`Adrian Thomas's monograph felicitously bridges a substantial gap in the study not only of the history of contemporary Polish music but also of the history of twentieth-century music more generally ... A particularly valuable feature ... is its documentary material.' Zbigniew Skowron
`a detailed work-by-work study by a leading expert who knows the composer, fleshed out with biographical details and useful appendices; there are copious music examples ... a highly detailed text which veers between analytical charts and more straightforward descriptive writing' Gramophone, September 1997
About the Author
Adrian Thomas is at University of Wales, Cardiff.