Funny Ladies and over one million other books are available for Amazon Kindle. Learn more



or
Sign in to turn on 1-Click ordering
More Buying Choices
Have one to sell? Sell yours here
Start reading Funny Ladies on your Kindle in under a minute.

Don't have a Kindle? Get your Kindle here, or download a FREE Kindle Reading App.
Sorry, this item is not available in
Image not available for
Color:
Image not available

To view this video download Flash Player

 

Funny Ladies: The New Yorker's Greatest Women Cartoonists And Their Cartoons [Hardcover]

Liza Donnelly
4.2 out of 5 stars  See all reviews (6 customer reviews)

List Price: $32.99
Price: $25.81 & FREE Shipping. Details
You Save: $7.18 (22%)
o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o
Only 5 left in stock (more on the way).
Ships from and sold by Amazon.com. Gift-wrap available.
Want it Tuesday, May 21? Choose One-Day Shipping at checkout. Details

Formats

Amazon Price New from Used from
Kindle Edition $9.99  
Hardcover $25.81  
Image
Save on Popular Books This Summer
Browse our Bookshelf Favorites store for big savings on popular fiction, nonfiction, children's books, and more.

Book Description

October 3, 2005
It’s no secret that most New Yorker readers flip through the magazine to look at the cartoons before they ever lay eyes on a word of the text. But what isn’t generally known is that over the decades a growing cadre of women artists have contributed to the witty, memorable cartoons that readers look forward to each week. Now Liza Donnelly, herself a renowned cartoonist with The New Yorker for more than twenty years, has written this wonderful, in-depth celebration of women cartoonists who have graced the pages of the famous magazine from the Roaring Twenties to the present day.
An anthology of funny, poignant, and entertaining cartoons, biographical sketches, and social history all in one, Funny Ladies offers a unique slant on 20th-century and early 21st-century America through the humorous perspectives of the talented women who have captured in pictures and captions many of the key social issues of their time. As someone who understands firsthand the cartoonist’s art, Donnelly is in a position to offer distinctive insights on the creative process, the relationships between artists and editors, what it means to be a female cartoonist, and the personalities of the other New Yorker women cartoonists, whom she has known over the years.
Funny Ladies reveals never-before-published material from The New Yorker archives, including correspondence from Harold Ross, Katharine White, and many others. In addition, Donnelly has interviewed all of the living female cartoonists, many of their male counterparts, and editors and writers: David Remnick, Roger Angell, Lee Lorenz, Harriet Walden (legendary editor Harold Ross’s secretary), Bob Mankoff, Eldon Dedini, Dana Fradon, Frank Model, Bob Weber, Sam Gross, Gahan Wilson, Joe Farris, among others.
Combining a wealth of information with an engaging and charming narrative, plus more than seventy cartoons, along with photographs and self-portraits of the cartoonists, Funny Ladies beautifully portrays the art and contributions of the brilliant female cartoonists in America’s greatest magazine.

Frequently Bought Together

Funny Ladies: The New Yorker's Greatest Women Cartoonists And Their Cartoons + When Do They Serve the Wine?: The Folly, Flexibility, and Fun of Being a Woman + Cartoon Marriage: Adventures in Love and Matrimony by The New Yorker's Cartooning Couple
Price for all three: $64.16

Some of these items ship sooner than the others.

Buy the selected items together


Editorial Reviews

From Publishers Weekly

Business, golf and kids have all got their own cartoon spotlights via The New Yorker, so why not women? Instead of a cartoon collection, however, this is an exhaustive survey of the history of the few women cartoonists at the august magazine. Donnelly, a cartoonist herself, got access to the New Yorker's vast library of correspondence, so the book is full of in-depth accounts of spats between cartoonists such as Helen Hokinson and Barbara Shermund and legendary editors Harold Ross and Wallace Shawn. The result is a bonanza for those looking for raw material to analyze society's changing attitudes toward women and humor as reflected in the most highbrow of magazines. Where it comes up short, ironically, is the cartoons themselves, which are scattered throughout the book without identifying captions. Donnelly does offer insights into the careers of the early pioneers as they try to find material that suits them. A 20-year gap (1951–1972)during which almost no new women were introduced to the magazine speaks for itself, but woman are better represented today with such stars as Roz Chast and Marisa Acocella Marchetto. As history, Funny Ladies is essential, but it can't match the eloquence of the cartoons. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

Cartoons constitute one of the New Yorker's greatest selling points, with Charles Addams' paranormal world sometimes followed on the next page by Jules Feiffer's social commentary. Donnelly, a cartoonist for the magazine for more than 20 years, chronicles the female cartoon contributors from the Jazz Baby and Bathtub Gin days satirized by such cartoonists as Helen Hokinson and Helen Harvey to the present. She provides social context, biographies, and, above all, analysis and interpretation of these women's work and relationships with their editors. Previously unpublished material from the magazine's archives complements an entertaining text already replete with representative examples from its pages, such as Mary Petty's drawing of ultrasophisticates drinking as one woman gossips, "She's not going to divorce him quite yet. She thinks he has another book in him"; and Donnelly's own wry commentary on chic New York rooftop parties, "O.K., everybody. Let's eat before the food gets dirty." This coffee-table book including extra photos, bibliography, endnotes and a foreword by Feiffer should attract social historians, both pros and hobbyists, like flies. Whitney Scott
Copyright © American Library Association. All rights reserved

Product Details

  • Hardcover: 217 pages
  • Publisher: Prometheus Books (October 3, 2005)
  • Language: English
  • ISBN-10: 1591023440
  • ISBN-13: 978-1591023449
  • Product Dimensions: 8.4 x 0.9 x 10.9 inches
  • Shipping Weight: 1.9 pounds (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #1,187,371 in Books (See Top 100 in Books)

More About the Author

"Liza often steps out from behind her drawing table to make this world not just a funnier place, but a better one too." Planet Green, 2010

"Donnelly's cartoons are the best kind of funny--sly, smart, and right on the money. [They] are great social commentary as well as great fun." Susan Orlean, 2010


Liza Donnelly is a contract cartoonist with The New Yorker Magazine. When she first began selling to The New Yorker in 1979, she was the youngest and one of only three cartoonists who were women. Her work has appeared in many publications, including The New York Times, Glamour, Cosmopolitan, The Nation and The Harvard Business Review, and her cartoons have been exhibited around the world. In 2005, she wrote Funny Ladies: The New Yorker's Greatest Women Cartoonists and Their Cartoons, a history of the women who drew cartoons for the magazine as well as the present women contributors. Other recent books are Sex and Sensibility: Ten Women Examine the Lunacy of Modern Love in 200 Cartoons and Cartoon Marriage: Adventures in Love and Matrimony with the New Yorker's Cartooning Couple (with Michael Maslin). Liza appeared, with her husband Michael Maslin, on CBS Sunday Morning, BetterTV and she has been profiled in numerous magazines and newspapers. Donnelly is a pubic speaker/lecturer and presents on topics such as women and humor, childrens' books and The New Yorker, and has given talks at the United Nations, Thurber House, and the American Association of Editorial Cartoonists annual convention, Vassar College, Bard College, Omega Institute, The Museum of Cartoon and Comic Art, The Norman Rockwell Museum and presented a talk at the first TEDWomen conference. She has been a guest panelist at the Cartoon Event of The New Yorker Festival several times.

Her cartoons can be seen on various websites: narrativemagazine.com, womensEnews.org, huffingtonpost.com, salon.com, dailybeast.com, and revolvingfloor.com, where she is the cartoon editor. She conceived of and is editor for World Ink, a site of international cartoons from contributors around the globe on dscriber.com. She is a charter member of an international project, Cartooning for Peace, helping to promote understanding around the world through humor. Her new book, "When Do They Serve The Wine? The Folly, Flexibility and Fun of Being a Woman", was just published by Chronicle Books. Recently, Liza received an International Award in France at the Salon International du Dessins de Presse for her work in cartooning. Her website is lizadonnelly.com and her blog is whendotheyservethewine.wordpress.com. Liza teaches part-time at Vassar College. and is a member of PEN, Authors Guild and the National Cartoonist Society. She and her husband, New Yorker cartoonist, Michael Maslin, live in New York.

"Liza often steps out from behind her drawing table to make this world not just a funnier place, but a better one too." Planet Green, 2010

"Donnelly's cartoons are the best kind of funny--sly, smart, and right on the money. [They] are great social commentary as well as great fun." Susan Orlean, 2010

Customer Reviews

4.2 out of 5 stars
(6)
4.2 out of 5 stars
Most Helpful Customer Reviews
3 of 3 people found the following review helpful
1.0 out of 5 stars do not buy KINDLE edition!!! February 5, 2011
Format:Kindle Edition|Amazon Verified Purchase
Love the book but the KINDLE edition is full of flaws: spelling errors, faulty paragraph alignment and - worst of all - no links to the footnotes whose numbering is also off. I would have loved to follow up on some of her sources but the notes are simply not there. This is my first bad experience with a KINDLE book, though...
Comment | 
Was this review helpful to you?
3 of 3 people found the following review helpful
5.0 out of 5 stars fascinating history of women in an unusual niche May 1, 2008
Format:Hardcover
This is not a cartoon collection, it's a history - but it does include cartoons by every one of the cartoonists mentioned. It slightly before the founding of The New Yorker, with how the magazine came to be, and how Ross's independent wife (her name was Jane Grant, and she didn't change it when she got married) was an influence on what he expected the readership of the magazine to be, and who he would accept as writers and illustrators.

Some of the highlights: learning more about Helen Hokinson, much of whose stuff is still funny; the sad fate of Mary Petty. There was a little too much about Donnelly herself in there, but I guess I can understand the impulse. This really did bring out some of the developments in the glass ceiling for particular kinds of women artists.

When one thinks about WW2, and women filling jobs that used to be men's, one thinks of Rosie the Riveter - until I read this book, it had not occurred to me that women also filled the men's jobs as cartoonists at The New Yorker! The section on the war era includes some of the funniest cartoons.

Of course Roz Chast is included in here - quite possibly my favorite contemporary cartoonist. I greatly enjoyed the details about how she got into cartooning, and seeing how changes in her own stages of life have made it into her cartoons.

I think the book as a whole is the same sort of mix as the magazine - interesting articles, punctuated by cartoons. So if you like the magazine, you should enjoy the book!
Was this review helpful to you?
2 of 2 people found the following review helpful
5.0 out of 5 stars Complete, funny and amazing December 10, 2007
Format:Hardcover
Liza Donnelly has written a great book, a book I have been waiting for. I'm embarrassed to say it's been out a while and I've just discovered it... but Funny Ladies is well researched, well-written, funny and enlightening. The history of women cartoonists at the New Yorker follows the history of women in the 20th century, and reading this book is and eye-opener on both levels. I was thrilled to learn more about cartoonists I'd heard of and discover ones I had not. And learning more about the founders of the New Yorker, Harold Ross and Jane Grant, plus the role cartoon editors there have played over time, is enlightening.

A great book, great read, great find.

Thanks to the cartoonist/author. There are precious few of us, and I'm so happy you preserved this portion of our history.
Comment | 
Was this review helpful to you?


Forums

There are no discussions about this product yet.
Be the first to discuss this product with the community.
Start a new discussion
Topic:
First post:
Prompts for sign-in
 


Listmania!


Create a Listmania! list

So You'd Like to...


Create a guide


Look for Similar Items by Category