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Most Helpful Customer Reviews
36 of 38 people found the following review helpful:
5.0 out of 5 stars
The Word Is ... Unreal!,
By James Paris "Tarnmoor" (Los Angeles, CA USA) - See all my reviews
This review is from: The Futurological Congress: From the Memoirs of Ijon Tichy (Paperback)
Here I am sitting on a chair and pecking at a keyboard with a monitor and computer in front of me. At least I think so. But what if the sushi I had for lunch was spiked with a psychotropic drug that makes me believe that this typing at the keyboard activity is real? Especially when, in actual reality, I may be strung up stark naked and upside-down in a subterranean dungeon with rats gnawing at my vitals while happily thinking up what to write about Stanislaw Lem's greatest book, THE FUTUROLOGICAL CONGRESS. The reason why I believe that some of the best sci-fi since WW2 came from Eastern Europe (Lem from Poland and Boris and Arkady Strugatsky from Russia) is that the mind set of communism was conducive toward what is referred to as "aesopic writing" (The term comes from Solzhenitsyn.) If you protested anything, you were regarded as a traitor to the state; but if you wrote fables as the Greek writer Aesop did which were not set in a particular unnamed repressive regime at a particular time, you might be able to get away with it scot free. Lem had a field day by speculating on a congress who members are drugged into thinking they are drugged into acting as if they were drugged ... it goes on and on. The more or less classical beginning descends into multiple levels of questioning every level into reality, until even the most utterly solipsistic stance is questioned. By that time, you are either confused or, if you're like me, laughing your head off. As they say in another context, unreal!
21 of 21 people found the following review helpful:
5.0 out of 5 stars
A masterpiece by a great master,
By Sergey Mashchenko (syam@phy.ulaval.ca) (Quebec, Canada) - See all my reviews
This review is from: The Futurological Congress: From the Memoirs of Ijon Tichy (Paperback)
I have been for a long time a fan of the Stanislaw Lem works. I got acquainted with some of his novels (Solaris, Star Diaries and Eden) when I was a kid, and without any doubt the great master has shaped my world outlook. I have been lucky enough to be able to read the Lem's works in Russian (my native language), which is of course much closer to the original Polish than English. I have heard that the Lem's translations by Michel Kandel to English are simply great. Luckily enough he has also translated this book - the Futurological Congress, which I consider to be one of the best works written by Stanislaw Lem. Futurological Congress is a bright example of the great master's ability to combine "uncombinable": SF spirit, deep philosophy and inflammatory humor. I don't want to retell here the content of the book - it is immeasurably funnier to read the novel itself. I dare to rate the novel higher than for example the celebrated Rendezvous with Rama by A.Clark. The latter is unique in its detailed trustworthiness, but is left far behind by the Futurological Congress' spectrum of adventures for the reader's mind.
17 of 17 people found the following review helpful:
4.0 out of 5 stars
Comical vision of a drugged-out dystopia,
By
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This review is from: The Futurological Congress: From the Memoirs of Ijon Tichy (Paperback)
Written when Poland was under the grip of Communism, "The Futurological Congress" is a powerful parable of a totalitarian state that uses psychotropic drugs not only to subdue its citizens but also to make them believe things are better than they are. The first third of the book reads almost like an adventure story: Ijon Tichy is attending a convention of futurologists in Central America, when he and his colleagues are caught up in a bizarre coup d`etat. When Tichy's cryogenically frozen corpse is reanimated decades later, the entire overpopulated world is hooked on drugs. Unlike most pieces of dystopian fiction, Lem's novel is funny and brainy rather than depressing and catastrophic, but it is still scarily prophetic. At times, though, the prose threatens to collapse into a pun-laden Physician's Desk Reference for the Year 2039: "they give the children throttlepops, then develop their character with opinionates, uncompromil, rebellium, allaying their passions with sordidan and practicol; no police, and who needs them when you have constabuline. . . ?" (These passages must have been a nightmare to translate and, remarkably, they never lose their fluency.) But Lem keeps the reader's interest by alternating his pharmocological laundry lists with clever plot twists and bizarre visions, and the novel's pace continuously accelerates until its frenzied, over-the-top climax.
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