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In Furore
 
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In Furore

Vivaldi , Bott , Preston , Purcell Quartet Audio CD
5.0 out of 5 stars  See all reviews (2 customer reviews)


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Product Details

  • Audio CD (January 20, 1998)
  • Number of Discs: 1
  • Label: Chandos
  • ASIN: B000005X14
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #820,107 in Music (See Top 100 in Music)

1. In Furore: Sonata al Santo Sepolcro, RV130 in E Flat - Largo Molto
2. In Furore: Sonata al Santo Sepolcro, RV130 in E Flat - Allego ma poco
3. In Furore: In furore iustissimae irae, RV626 - Aria: In furore iustissimae irae
4. In Furore: In furore iustissimae irae, RV626 - Recitative: Miserationum Pater piisime, Aria: Tunc muse fletus Evader
5. In Furore: In furore iustissimae irae, RV626 - Alleluia
6. In Furore: Concerto à quattro Op.12 No.3 RV124 in D - Allegro
7. In Furore: Concerto à quattro Op.12 No.3 RV124 in D - Grave
8. In Furore: Concerto à quattro Op.12 No.3 RV124 in D - Allegro
9. In Furore: Concerto à quattro 'Madrigalesco', RV 129 - Adagio
10. In Furore: Concerto à quattro 'Madrigalesco', RV 129 - Allegro
11. In Furore: Concerto à quattro 'Madrigalesco', RV 129 - Adagio
12. In Furore: Concerto à quattro 'Madrigalesco', RV 129 - Allegro molto moderato
13. In Furore: Laudate Pueri, RV601 - Laudate pueri Dominum
14. In Furore: Laudate Pueri, RV601 - Sit nomen Domini benedictum
15. In Furore: Laudate Pueri, RV601 - A solis ortu usque ad occasum
16. In Furore: Laudate Pueri, RV601 - Excelsus super omnes gentes, Dominus
17. In Furore: Laudate Pueri, RV601 - Suscitans a terra inopem
18. In Furore: Laudate Pueri, RV601 - Ut collocet cum
19. In Furore: Laudate Pueri, RV601 - Gloria Patri, Filio et Spiritui santo
20. In Furore: Laudate Pueri, RV601 - Gloria Patri, Filio et Spiritui santo, sicut erat
See all 23 tracks on this disc

 

Customer Reviews

2 Reviews
5 star:
 (2)
4 star:    (0)
3 star:    (0)
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Average Customer Review
5.0 out of 5 stars (2 customer reviews)
 
 
 
 
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2 of 2 people found the following review helpful:
5.0 out of 5 stars a wholehearted performance thus recommendation, May 9, 2003
By 
This review is from: In Furore (Audio CD)
when it's harder and harder to make sense of the discographic deluge i was attracted by the idea of vivaldi for soprano and quartet as offered by this cd. the delightful viola-like sound coming out from the soprano (ms. bott) (closely intertwined) with the violin(s) create a sublime act of music and a great collector's choice.

something similar is to be found in the cd "morimur" where the german professor helga thoene observed that "ciaccona" from bach's partita in D minor for solo violin was was "built around various chorale themes hidden in the music." pappen (violin) and hilliard were the protagonists.

or, for the jazz/world music lovers, jan garbarek (sax) and the hilliar enssamble deliver another musical feast where human voice(s) and musical intsruments come together seamlessly as in the cd "officium."

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4 of 5 people found the following review helpful:
5.0 out of 5 stars Would that I had more stars to grant than five!, January 15, 2002
By 
John E. Riutta (Scappoose, Oregon United States) - See all my reviews
(REAL NAME)   
This review is from: In Furore (Audio CD)
This recording! This splendid recording! Marvelous. Special praise is given to the no less than angelic "In Furore Iustissimae Irae" and the "Laudate Pueri" as sung by Ms. Bott. I have listened to it at least five times today and it is spectacular each and every time. We don't often have the opportunity to hear many of the vocal works of Vivaldi, save the occasional performance of the Magnificat, and the bits and pieces recorded by Ms. Bartolli (and those are difficult to listen to as they seem selected for their vocal "fireworks" more than their sublime beauty), so such a recording as this is an especially welcome discovery.

But then no less can be expected from such an eminent label as Chandos' Chaconne. Long revered for their dedication to publishing high quality recordings of works that, while not necessarily always the best known works, are always superb. (Sadly, in this age of rampant acquisition and its subsequent drive toward mediocrity, the same cannot be said of some of the other formerly independent and formerly great classical labels.)

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