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G-Strings and Sympathy: Strip Club Regulars and Male Desire [Paperback]

Katherine Frank
3.9 out of 5 stars  See all reviews (8 customer reviews)

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Book Description

December 5, 2002
Based on her experiences as a stripper in a city she calls Laurelton—a southeastern city renowned for its strip clubs—anthropologist Katherine Frank provides a fascinating insider’s account of the personal and cultural fantasies motivating male heterosexual strip club "regulars." Given that all of the clubs where she worked prohibited physical contact between the exotic dancers and their customers, in G-Strings and Sympathy Frank asks what—if not sex or even touching—the repeat customers were purchasing from the clubs and from the dancers. She finds that the clubs provide an intermediate space—not work, not home—where men can enjoyably experience their bodies and selves through conversation, fantasy, and ritualized voyeurism. At the same time, she shows how the dynamics of male pleasure and privilege in strip clubs are intertwined with ideas about what it means to be a man in contemporary America.

Frank’s ethnography draws on her work as an exotic dancer in five clubs, as well as on her interviews with over thirty regular customers—middle-class men in their late-twenties to mid-fifties. Reflecting on the customers’ dual desires for intimacy and visibility, she explores their paradoxical longings for "authentic" interactions with the dancers, the ways these aspirations are expressed within the highly controlled and regulated strip clubs, and how they relate to beliefs and fantasies about social class and gender. She considers how regular visits to strip clubs are not necessarily antithetical to marriage or long-term heterosexual relationships, but are based on particular beliefs about marriage and monogamy that make these clubs desirable venues. Looking at the relative "classiness" of the clubs where she worked—ranging from the city’s most prestigious clubs to some of its dive bars—she reveals how the clubs are differentiated by reputations, dress codes, cover charges, locations, and clientele, and describes how these distinctions become meaningful and erotic for the customers. Interspersed throughout the book are three fictional interludes that provide an intimate look at Frank’s experiences as a stripper—from the outfits to the gestures, conversations, management, coworkers, and, of course, the customers.

Focusing on the experiences of the male clients, rather than those of the female sex workers, G-Strings and Sympathy provides a nuanced, lively, and tantalizing account of the stigmatized world of strip clubs.


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Editorial Reviews

From Library Journal

Among the recent plethora of books by and about strippers (e.g., Toni Bentley's Sisters of Salome, Lily Burana's Strip City, and Elisabeth Eaves's Bare), Frank's work, an obvious doctoral dissertation, stands out in that she uses anthropological tools to analyze the male customers' experience while working as a stripper herself. Her research is sound-she works in a variety of clubs to get a full picture of the experience-and she documents her research exhaustively, with 25 pages of footnotes and a 14-page bibliography, in addition to extensive verbatim quotes from her subjects. Unfortunately, this rigorous approach has robbed her thesis of its inherent bathos and humanity, resulting in a tedious, laborious read weighed down with academic jargon. She also includes some of her own fiction, which does not enhance the reading pleasure. Her conclusions are not enlightening: although it upsets their wives and girlfriends, men continue to frequent strip clubs. One question she does not address is economics: how do middle- and working-class men justify spending hundreds and even thousands of dollars a night at these clubs? Of appeal exclusively to a handful of academics, this work is not recommended.
Ina Rimpau, Newark P.L., NJ
Copyright 2002 Reed Business Information, Inc.

Review

G-Strings and Sympathy effortlessly merges the personal with the polemical, the scholarly with the serendipitous, and the earthy with the esoteric. Informed, intelligent, yet always accessible, Katherine Frank’s writing sheds a piercing beam of light on the shadowy realm of exotic dance.”—Lily Burana, author of Strip City: A Stripper's Farewell Journey Across America


“I am not aware of any comparable book on the sex industry that draws so insightfully both on the author’s personal experience and on scintillating analyses drawn from contemporary cultural theory. Katherine Frank’s book is highly intelligent, original, illuminating, extremely readable, and, to say the least, brave.”—Anne McClintock, author of Imperial Leather: Race, Gender, and Sexuality in the Colonial Contest

Product Details

  • Paperback: 368 pages
  • Publisher: Duke University Press Books (December 5, 2002)
  • Language: English
  • ISBN-10: 0822329727
  • ISBN-13: 978-0822329725
  • Product Dimensions: 1 x 5.9 x 9.1 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #714,725 in Books (See Top 100 in Books)

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Customer Reviews

3.9 out of 5 stars
(8)
3.9 out of 5 stars
Most Helpful Customer Reviews
18 of 20 people found the following review helpful
4.0 out of 5 stars Understand the book for its actual theme December 12, 2003
Format:Paperback|Amazon Verified Purchase
While this is obviously adapted from academic material, Frank uses her experience as an exotic dancer to dig into the question of why men frequent strip clubs.

I'll grant that, superficially, this is a darned easy question to answer.

Still, one of the real strengths of the book is that Frank was able to see past her academic preconceptions and discover an emotional terrain that was not what she anticipated. The standard feminist analysis (male power and domination of women) didn't shed much light on male motivation. She considers a range of possible agendas, from the obvious to the esoteric, and never settles on a trite or doctrinaire analysis.

The book keeps feeling like its on the verge of a profound insight but it never seems to find it. Frankly, even though the author wasn't trying to focus on the women who work as exotic dancers, it was fascinating to learn the tricks and scripts used to create the illusion of intimacy and authenticity.

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2 of 2 people found the following review helpful
4.0 out of 5 stars An acedemic book with the focus on the customer..... September 26, 2005
Format:Paperback
An interesting ethnography.....A good counter to all of the focus on strippers - why not study the customers for a change? I appreciated the fact that the author was not trying to be overly positive or negative about strip clubs or the men who go to them, but trying to understand why the customers were drawn to them in the first place. This isn't another "tell all" book about someone's experiences as a dancer, but still gives an insider's observations.
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16 of 23 people found the following review helpful
Format:Paperback|Amazon Verified Purchase
I've read a number of books dealing with this genre, but this was (by far) the most dry. It is extremely clinical, and reads more like a doctoral dissertation than a book. That's not to say that there weren't some interesting points made in the book, but you REALLY had to dig through the anthro jargon.

Franks cites other source a lot -- more than any other book I've read. Nearly every paragrah refers to an exterior source. I found this a little distracting.

Overall, I'm not sorry I read the book, but be prepared -- it does not wisk you along -- you really have to fight to glean Frank's points.

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