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17 of 18 people found the following review helpful:
4.0 out of 5 stars
Excellent film, OK transfer of an excellent film..., July 28, 2008
This is not meant to be a review of this film, it's a classic film noir, we all know that. What I am concerned with is the transfer quality, which is rather so-so.
The picture is a little shifty, slightly jumpy. It doesn't seem to be the entire picture that moves at times, or at least it manages to shift slightly in different directions; up, down, left, right. In short, imagine watching a movie projected into a waterbed, thats the best comparison I can think of.
For anyone who loves film noir, you want you're darkest shadows completely black; there are times, mostly toward the beginning of the film when the darkest areas of the screen here are more dark grey. There's an unmoving grey tint over the black, its a little like looking at something black with a grey mesh like a screen door between you and it.
The audio is generally good, some buzzing in a few areas.
I am not one who typically worries about the best quality, which is part of the reason I am struggling to explain the shortcomings of this transfer with examples that hopefully people can relate to. But, in short, for such a great film I guess I expected a little better transfer.
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11 of 11 people found the following review helpful:
5.0 out of 5 stars
Mann/Alton team exceed themselves in this noir gem, August 1, 2000
By A Customer
Starting with what must have been a standard postwar script praising the feds (this time, the treasury department), the team of director Anthony Mann and director of photography John Alton turned this into one of the most memorable and seminal films of the noir cycle. The budget was shoestring but their love for their craft must have been extraordinary, because shot after shot triumphs as a little cinematographic wonder -- an object lesson in how to let pictures talk. As T-Men Dennis O'Keefe and Alfred Ryder plunge deeper into the counterfeiters' world, the action becomes increasingly edgy and violent, belying the syrupy patriotic music that puts us to sleep every time we flash back to Washington, D.C. As good as Mann's (and Alton's) other films can be, T-Men shows off their talents to exhilarating advantage. This is a must-see -- even a must-buy -- for anybody interested in this unparalleled and unforgettable decade of film history.
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17 of 19 people found the following review helpful:
4.0 out of 5 stars
UNEXPECTED NOIR GEM ON DVD, May 30, 2002
VCI Entertainment, a small video company in Tulsa, Oklahoma, is releasing DVDs of "RAW DEAL" and "T MEN," two forgotten noir B movie classics directed by Anthony Mann. Allegedly taken from a closed Treasury Department file (the "Shanghia Paper" case), "T Men" (1947) is a clever crime drama that's shot in a documentary style for added realsim. The meticulously detailed set-up is kind of slow going, but the payoff is gangbusters (literally). Dennis O'Keefe and Alfred Ryder are Treasury agents who go undercover, disguised as mobsters, to infiltrate a ring of Detroit based liquor cutters known to be using bogus revenue stamps. The gang's savage leader has already killed a fellow T Man. For the agents, there is almost a perverse emphasis on how they must shut down all normal human feelings to successfully accomplish their missions -- even to the point of standing by while a fellow agent is executed in cold blood. There's no question about the dark noir terrain in this terrific little thriller that is all the more effective thanks to John Alton's brilliant, precise, geometrically composed cinematography. A surprisingly gripping film with a stunning climax. Definitely worth considering if you're looking for those forgotten noir gems.
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