Futures

October 19, 2004 | Format: MP3

$9.49
Song Title
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Popularity  
30
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3:58
30
2
3:26
30
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3:23
30
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3:49
30
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5:01
30
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3:01
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6:26
30
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4:51
30
9
3:07
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5:03
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11
7:24


Product Details

  • Label: DreamWorks
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 49:29
  • Genres:
  • ASIN: B000VZR7JG
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (110 customer reviews)
  • Amazon Best Sellers Rank: #16,910 Paid in Albums (See Top 100 Paid in Albums)

Customer Reviews

I believe this is one of the best songs on the album.
kmd8604
Hello... If you are reading this review you chances are you already know how great this album is.
Neo Milhouse
Even when the lyrics aren't particularly cheery, the music still makes you feel good.
The Wickerman

Most Helpful Customer Reviews

41 of 44 people found the following review helpful By The Wickerman on January 17, 2005
Format: Audio CD
Jimmy Eat World's brand of punchy power pop is really something special these days. While I'm really enjoying the rise of all these arty indie rock type bands, like Wilco and Modest Mouse, sometimes I want to listen to something that's just catchy and fun, and with the exception of a handful of bands, there aren't many out there today doing that kind of thing that are really worth listening to. But, Jimmy Eat World is the perfect band for the occasion.

The most interesting thing about their music is that they can manage to be both sad and uplifting at the same time. A lot of their lyrics are rather depressing and melancholy, but the music is overall pretty upbeat, and doesn't really feel depressing. Jim Adkins apparently wants to share his thoughts and feelings, but he doesn't really want you to feel sorry for him, which I think is cool. That way, it never comes across as "whining", as is often the case with many bands in the "emo" style. Even when the lyrics aren't particularly cheery, the music still makes you feel good.

The album starts with the title track, a mid-paced rocker with big hooks, and a cool acoustic break. "Just Tonight" and "Pain" are faster-paced, with driving rhythms, and rousing choruses (the latter reminds me a bit of Thrice, but less metallic). "Work" and "Kill" are super-catchy melodic rock, and "Drugs or Me" and "23" are epic ballads, with huge arrangements. There's not a great deal of variety on this album, but the songwriting is strong enough to keep it interesting. The musicianship is excellent, with powerful melodic guitar hooks, and energetic drumming. Pretty much everything you could want in a straight-forward melodic rock album is here.
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16 of 17 people found the following review helpful By Neo Milhouse on February 3, 2005
Format: Audio CD
Ah,yes. Hello... If you are reading this review you chances are you already know how great this album is. If you've read my previous reviews you know I'm a bit long-winded so for those in a hurry, I give you this:

This IS the best album of the year. Hands down.

For everyone else: This record has a bit of something for everyone. The only CDs that even come close are How to Dismantle an Atomic Bomb by U2, The Used's In Love and Death and My Chemical Romance's Three Cheers for Sweet Revenge. Now if you are a "Oohh, I absolutely love The Middle and Sweetness was sooo good" you should enjoy half of this album. Most notably: Pain (cuz MTV tells you to) and Futures. The harder-edged fans should also enjoy Pain, Just Tonight and Nothingwrong. The REAL JEW fans (you know who I'm talking about...) would never say they sold out for doing a "techno-pop" cover of Wham's "Last Christmas" and any and all nay-sayers should be tied up and forced to listen to Ashlee Simpson sans vocal track for the rest of eternity. Everything Jimmy & Co. have done they have done for a reason. Static Prevails showed frightening talent for a debut album, and Clarity showed the kind of growth and maturity you'd expect for them after they had conquered MTV not being ignored by them. Bleed American was of course their breakthrough album, probably because it showed they could be precise, intelligent pop with the same lyrical maturity as Clarity albeit not as "deep".

Futures however is essentially a bridge between their last two records. Taking the radio-friendly pop and turning up the (almost Tim Burton-like) darkness along with the most meaningful and important lyrics this side of the new millenium makes for the album of the year.

1.) FUTURES: The title track begins with a bang.
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8 of 9 people found the following review helpful By Joshua S. Barr on December 1, 2004
Format: Audio CD
Handling pain, troubled times, and pivotal relationships define our character, both individually, and as a nation. Jimmy Eat World's latest offering, "Futures," deals with these timeless and inescapable truths.

With "Futures," Jimmy Eat World has refined their sound by working in more intricately threaded vocal harmonies, better highlighting keyboards and chords, and bringing back the all-too-forgotten guitar solo.

Easily the band's most well rounded and best sounding release to date, "Futures," offers more than just radio-friendly tracks like the seemingly politically charged sing-a-long title track "Futures," the Weezer-like "Work," and the angst-tinged, anthemic instigators "Nothingwrong" and "Pain."

The most traditional sounding emo tracks on the album are the back-to-back "Kill" and "The World You Love." "Kill" sounds like the desperate diary entries from a semi-defeated, sweaty-palmed admirer set to music, while the carefree vocals on "The World You Love" come across as a triumphant anthem for the emotionally displaced.

The grungy yet upbeat "Just Tonight" sounds like the background music to an 80s workout tape while "Drugs or Me," which closely resembles the intro to Queen's "Bohemian Rhapsody," could easily double as theme music for a drug intervention video.

But the most epic and emotionally gripping songs from this effort may be the longer tracks in which the band reveals their expanding guitar prowess.

With subdued vocals and U2-esque guitar, record standouts "Polaris" and "23" are ethereal gems that'll bring out the lighters, and quite possibly the waterworks.
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