Product Details

• Directors: Michael Beyer
• Format: Classical, Color, Subtitled, Widescreen
• Language: English (Dolby Digital 5.1)
• Subtitles: Dutch, English, French, Italian, Spanish
• Region: All Regions
• Aspect Ratio: 1.77:1
• Number of discs: 1
• Rated: NR (Not Rated)
• Studio: Euroarts
• DVD Release Date: September 29, 2009
• Run Time: 112 minutes
• Average Customer Review: 4.5 out of 5 stars  See all reviews (4 customer reviews)
• ASIN: B002JP9HJE
• Amazon Best Sellers Rank: #103,681 in Movies & TV (See Top 100 in Movies & TV)

Customer Reviews

Most Helpful Customer Reviews

8 of 8 people found the following review helpful:

5.0 out of 5 stars A Gala 'White Nights' Concert in St. Petersburg, February 18, 2010

By 

J Scott Morrison (Middlebury VT, USA) - See all my reviews
(TOP 50 REVIEWER)    (VINE VOICE)    (HALL OF FAME REVIEWER)    (REAL NAME)   

This review is from: Gala Concert: 300 Years of St. Petersburg [Blu-ray] (Blu-ray)

[This is the Blu-ray version of a DVD that originally was issued four years ago.]

This DVD is indeed a celebration of all that is wonderful in Russian music-making. The setting is Philharmonic Hall in St. Petersburg and the orchestra is one of the world's best, the St. Petersburg (formerly the Leningrad) Philharmonic. Leading it in some of the pieces is Yuri Temirkanov; other works are conducted by Nikolai Alekseev. The cast of soloists is particularly starry. Two of them - Eliso Virsaladze, piano, and Viktor Tretyakov, violin - are not particularly well-known outside Russia but they are true giants of their instruments. And rounding out the solo roster are the hot young soprano Anna Netrebko, baritone Dmitri Hvorostovsky, and cellist Mischa Maisky.

The concert opens with Shostakovich's Festive Overture. The Petersburg's deservedly acclaimed brass section shines here (as well as in the Rachmaninov Fanfare that closes the concert). This is followed by possibly the best performance I've ever heard of Saint-Saëns's Introduction & Rondo Capriccioso, played with patrician elegance (and impeccable virtuosity) by Tretyakov. Then comes Ravel's Concerto for Left Hand with titanic pianist Eliso Virsaladze as soloist. I have raved about her before in two earlier CDs and hear nothing here to alter my opinion that she is one of the great pianists currently playing. (By the way, if you want to see my earlier reviews do an Amazon search on 'Wirssaladze' as that is how her name has been transliterated on those CDs.) Her performance is wonderful but frankly the orchestral accompaniment tends to lose its focus under Alekseev (something that often happens with this concerto, alas). The double bass and contrabassoon opening, however, is sterling.

Alekseev then follows with the exciting Polonaise from Tchaikovsky's opera Eugene Onegin. This must be for Russians what something like Rhapsody in Blue is for Americans -- and the Russian audience ate it up.

Anna Netrebko is a stunningly beautiful woman whose acting has been praised far and wide. Her voice is a beautiful instrument but there are times when it is not under perfect control. In 'Regnava nel silenzio' from Lucia di Lammermoor her coloratura is approximate and she has no trill. But in 'Musetta's Waltz' from La Bohème, which follows, she is thrilling. Hvorostovsky follows her with Yeletsky's aria from Tchaikovsky's Pique Dame and then a stunning 'O Carlo, ascolta' (Rodrigo's death scene) from Verdi's Don Carlo. He is in fabulous voice and both arias are greeted with huge cheers as, of course, Netrebko's had been.

For me, though, the best singer of the evening is cellist Mischa Maisky. He plays Respighi's not-often-heard Adagio con variazioni, Op. 133, followed by Bruch's Kol Nidrei. Maisky's tone is huge, his intensity reminds one of Rostropovich, and I admit that watching his thick workman's hands on the cello's fingerboard evokes for me something like awe. Maisky is a great musician as well as a great cellist. It's no wonder that Martha Argerich so often chooses to play chamber music with him. I'd never seen him perform live and I expect this is as close as I'll ever come. And these performances were worth the price of admission.

The concert concludes with Netrebko and Hvorostovsky singing the Silvio/Nedda duet from Pagliacci. Again, the acting is superb; the erotic attraction they are portraying is palpable. They sing well, too. The short Rachmaninov Fanfare concludes the program and the crowd expresses its appreciation with that peculiarly Russian gesture of rhythmic clapping. This was a wonderful concert and I understand their enthusiasm.

Scott Morrison

8 of 11 people found the following review helpful:

5.0 out of 5 stars Supreb performance in a typical nice atmosphere, November 3, 2009

By 

Li Hong - See all my reviews
(REAL NAME)   

Amazon Verified Purchase

This review is from: Gala Concert: 300 Years of St. Petersburg [Blu-ray] (Blu-ray)

This Bluray production is brilliant complete with crisp sounds and pictures! I highly recommend you to buy this production in Bluray for all those Dmitri Hvorostovsky and Anna Netrebko fans out there as it brings you to the concert atmosphere.

1 of 1 people found the following review helpful:

4.0 out of 5 stars Hvorostovsky can't be beat, but there are better Blu-ray concerts, February 28, 2011

By 

Bill (Seattle, Washington United States) - See all my reviews

Amazon Verified Purchase

This review is from: Gala Concert: 300 Years of St. Petersburg [Blu-ray] (Blu-ray)

I'm very enthusiastic about the number of high-quality Blu-rays being released of live classical concerts. Some capture exceptional performances that can hardly be equaled. That can't be said for this disc, which didn't thrill me as much as the others.

First, the video quality is not quite up to the current standard (this was captured in 2003). It's a little coarser and brief shots even appear to be SD, rather than HD.

The same is true for the sound. While certainly very good (and much better when you switch to 5.1 from the 2.0 default), it's a bit less refined than other Blu-rays I've experienced in this category recently.

Dmitri Hvorostovsky is by far the best thing about the concert -- his intense, heartfelt singing is exceptional -- and Anna Netrebko has lovely moments. Together, their performances add up to about 40 minutes of the total. How much you'll like the rest depends on how you feel about the particular performers and the works they're playing. (I'm stating the obvious, aren't I?)

In the end, it's a worthwhile disc, but not one I'm likely to revisit as often as the others in my collection.