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Fuse: Neville Brody Paperback – April 1, 2012


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Fuse: Neville Brody + 100 Ideas that Changed Graphic Design
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Product Details

  • Paperback: 416 pages
  • Publisher: Taschen; Box Pap/Ps edition (April 1, 2012)
  • Language: English
  • ISBN-10: 3836525011
  • ISBN-13: 978-3836525015
  • Product Dimensions: 2.5 x 7 x 9 inches
  • Shipping Weight: 3.8 pounds (View shipping rates and policies)
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #635,252 in Books (See Top 100 in Books)

Editorial Reviews

About the Author

The editors:
Neville Brody is an internationally renowned designer, typographer, art director, and brand strategist. He is the founder of the Research Studios network (www.researchstudios.com). In addition to lecturing and contributing to a variety of cultural and educational initiatives, Brody works both independently and alongside Research Studios designers on commercial and private projects.

Jon Wozencroft is a Senior Tutor for the Visual Communication Programme at The Royal Collage of Arts in London. He is the author of The Graphic Language of Neville Brody 1 & 2, and set up FUSE with Brody in 1991. In 1982 Jon Wozencroft founded the audiovisual publisher Touch, to push the powerful chemistry between sound and visual media. His photography and design work has appeared in a number of publications, including Fax Art, Sampler, G1, Merz to Emigre and Beyond and most recently Cover Art By. Wozencroft has also taught at Central Saint Martins College of Art and Design, The London College of Printing, and has given lectures at numerous art colleges and universities around the world.


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Most Helpful Customer Reviews

By Juan Roberts on April 29, 2014
Format: Paperback Verified Purchase
I've followed his career for years. Love his design work. Thought that I would enjoy reading the behind the scenes, but it was too ready for me. I am sure that someone will enjoy all of the reading, but I have come to know Mr. Brody's work from the visual perspective, not so much the articulated vantage point.
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