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Ganesha Goes to Lunch: Classics from Mystic India (Mandala Classics)
 
 
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Ganesha Goes to Lunch: Classics from Mystic India (Mandala Classics) [Paperback]

Kamla K. Kapur (Author)
4.8 out of 5 stars  See all reviews (13 customer reviews)

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Book Description

Mandala Classics March 26, 2007
Epics of ancient India rank with the timeless myths of classical Greece and Rome in the power of their language and the underlying moral lessons. The Ramayana and Mahabharata, both written in Sanskrit, contain vibrant stories of kings and princes, sages and tricksters, demons and gods, damsels in distress and mighty heroes. Ganesha Goes to Lunch collects some of the most vivid stories from these and other early Indian folklore and spiritual texts including the Vedas and the Puranas. These stories feature the gods of India in their celestial and earthly abodes, hapless humans struggling with life's many problems, and gods and humans interacting. Assembled by Kamla Kapur, these stories illustrate the great spiritual and practical themes of the human condition. Kamla Kapur brings her poet’s eye and ear to the retelling of these stories, recreating and dramatizing them to illuminate their relevance to modern times.

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Ganesha Goes to Lunch: Classics from Mystic India (Mandala Classics) + Myths of the Asanas: The Ancient Origins of Yoga + Downward Dogs and Warriors: Wisdom Tales for Modern Yogis
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Product Details

  • Paperback: 128 pages
  • Publisher: Mandala Publishing (March 26, 2007)
  • Language: English
  • ISBN-10: 1601091028
  • ISBN-13: 978-1601091024
  • Product Dimensions: 8.4 x 5.4 x 0.5 inches
  • Shipping Weight: 13 pounds (View shipping rates and policies)
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (13 customer reviews)
  • Amazon Best Sellers Rank: #176,332 in Books (See Top 100 in Books)

More About the Author

Kamla K. Kapur (aka Kamal Kapur) was born and raised in India, and is a citizen of the United States. She got her Bachelor's in English Honors from India, and her Masters' Degree in literature from Kent State University, Ohio,USA. She also took classes in creative writing from the University of Iowa, and the University of California in San Diego. During her time in the USA, many of her poems were published in prestigious American journals and quarterlies.

She returned to India (1974-78), was a freelance writer for The Times of India, The Hindustan Times, and The Tribune, and taught English Literature at Delhi University. Her poetry and short stories were published in the original English and in Hindi and Punjabi translation in journals and magazines. In 1977, she won two prestigious Indian National Awards, The Sultan Padamsee Award for Playwriting in English. Her full length play, The Curlew's Cry, a bi-lingual play, was produced by Yatrik, New Delhi. A Punjabi translation of her play, Clytemnestra was produced by The Company in Chandigarh. Her award-winning Zanana, was produced at the National School of Drama, New Delhi. Seven of her plays were published in Enact, New Delhi.

Since 1985, Ms Kapur has been commuting between the USA and India. Her full length plays, Hamlet's Father, Kepler Dreams, and Clytemnestra were showcased at the Marin Shakespeare Festival in San Francisco, Gas Lamp Quarter Theatre in San Diego, and Dramatic Risks Theatre Group in New York, respectively. She was selected by the New Mexico Arts Division as the Playwright in Residence for two years. Five of her short stories have been published in Parabola (New York) and two in the anthology,The Inner Journey: Views from the Hindu Tradition (2007). She has recently completed her first novel, The Autobiography of Saint Padma the Whore, a chapter of which was published by in Our Feet Walk The Sky (Aunt Lute Press, Berkeley, California, USA), and a fantasy novel, Malini in Whirlwood.

Ms. Kapur has published two books of poetry: the critically acclaimed, As A Fountain In A Garden (Tarang Press.Del Mar,CA,USA-Hemkunt Publishers Private, Ltd., India, 2005) and Radha Sings (Rolling Drum and Dark Child Press, USA, 1987). Her poetry has also appeared in Yellow Silk (Berkeley, California), Journal of Literature and Aesthetics (Kerala), and the anthology, Our Feet Walk The Sky (Aunt Lute Press, Berkeley, California, USA).

Ms. Kapur was on the faculty of Grossmont College in San Diego, California for 18 years and taught creative writing courses in play writing, poetry, creative non-fiction, fiction, and courses in mythology, Shakespeare, and Women's Literature. She lives half the year in a remote Kullu Valley in the Himalayas and the other half in California, with her husband Payson R. Stevens.

 

Customer Reviews

13 Reviews
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3 star:
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Average Customer Review
4.8 out of 5 stars (13 customer reviews)
 
 
 
 
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26 of 26 people found the following review helpful:
5.0 out of 5 stars Deep, delightful myths retold in simple, contemporary language!, October 15, 2007
By 
Vivek Sharma "Kavi" (Cambridge / Boston, MA, USA) - See all my reviews
(VINE VOICE)   
This review is from: Ganesha Goes to Lunch: Classics from Mystic India (Mandala Classics) (Paperback)
Ganesha Goes to Lunch by Kamla K. Kapur is a collection of twenty four stories drawn from the oral tradition of mythical tales in India. The stories are retold in contemporary language, and maintain the essential structure and characteristics of the folklores. Kamla's choice of stories ranges from tales about why Ganesha has elephant's trunk, to the marriage of Shiv-Parvati to the creation of Brahma and universe. The story of the friendship of Sudama and Krishna is retold as is the tale of Vishwamitra-Vashisht rivalry.

The Bharatiya (Indian) tradition thrives on stories passed on from generation to generation. Each generation adds its own experience to knowledge and reinterprets the understanding passed to them. The Hindu myths by their very nature don't have absolutes. They represent Gods or men trapped in their vices, roused or limited by their virtues, acting in response to the demands that existence as humans on earth demands from us. The attempt is to create examples as prototypes to deal with contradictions and complexities that daily strife, be it in war, peace, family matters, need, greed, valor, and amorous desires lead us to. This had lead to several epics about avataars or incarnations, and as humans Gods lead exemplary lives, faulting at times, and suffering for them. In Kamla's collection, the gems from the boundless sea of folklore are picked, polished and repackaged to lure Western audiences as well as those Indian readers who have learned most from English education and English Literature.

The book has a number of pictures and illustrations, which allow a non-Indian reader to visualize the God or character in question. We Indians grow up with these tales, and somehow we imbibe their lessons into our being without realizing when or how. The modern age has brought a slew of stories and media into our household, and in these times, it is easy to be overwhelmed by the shallow characterizations and sensationalist serials. The demands of materialistic modern life, makes it even more important for us to connect to the spiritual wisdom of centuries, the philosophy both rich and humbling is present in highly entertaining form in these stories. Kamla Kapur's effort is commendable in both the spirit and the style of execution.

While most of these stories can be read out to children, a few characterizations are little more sensual than I would have hoped for. The discussion about Shiva and Shakti, the male and female powers, is done quite boldly, whereas my encounters with these stories as a child were in an understatement, and in euphemisms. Perhaps the retelling must respond to the contemporary world, where the Victorian writing, the euphemisms are considered trite and cliched. The tale from Ramayana, incorrectly mentions that Hanuman brought Sanjivini (or the hill with that herb on it) for reviving Ram (I am certain that it was needed for Laxman). Aside from these quips, most of the stories are brief and well written, and will form a good reading for people of all ages.

Myths by their very nature appeal to the heroic, and the virtuous elements of our being. Kamla's rendition ensures that the heroic and mystic elements are distilled into a reader's consciousness. The simplicity of language, the delightful imagery, the translation as if of whole oral tradition of myths into this eclectic collection speaks volumes about Kamla's craftsmanship and reverence for these tales. While the tales are derived from Hindu myths, the structure, the impact, the ideals, the virtues they inspire transcend time, space and religion. I enjoyed these, and so I hope you will too.
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9 of 9 people found the following review helpful:
5.0 out of 5 stars Ms. Kapur's marvelous collection of tales, May 11, 2007
This review is from: Ganesha Goes to Lunch: Classics from Mystic India (Mandala Classics) (Paperback)
Ms. Kapur has done a fantastic job collecting and re-telling these tales from classic India. Her writing is beautiful and engaging and magnificently profound. I recently got this book and read a tale or two each day on my commute to and from work, and while I thoroughly enjoy Ms. Kapur's writing I really enjoy the reflection afterwards on the meanings of the tales and what they mean to my life within this universe. As with all of the very best writing, it engages the soul long after reading it.
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4 of 4 people found the following review helpful:
3.0 out of 5 stars Meh..., August 18, 2010
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This review is from: Ganesha Goes to Lunch: Classics from Mystic India (Mandala Classics) (Paperback)
The stories are... well its fun enough to read.

The translations aren't perfect, there are many small discrepancies, but it adds up. Most of the stories are tiny and irrelevant. The book starts out more interesting, and then wanes into less and less relevant and compelling stories.

I started out excited to read it, but by the end found myself disapointed over and over by short story after short story... some had a moral and lesson in it, some one had to search and create the moral from a story half told. Most of what is covered doesn't account for a large portion of wisdom in the Ramayana or the Mahabharata, in the sections that cover these parts... while it's unreasonable to expect a short story to account for such large stories, they should at least hold some of the values in them.

I was disappointed... it was interesting to read, for a while, and the book is attractive, but I wouldn't recommend buying it.
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Inside This Book (learn more)
First Sentence:
Sitting by the ocean in a garden beneath the blooming horse chestnut tree, the sun shining, and the birds singing, Narada plucked the strings of his lute and listened to the sound vibrating in concentric circles around him. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
great devotee
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Muthu Mohan, Dev Dutt, Lord Yama, Great War, Lord Indra, Lord Krishna, Lord of the Universe
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