Customer Reviews

GREAT GATSBY

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Having reread this book for the first time in 20 years, I can confirm that there's a reason that it's considered one of the very best American novels. However, my reaction to the story was different than when I first read it in high school. I recall that back then I was hoping that Daisy and Gatsby's love story would ultimately yield a happy ending. Now, I found them both to be such shallow creatures that they inspired no pity. While I considered the characters to be emotionally stunted, that dooesn't mean I was not impressed with Fitzergerald's skillful rendering. As in most forms of art, in literature it is more difficult to accurately and interestingly portray nothingness than to describe a richly endowed subject. At this more cynical age, I found Daisy to be a remarkable emotional void, and Gatsby's quest to pour all of his hopes and dreams into such a shallow cauldron only confirmed his own vapidity. One thing that hasn't changed in all these years is my amazement at Fitzgerald's ability to set a scene. His descriptive passages are truly poetic, and his command of word choice in unparalleled. All this made for a stimulating and delightful read.

Scott Fitzgerald, a monumental talent who only occasionally got things working right, made Gatsby great by the extraordinary invention of Nick Carraway. Carraway as narrator provided the exact perfect pitch: more awestruck than he would admit, more moral than it was fashionable to reveal -- always objective and distanced and subtle and charming, genuinely decent and impeccably well mannered, a little dangerously smitten himself by the lovely but corrupt Jordan Baker.

Alexander Scourby, one of the greatest reading voices of his era (overlapping Fitzgerald's enough to know and feel it all) here does Carraway in a way that cannot, therefore, again be quite equalled. Imagine having a recording of a great contemporary actor reading Ahab's speeches in Moby Dick, and one begins to appreciate the gift that we only now have in recorded sound, something we are already quite casual about. But there is much more here than historical accuracy. Scourby's voice wraps around every phrase of Fitzgeral's text with both an actor's professionalism and a good reader's care, making it not only uncannily his own monument but also a monument in audio book history. It sets the bar, and anyone interested in the recorded voice as an art form should own this for repeated learning.

It's difficult to give any even-handed critique F. Scott Fitzgerald's standard-setting Jazz Age novel since it was required reading for most of us in high school. However, if you come back to it as a full-fledged adult, you'll find that the story still resonates but more like a just-polished cameo piece from a forgotten time. At the core of the book is the elaborate infatuation Jay Gatsby has for Daisy Fay Buchanan, a love story portrayed with both a languid pall and a fatalistic urgency. But the broader context of the setting and the irreconcilable nature of the American dream in the 1920's is what give the novel its true gravitas.

Much of this is eloquently articulated by Nick Carraway, Gatsby's modest Long Island neighbor who becomes his most trusted confidante. Nick is responsible for reuniting the lovers who both have come to different points in their lives five years after their aborted romance. Now a solitary figure in his luxurious mansion, Gatsby is a newly wealthy man who accumulated his fortunes through dubious means. Daisy, on the other hand, has always led a life of privilege and could not let love stand in the way of her comfortable existence. She married Tom Buchanan for that sole purpose. With Gatsby's ambition spurred by his love for Daisy, he rekindles his romance with Daisy, as Tom carries on carelessly with an auto mechanic's grasping wife. Nick himself gets caught up in the jet set trappings and has a relationship with Jordan Baker, a young golf pro.

These characters are inevitably led on a collision course that exposes the hypocrisy of the rich, the falsity of a love undeserving and the transience of individuals on this earth. The strength of Fitzgerald's treatment comes from the lyrical prose he provides to illuminate these themes. Not a word is wasted, and the author's economical handling of such a potentially complex plot is a technique I wish were more frequently replicated today. Most of all, I simply enjoy the book because it does not portend a greater significance eighty years later. It is a classic tale that provides vibrancy and texture to a bygone era. It is well worth re-reading, especially at such a bargain price.

I listened to this book over a few nights with my wife, after having read it first some sixteen years ago. It is a masterpiece, and known widely as such, but what surprised me on hearing it was how the book I'd remembered as terribly romantic was actually rather clear-eyed and dark. My wife, who had never read it, listened spell-bound, and at the end burst into tears at the sadness of it. A word about Scourby as reader - he is restrained but emotional, captures the personality of each character with a slightly different tone, and - most importantly for me - brings out the fact that the closing pages, which are often quoted out of context as deeply romantic, are in fact painfully cynical, a voice of disenchantment about the cost of America, not its promise. A masterpiece on the page and on tape. Can't recommend it too highly.

I'm troubled that many young people in these reviews don't seem to appreciate this novel. Even when "forced" to read it in high school, I loved it. I've read it for probably the tenth time recently and I can say that every single time it's better than I remembered it. I was prompted by the character is Haruki Murakami's book Norwegian Wood who carries it with him and reads it to cheer him up. This narrator calls it the most perfect book ever written and says that you cannot find a page that's not perfect. I have to agree -- it's not just the plot, it's the beautiful writing and incredible characters and scenes that stay with you years later. Even after years, who can forget the scene when Gatsby shows Nick all his custom made shirts, or Nick describes his first vision of Daisy by comparing her posture to someone balancing something on his/her chin, or any of Gatsby's parties, or the broken nose -- you get the idea. For some reason, rereading this book reminds me of picking up a relationshp with an old friend. It's so very comforting to read the best prose you can find in English and find that certain passages are almost committed to memory. Don't miss out on this one. If you didn't like it in high school, try it again when your reading tastes mature.

I have always looked forward to reading the classic book The Great Gatsby by F. Scott Fitzgerald. When I finally had time to read it, I wasn't disappointed. The Great Gatsby, written in 1925, is a fictional tale that takes place during the American Jazz Age. The story is set in the eastern U.S. and follows the journey of a young man named Nick. The book trails Nick from his home in the West to his new life in West Egg, New York. Nick becomes involved in the social scene is West Egg, which is mainly centered on the weekly extravagant parties thrown by the incredibly wealthy and strangely mysterious Jay Gatsby. As the book progresses, Gatsby's past is slowly unraveled. Nick witnesses Gatsby's gradual admittance of his significant secret. He discovers that Gatsby is deeply in love with Daisy Buchanan, a beautiful socialite, trapped in a miserable marriage to an unfaithful husband. Though Nick does not want to be involved in any way with the illicit love affair between Daisy and Gatsby, he is gradually takes a larger part in Gatsby and Daisy's dangerous romance. When Jay and Daisy decide to declare their love to one another, it leaves Gatsby in an unforgettable and risky situation that changes the lives of all involved. The Great Gatsby was one of the most interesting books that I have ever read. It included a beautiful love story, danger, suspense, tales of true devotion and friendship, and a wonderful, thought-provoking commentary on the society in post-World War I America, a time of excess and confusion. I have learned several lessons from the novel, whether they are about loyalty or remaining true to oneself. I would recommend this book to anyone above the age of thirteen because of some parts of the novel that might be difficult to grasp. The Great Gatsby is a truly wonderful book, and sure to be enjoyed by many for many years to come.

The first time I encountered "The Great Gatsby" it was as an assignment in a high school English class. My recent re-read occurred after my son had read it in his high school English class. The reread brought back memories of a form of academic study from which I have been separated for many years.

"The Great Gatsby" is an excellent book in which to study the writer's art. In this short book the reader can detect a collection of symbolic details which make the story much more than the tale which appears on the surface: the ash heap, as a symbol of the waste of American society; the green light on Daisy's dock, which means so much to Gatsby as a symbol, until he again meets Daisy, when it again becomes, for Gatsby, as for everyone else, just a light.

The characters all play their roles in the development of the story. Shallow figures fill Gatsby's parties, but show their true level of concern for him when they all absent themselves from his funeral. The class distinctions between Daisy, a true upper class maiden, who can never lower herself to accept Gatsby, the aspirant to a class rank which wealth and parties cannot buy. Gatsby's source of wealth is hinted at by his association with Meyer Wolfsheim, the gambler who fixed the World Series. Like others, he will associate with Gatsby in life, but has no time for him in death.

The unnatural core of Gatsby's world is illustrated by his act of moving east, rather than the traditional westward migration, in order to achieve freedom and advancement.

Tom and Daisy Buchanan represent old money, which will not accept Gatsby and, in the end, destroys him.

Nick Carraway is the one character in the book who develops his own moral sense. His role as narrator permits us to see Gatsby's world through his eyes. It is he who sees, and is repelled by, the rotten cores of Gatsby and the worlds in which lives and into which he aspires. He sees the corruption deep inside Tom and Daisy Buchanan. Most of all, we see the innate goodness in Tom. Observing, but not entering Gatsby's world, he is able to understand and judge it. His final evaluation of Gatsby's world is seen when he abandons it all to return to his native Midwest.

As I re-read "The Great Gatsby" I remembered what I had not liked about it the first time I read it. The causal acceptance of infidelity seems at odds with what I have always viewed as the ideal as well as the reality. As one studies the commentaries of this book, with all of its symbolisms, I often wonder if the symbols were really in F. Scott Fitzgerald's mind as he wrote the book, or whether they are constructs of later commentators. Either way, they give the book a depth which so many others lack. When my son speaks of other books he reads in English class, he always says "It's no Great Gatsby." The more I think of it, few of novels are.

As you can tell by many reviews which surround this one, our world is filled with minds who probably feel that the height of pathos is reality tv, or having to wait in line more than 5 minutes at an ATM.

But about Fitzgerald--I'm reminded of Eliot's phrase "infinitely gentle, infinitely suffering..." (paraphrasing). His descriptions and evocations here are gorgeous, tender--and most of all subtle, which is why Gatsby is lost on so many modern readers. All of this novel is excellent and parts of it absolutely shimmer--Nick's description of the way Gatsby smiled at him. Look at this...

"It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced---or seemed to face---the whole external world for an instant, and then concentrated on you with an irresistible prejudice in your favor. It understood you just as far a you wanted to be understood, believed in you as you would like to believe in yourself, and assured you that it had precisely the impression of you that, at your best, you hoped to convey."

Who wouldn't want to believe in that smile?

Or take, for example, the scene in which Gatsby shows his closetful of rare, extravagant and wonderful shirts to Daisy and Daisy weeps....not because of his sartorial excellence but because she knows even at that point, in her heart, that she will forever be stuck with that clod Tom.

This is about the American Dream, and how the pursuit of it can kick the living s**t out of you....how friends come and go...and how society often rewards generosity with disdain.

I beg you to read this book, because it is good for your soul.

Just my opinion.

The wonder of F. Scott FitzGerald's magnum opus is that he has created a great mirror for any individual looking into it. Therefore, a god can see a god and a fool can see a fool. Reading the various reviews from a wide variety of supposed learned individuals, I must say that this masterpiece is not just a well written story or even art, but a great mirror that can reflect whatever an individual may have to offer to oneself. Within each of us, live all the characters that appear in this novel (if we're lucky) from Jay Gatsby to George Wilson. Obviously, some readers (amazon reviewers included) have lost key characters far too early in their life. The style and language of the story is both engaging and active. It stimulates the mind of the reader to create and not just follow, as most common writers will have us do. In a world of sheep that think themselves as wolves, this work may seem less than satisfying. Being given the opportunity to look into a mirror and truly look at ourselves verses shown an idealistic picture and told that that image is we, many will chose the latter. History has shown that most people prefer the illusions of life. As J.D Salinger simply put it "They're all a bunch of phonies..."

There are two Kindle editions of The Great Gatsby, both at the same price.

Unfortunately the edition I bought, from Old Landmark Publishing, has a number of minor transcription errors. The most notable is the occasional

insertion of multiple paragraph

breaks within a sentence. There are also occasional misplaced paragraph breaks in dialog paragraphs, which sometimes leads to confusion about which character is speaking.

I downloaded the free sample of the Scribner Edition and although that is only a short sample, it appears to be a much better quality transcription.

So since there are two Kindle editions available, you might want to avoid the Old Landmark Publishing Edition (the one with the car on the cover) and try the Scribner Edition (the one with the stark black and white cover).