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Funny Ha Ha

33 customer reviews

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(Aug 16, 2005)
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Editorial Reviews


Special Features

  • Radio play
  • Portrait gallery
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Product Details

  • Actors: Mark Capraro, Jonathan Clermont, Kate Dollenmayer, Sheila Dubman, Thomas Hansen (II)
  • Format: Color, Full Screen, NTSC
  • Language: English (Dolby Digital 2.0 Stereo)
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Rated: NR (Not Rated)
  • Studio: Fox Lorber
  • DVD Release Date: August 16, 2005
  • Run Time: 89 minutes
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (33 customer reviews)
  • Domestic Shipping: Currently, item can be shipped only within the U.S. and to APO/FPO addresses. For APO/FPO shipments, please check with the manufacturer regarding warranty and support issues.
  • International Shipping: This item is not eligible for international shipping. Learn More
  • ASIN: B0009Y25ZU
  • Amazon Best Sellers Rank: #81,598 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Funny Ha Ha" on IMDb

Customer Reviews

Most Helpful Customer Reviews

17 of 21 people found the following review helpful By Nate TOP 500 REVIEWERVINE VOICE on August 29, 2005
Format: DVD Verified Purchase
This is the real thing. A genuine indie-flick without the pretentiousness or quirkiness or "big-issue" feel that has pigeonholed the "Sundance" style film. This is just a remarkably fresh and engaging story about a young woman figuring herself out; a film that plays with the ambiguities that comes from an age/culture that doesn't want to judge anybody or anything but where individuals can still be hurt by the actions of others. The dialogue is as perfect and genuine and real and awkward as anything I've seen on film (or in life, in people of this age). I knew people like the characters here in college and grad school, and the story kept me involved and caring about them. I agree with other reviewers that this film is easily as important and interesting as other major indie debuts like Stranger than Paradise, Slackers, Clerks, and Sex Lies and Videotape. Here's hoping that as Andrew Bujalski (and his stellar cast) finds the much-deserved acclaim from this film he doesn't lose the honesty and edge of this simple, low budget masterpiece.
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12 of 15 people found the following review helpful By Carter on July 25, 2005
Format: DVD
Most of the ha-ha's in Funny Ha Ha are not exactly funny: Andrew Bujalski's debut feature is foremost a squirming comedy of recognition. This Boston ultra-indie-which Bujalski wrote, directed, edited, and co-starred in-slouches through the blurry limbo of post-collegiate existence, a period at once ephemeral and cruelly decisive. It opens with 23-year-old heroine Marnie (Kate Dollenmayer) stumbling into a tattoo parlor, where the proprietor refuses to ink her because she's plastered. This movie is about the fear of the permanent-and the barely conscious, unwittingly reckless processes behind life-altering decisions-might be subtitled The Possibly Indelible Adventures of a Desultory Twentysomething.

Structured around nonevent and inaction, Funny Ha Ha recalls Jamie Thraves's 2000 British indie The Low Down, a neglected mini-masterpiece of quarter-life malaise. Bujalski's film likewise thrums with ambivalent dread-underlying the characters' inert indecision is a reluctance to let the rest of their lives begin, not least for fear that it might prove an undifferentiated haze. The final scene is as close to perfection as any Amerindie has come in recent memory-in a single reaction of Marnie's, we see a small but definite shift in perspective; abruptly, Bujalski stops the film, as if there's nothing more to say. It's a wonderful parting shot for a movie that locates the momentous in the mundane.
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9 of 11 people found the following review helpful By Diana on July 25, 2005
Format: DVD
It's both obvious and inexplicable why the release of ''Funny Ha Ha" went nowhere for so long. Obvious: The film lacks polish. Inexplicable: That's part of its charm. (Bujalski has a bracingly unadorned style, and Matthias Grunsky's handheld photography is actually quite lovely.) Obvious: The cast is full of amateurs, especially Kate Dollenmayer, the woman playing Marnie, the film's heroine. Inexplicable: She is also one of the most simply complicated movie characters I've ever seen.

One of the beauties of Bujalski's writing and directing is the way little slights resonate with Marnie. She has to hear from Rachel and Dave (Jennifer L. Schaper and Myles Paige) that Alex (Christian Rudder), her longstanding crush, has just broken up with his girlfriend. That's ridiculous: She just ran into him, and he didn't mention that at all. But, as ''Funny Ha Ha" illustrates with great accuracy, that's life.
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3 of 3 people found the following review helpful By Roland E. Zwick on December 16, 2006
Format: DVD
First time filmmaker Andrew Bujalski's extremely low-budget feature "Funny Ha Ha" has many of the hallmarks of an early John Cassavetes film: grainy camerawork, minimalist storytelling, and naturalistic, ad lib performances.

Bujalski's cast of characters is made up entirely of white urban youth in their early to mid 20's - that awkward period in life after an individual has finished college yet before he has moved on to building his own career and family. Given what appears to be their first real taste of freedom and independence, the characters do little but sit around, get drunk, and talk about their romantic relationships, but Bujalski observes all this without hysteria and judgment, thereby lending the film the aura of real life being caught on film.

The focal point is an attractive young woman named Marnie (Kate Dollenmayer) who drinks a bit too much, seems vaguely directionless and lacking in energy, and is somewhat inexperienced in the ways of love, but who, nevertheless, seems reasonably well grounded and knows her own limits as a person.

"Funny Ha Ha," despite its occasional raggedness and self-indulgence, is blessedly free of contrivance and melodramatics. These may not be the most goal-oriented or socially-conscious youth we've ever encountered in the movies, but neither are they the most troubled or self-destructive. They seem like pretty ordinary kids living in the moment and only vaguely aware that there's a world outside of themselves that they are destined to become a part of in the very near future.

The beauty of the dialogue rests in its ability to capture with uncanny accuracy the way people in the real world actually speak.
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