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The protagonist, 15-year-old Gabriel Lynch, wonders why his widowed mother falls for this propaganda. He sulks on the long train ride from New York to Kansas, pining for the humble brownstone apartment they're leaving behind. He dreads their arrival on the prairie and their rendezvous with his new stepfather, Solomon, a man the boy distrusts as virtually all teenage boys distrust their smiling, imperious stepfathers. Upon arriving at Solomon's sod house, Gabriel's contempt only increases: "It was a single room. The walls pushed into and cramped the space, making it feel much smaller on the inside than the shadow had indicated from the outside. It was smoky and moist and earthen all at once, with a smell unpleasant enough to contort Gabriel's face."
The patience required to cultivate the hard, unforgiving prairie isn't something Gabriel possesses, and soon he runs away--joining a gang of mostly white cowboys headed for Texas. Like the heroes in most Wild West novels, Gabriel seeks adventure. What he finds is racism, violence, and eventually murder. Compelling, suspenseful, and meticulously written, Gabriel's Story is an exploration of the idea of the frontier and the meaning of ownership, filtered through the narrator's cynical, over-the-hill teenage perspective. And Gabriel himself, who seems old beyond his years, is a memorable protagonist: a grouchy lost boy, impatient for his life to unfold. --Ellen Williams --This text refers to the Hardcover edition.
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Most Helpful Customer Reviews
12 of 12 people found the following review helpful:
5.0 out of 5 stars
Many Levels, Many Reasons,
By A Customer
This review is from: Gabriel's Story (Hardcover)
Pretty much all the reviewers so far have loved this book. There's just one guy who dissented, but I guess there's always gonna be one that doesn't catch on. For my part, I'd like to join in the chorus of enthusiasm for this novel. It works, and it works on many levels. At the simplest level it's an adventure story. Woven into that is a coming of age tale. Layered on that is a dialogue between good and evil, between the best and worst in men's natures. Add the back and forth between the life of homesteaders and that of cowboys, two dual and sometimes dueling aspects of the American frontier experience. There's a young black man discovering the natural world and relating to it in a way I've never seen in African-American literature. There's the turmoil of a mother watching her young sons become men, for better and worse. There's the anguish of a man who's family has died tragically. There's the strange legacy of slavery as manifest through two characters who don't even understand how they fit into that tragedy.All this and more can be found in this exceptional novel. I guess not everyone will engage with it so completely, but if any of these themes sound interesting to you I encourage you to delve into this book. It's all there, and an attentive reader will be well rewarded.
11 of 11 people found the following review helpful:
5.0 out of 5 stars
Altogether a really good novel.,
By A Customer
This review is from: Gabriel's Story (Hardcover)
I picked up this book after reading the USA Today review, which was essentially an unconditional rave. I decided to give it a try, but figured I'd probably be disappointed, as few books live up to the praise heaped on them. But GABRIEL'S STORY was a pleasant surprise. It begins with vivid homesteading scenes - all the toil and the poverty of it. Makes me glad I wasn't a homesteader, and it made it reasonable that Gabriel would want to run away from it. The journey that he sets off on is truly engrossing, well-plotted, with beautiful language and great descriptions of the Western landscape. It looks like the novel is being compared to Cormac McCarthy's work. There are some similarities, but GABRIEL'S STORY is a bit more hopeful than McCarthy's work. The world is still harsh and dangerous, but Durham seems to have more faith in humanity, in family and friends. Also, I thought it was interesting that the reviewer in USA Today said that he was a city-dwelling white guy that still got into this book about a black boy in another century out on the plains. I felt the same way. Yes, the main characters are black, but their racial identity is only part of the whole world of the story. They're black like James Joyce's characters are Irish or Faulkner's are Southern - it matters, but it doesn't change the fact that anybody can connect with them. Altogether a really good novel.
14 of 15 people found the following review helpful:
5.0 out of 5 stars
The prodigal son returns,
This review is from: Gabriel's Story (Hardcover)
The prodigal son always comes home. Iin life, in parable and in literature.And he has returned once more in "Gabriel's Story," a haunting debut by David Anthony Durham. In this incarnation, the wayward youth is a 15-year-old African-American boy in the empty middle of a continent, caught between youth and manhood, naiveté and wisdom, family and flight. Fleeing racism in Reconstruction-era Baltimore, Gabriel Lynch travels with his mother and younger brother to his stepfather's hard-scrabble homestead in 1870s Kansas. As with the Biblical story of the prodigal son, Gabriel finds the "outside" world less exciting and more threatening than he dreamed. He returns to Kansas wiser and chastened, prepared to take his place behind the plow and, more importantly, at the family hearth. "Gabriel's Story" is a classical bildungsroman -- a novel about the moral and psychological growth of the main character -- told in masterful prose reminiscent of Cormac McCarthy. His is not just a startlingly poetic African-American voice (Durham is the son of Trinidadian immigrants), but a welcome new voice in the rich spectrum of American letters, where authors should -- and must -- be judged in different shades of black and white: The color of words on a page.
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