvel, a truly tragicomic memoir and one of the highlights of the publishing year thus far. Don't miss it.
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Most Recent Customer Reviews
Masterful Storytelling on Display
I wasn't familiar with Alison Bechdel's work until Slate picked her new book, Are You My Mother?, for their audio book club. Read more
Published 4 days ago by Kurt Joseph Pankau
A Spendid Must-Read!
Pure joy, even in sorrow and loss. Perfection on so many levels. Bravisima. Like Maus, Fun Home is a must-read. Breath-takingly well-executed.
Published 5 days ago by Gia Maia
Excellent book
This is a wonderful book. I was blown away by the drawings and text. It is a work of compression (each moment a cartoon panel) and deep compassion. Read more
Published 8 days ago by LM
Not for everyone
I am a fan of graphic novels and this is a very well done example of the genre. The drawings and text work well together and the story line is interesting. Read more
Published 10 days ago by KKH
Criminally overrated
What is "fun" about a father who commits criminal acts? Had this man still been alive, he should have been brought to justice. Read more
Published 11 days ago by ObamAisAfraud
One of the best I've read
My daughter convinced me I'd like this book. I purchased it but it sat on my shelf for a while. When I finally read it, I loved. I've recommended it to many. Read more
Published 26 days ago by S. Brunsvold
Wickedly Good
So far, this is the rawest and most unforgiving graphic novel memoir I have read. While it is no great shock to discover the inevitable description of male masturbation which seems... Read more
Published 1 month ago by Anna Clare
Graphic novel with heart, soul and other enticing items
Okay, it is written and sold as a comic/illustrated graphic novel. Get over that. This book has soul, and is written in attempt for the author to understand her deceased father,... Read more
Published 1 month ago by Celestialabyss
Feels like a book I would read for homework
Bechdel's father was an intriguing enough character to keep me reading. Other than that, the story seemed aimless and pretentious. Read more
Published 2 months ago by Josh Gross
An absolutely amazing memoir
This is, to put it very simply, an amazing book. It's so filled with humanity and understanding and love and memories, it's almost impossible to review. Read more
Published 5 months ago by Michael K. Smith
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Introduction (From Wikipedia)

Fun Home (subtitled A Family Tragicomic) is a 2006 graphic memoir by American writer Alison Bechdel, author of the comic strip Dykes to Watch Out For. It chronicles the author's childhood and youth in rural Pennsylvania, USA, focusing on her complex relationship with her father. The book addresses themes of sexual orientation, gender roles, suicide, dysfunctional family life, and the role of literature in understanding oneself and one's family. Writing and illustrating Fun Home took seven years, in part because of Bechdel's laborious artistic process, which includes photographing herself in poses for each human figure. Fun Home has been both a popular and critical success, and spent two weeks on the New York Times Best Seller list. In The New York Times Sunday Book Review, Sean Wilsey called it "a pioneering work, pushing two genres (comics and memoir) in multiple new directions."

Themes (From Wikipedia)

Fun Home has several themes recurring throughout the book. The biggest theme, arguably, is sexual orientation. Bechdel tells the readers of her journey of discovering her own sexuality through books. "My realization at nineteen that I was a lesbian came about in a manner consistent with my bookish upbringing."" Her exposure (from reading literal definitions in dictionaries, reading interviews of others like her, etc.) helped her come to terms with her sexuality, but in truth, the hints of it plagued her childhood: her desire "for the right to exchange [her] tank suit for a pair of shorts" in Cannes" or her desire for her brothers to call her Albert instead of Alison on one camping trip ". However, Bechdel also reveals that she wasn't alone in her choice of partners; her father also exhibited some homosexual behaviors, but in a different way than Alison. "I'd been upstaged, demoted from protagonist in my own drama to comic relief in my parents' tragedy" quoted on page 58 when her mother reveals Bechdel's father's secret. Though both, father and daughter, had similar situations (Bechdel was a lesbian while her father was gay or bisexual), the two handled their issues differently. Bechdel chose to accept the fact and not hide from the issue, taking a female partner and going to "gay union" meetings. Bechdel was open about her sexuality before she'd even been in a same-sex relationship (of any sort). Her father, on the other hand, had had countless affairs with men but wasn't open about it ". This may be due to homophobia (his and/or others'), or because he was married with a family. In any case, it's clear that he's afraid of coming out, as illustrated by "the fear in his eyes" when the conversation topic is dangerously close to homosexuality ".

In addition to sexual orientation, the memoir touches on the theme of gender identity. Bechdel had viewed her father as "a big sissy"" while her father constantly tried to change his daughter into a more feminine person throughout her childhood.

The third, underlying theme of death is also portrayed. Though there is debate as to whether Bechdel's father's death was an accident or suicide, she thinks it much more likely that he killed himself ". Whether this was because of his own sexuality or Bechdel's (or some other cause) remains unclear.

Attribution: The information appearing above in this tab is from Wikipedia: Fun Home. Amazon is not affiliated with, and neither endorses, nor is endorsed by Wikipedia or any of the authors who contributed to this article. The Wikipedia content may be available under the Creative Commons Attribution-ShareAlike License, version 3.0 or any later version, available at: CC BY-SA. Additional or other terms may apply. See Wikipedia Terms of Use for details.

Publication and reception (From Wikipedia)

Fun Home was first printed in hardcover by Houghton Mifflin (Boston, New York) on June 8, 2006. This edition appeared on the New York Times' Hardcover Nonfiction bestseller list for two weeks, covering the period from June 18 to July 1, 2006. It continued to sell well, and by February 2007 there were 55,000 copies in print. A trade paperback edition was published in the United Kingdom by Random House under the Jonathan Cape imprint on September 14, 2006; Houghton Mifflin published a paperback edition under the Mariner Books imprint on June 5, 2007.

In the summer of 2006, a French translation of Fun Home was serialized in the Paris newspaper Libération (which had previously serialized Persepolis by Marjane Satrapi). This translation, by Corinne Julve and Lili Sztajn, was subsequently published by Éditions Denoël on October 26, 2006. In January 2007, Fun Home was an official selection of the Angoulême International Comics Festival. In the same month, the Anglophone Studies department of the Université François Rabelais, Tours sponsored an academic conference on Bechdel's work, with presentations in Paris and Tours. At this conference, papers were presented examining Fun Home from several perspectives: as containing "trajectories" filled with paradoxical tension; as a text interacting with images as a paratext; and as a search for meaning using drag as a metaphor. These papers and others on Bechdel and her work were later published in the peer-reviewed journal GRAAT (Groupe de Recherches Anglo-Américaines de Tours, or Tours Anglo-American Research Group).

An Italian translation was published by Rizzoli in January 2007. In Brazil, Conrad Editora published a Portuguese translation in 2007. A German translation was published by Kiepenheuer & Witsch in January 2008. The book has also been translated into Hungarian, Korean, and Polish, and a Chinese translation has been scheduled for publication.

In October 2006, a resident of Marshall, Missouri attempted to have Fun Home and Craig Thompson's Blankets, both graphic novels, removed from the city's public library. Supporters of the books' removal characterized them as "pornography" and expressed concern that they would be read by children. Marshall Public Library Director Amy Crump defended the books as having been well-reviewed in "reputable, professional book review journals," and characterized the removal attempt as a step towards "the slippery slope of censorship". On October 11, 2006, the library's board appointed a committee to create a materials selection policy, and removed Fun Home and Blankets from circulation until the new policy was approved. The committee "decided not to assign a prejudicial label or segregate [the books] by a prejudicial system", and presented a materials selection policy to the board. On March 14, 2007, the Marshall Public Library Board of Trustees voted to return both Fun Home and Blankets to the library's shelves. Bechdel described the attempted banning as "a great honor", and described the incident as "part of the whole evolution of the graphic-novel form."

In 2008, an instructor at the University of Utah placed Fun Home on the syllabus of a mid-level English course, "Critical Introduction to English Literary Forms". One student objected to the assignment, and was given an alternate reading in accordance with the university's religious accommodation policy. The student subsequently contacted a local organization called "No More Pornography", which started an online petition calling for the book to be removed from the syllabus. Vincent Pecora, the chair of the university's English department, defended Fun Home and the instructor. The university said that it had no plans to remove the book.

Reviews and awards

Fun Home was positively reviewed in many publications. The Times of London described Fun Home as "a profound and important book;" Salon.com called it "a beautiful, assured piece of work;" and The New York Times ran two separate reviews and a feature on the memoir. In one New York Times review, Sean Wilsey called Fun Home "a pioneering work, pushing two genres (comics and memoir) in multiple new directions" and "a comic book for lovers of words". Jill Soloway, writing in the Los Angeles Times, praised the work overall but commented that Bechdel's reference-heavy prose is at times "a little opaque". Conversely, a reviewer in The Tyee felt that "the narrator's insistence on linking her story to those of various Greek myths, American novels and classic plays" was "forced" and "heavy-handed". By contrast, the Seattle Times' reviewer wrote positively of the book's use of literary reference, calling it "staggeringly literate". The Village Voice said that Fun Home "shows how powerfully—and economically—the medium can portray autobiographical narrative. With two-part visual and verbal narration that isn't simply synchronous, comics presents a distinctive narrative idiom in which a wealth of information may be expressed in a highly condensed fashion."

Several publications listed Fun Home as one of the best books of 2006, including The New York Times, Amazon.com, The Times of London, New York magazine and Publishers Weekly, which ranked it as the best comic book of 2006. Salon.com named Fun Home the best nonfiction debut of 2006, admitting that they were fudging the definition of "debut" and saying, "Fun Home shimmers with regret, compassion, annoyance, frustration, pity and love—usually all at the same time and never without a pervasive, deeply literary irony about the near-impossible task of staying true to yourself, and to the people who made you who you are." Entertainment Weekly called it the best nonfiction book of the year, and Time named Fun Home the best book of 2006, describing it as "the unlikeliest literary success of 2006" and "a masterpiece about two people who live in the same house but different worlds, and their mysterious debts to each other."

Fun Home was a finalist for the 2006 National Book Critics Circle Award, in the memoir/autobiography category. In 2007, Fun Home won the GLAAD Media Award for Outstanding Comic Book, the Stonewall Book Award for non-fiction, the Publishing Triangle-Judy Grahn Nonfiction Award, and the Lambda Literary Award in the "Lesbian Memoir and Biography" category. Fun Home was nominated for the 2007 Eisner Awards in two categories, Best Reality-Based Work and Best Graphic Album, and Bechdel was nominated as Best Writer/Artist. Fun Home won the Eisner for Best Reality-Based Work. In 2008, Entertainment Weekly placed Fun Home at #68 in its list of "New Classics" (defined as "the 100 best books from 1983 to 2008"). The Guardian included Fun Home in its series "1000 novels everyone must read", noting its "beautifully rendered" details.

In 2009, Fun Home was listed as one of the best books of the previous decade by The Times of London, Entertainment Weekly and Salon.com, and as one of the best comic books of the decade by The Onion's A.V. Club.

In 2010, the Los Angeles Times literary blog "Jacket Copy" named Fun Home as one of "20 classic works of gay literature".

Attribution: The information appearing above in this tab is from Wikipedia: Fun Home. Amazon is not affiliated with, and neither endorses, nor is endorsed by Wikipedia or any of the authors who contributed to this article. The Wikipedia content may be available under the Creative Commons Attribution-ShareAlike License, version 3.0 or any later version, available at: CC BY-SA. Additional or other terms may apply. See Wikipedia Terms of Use for details.

Allusions (From Wikipedia)

The allusive references used in Fun Home are not merely structural or stylistic: Bechdel writes, "I employ these allusions ... not only as descriptive devices, but because my parents are most real to me in fictional terms. And perhaps my cool aesthetic distance itself does more to convey the Arctic climate of our family than any particular literary comparison." Bechdel, as the narrator, considers her relationship to her father through the myth of Daedalus and Icarus. As a child, she confused her family and their Gothic Revival home with the Addams Family seen in the cartoons of Charles Addams. Bruce Bechdel's suicide is discussed with reference to Albert Camus' novel A Happy Death and essay The Myth of Sisyphus. His careful construction of an aesthetic and intellectual world is compared to The Great Gatsby by F. Scott Fitzgerald, and the narrator suggests that Bruce Bechdel modeled elements of his life after Fitzgerald's, as portrayed in the biography The Far Side of Paradise. His wife Helen is compared with the protagonists of the Henry James novels Washington Square and The Portrait of a Lady. Helen Bechdel was an amateur actress, and plays in which she acted are also used to illuminate aspects of her marriage. She met Bruce Bechdel when the two were appearing in a college production of The Taming of the Shrew, and Alison Bechdel intimates that this was "a harbinger of my parents' later marriage". Helen Bechdel's role as Lady Bracknell in a local production of The Importance of Being Earnest is shown in some detail; Bruce Bechdel is compared with Oscar Wilde. His homosexuality is also examined with allusion to Marcel Proust's In Search of Lost Time. The father and daughter's artistic and obsessive-compulsive tendencies are discussed with reference to E. H. Shepard's illustrations for The Wind in the Willows. Bruce and Alison Bechdel exchange hints about their sexualities by exchanging memoirs: the father gives the daughter Earthly Paradise, an autobiographical collection of the writings of Colette; shortly afterwards, in what Alison Bechdel describes as "an eloquent unconscious gesture", she leaves a library copy of Kate Millett's memoir Flying for him. Finally, returning to the Daedalus myth, Alison Bechdel casts herself as Stephen Dedalus and her father as Leopold Bloom in James Joyce's Ulysses, with parallel references to the myth of Telemachus and Odysseus.

In addition to the literary allusions which are explicitly acknowledged in the text, Bechdel incorporates visual allusions to television programs and other items of pop culture into her artwork, often as images on a television in the background of a panel. These visual references include the film It's a Wonderful Life, Bert and Ernie of Sesame Street, the Smiley Face, Yogi Bear, Batman, the Road Runner and Wile E. Coyote, the resignation of Richard Nixon and The Flying Nun.

Attribution: The information appearing above in this tab is from Wikipedia: Fun Home. Amazon is not affiliated with, and neither endorses, nor is endorsed by Wikipedia or any of the authors who contributed to this article. The Wikipedia content may be available under the Creative Commons Attribution-ShareAlike License, version 3.0 or any later version, available at: CC BY-SA. Additional or other terms may apply. See Wikipedia Terms of Use for details.
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LIKE MANY FATHERS, MINE COULD OCCASIONALLY BE PREVAILED ON FOR A SPOT OF "AIRPLANE." Read the first page
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