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Editorial Reviews
Albert is a young man of privilege in Paris, but the trappings of his aristocratic birth leave him bored and unsatisfied. Seeking adventure, Albert’s restless spirit leads him to a festival on the moon – and to the Count of Monte Cristo.
An enigmatic man of charm and wealth, the Count of Monte Cristo’s charisma and sophistication captivate Albert. The fascinated youth invites the nobleman to mingle within the upper echelons of Parisian society, and the Count is soon courting the favor of France’s most powerful families. Little does Albert know, as his new friend walks the ornate halls of the highest class, the Count of Monte Cristo wants only to bring them crashing down through vengeance.
Stills from Gankutsuou: Count of Monte Cristo - The Complete Series (Click for larger image)
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Customer Reviews
Most Helpful Customer Reviews
69 of 76 people found the following review helpful
By Aion
Format:DVD
Gankutsuou, my favourite anime series. I enjoyed it enough to read the 1250 page novel it's based on (The Count of Monte Cristo) after finishing the series, and I'm far from an avid reader. In the end, not only did Gankutsuou become my favourite anime, it also helped me find my favourite book.
I decided to start collecting the series after watching it. It wasn't an easy task to accomplish with me living in the UK and Geneon being dead in the water, but I'll save you the details and simply say that I'm now the happy owner of the art box and all 6 volumes of this truly fantastic series.
Plot: 9.7/10
Not having read the novel prior to starting this, I had no idea what to expect. I knew about certain vague details, such as a young man becoming fascinated with the Count of Monte Cristo, but that's all. But, as a result of having no expectations, I was blown away by the story of Edmond Dantes; The Count of Monte Cristo.
In a nutshell, Gankutsuou is a fairly simple revenge story that's executed extremely well: a young man called Edmond Dantes loses his freedom, his love and almost his life because of the greed, jealousy and pride of three men. Then, after many years, he returns, posing as the Count of Monte Cristo - a rich 'noble' who appears out of nowhere and sends shockwaves through Paris with his riches - and puts into action his plan to get the ultimate revenge on the men who destroyed his life. After spending many years suffering, he doesn't simply want to kill them: he wants to destroy them, throwing them in the pits of despair.
In order to add mystery to Edmond's character, the story is not told from his perspective (unlike in the book). Instead, the story is told from the perspective of Albert, a young noble and son of Fernand de Morcerf; a general and one of the three Edmond wants revenge against. This brings both bad and good points - the good being the added mystery and a different angle on the story, the bad being Albert having the IQ of a dog. I wanted to kill him when he failed to work out that it was in fact Edmond pulling the strings behind the awful sequence of events unfolding around him for the 10th time.
The setting was quite a shock at first, with the story taking place in the year 5053, where as the novel takes place during the 1800's. It was a further surprise to discover the story starts during the Rome part of the novel, the only difference being that the writers replaced Rome with a city on the moon. I do kinda wish the story had been told in the 1800's instead since very few details are given about the futuristic universe and the setting becomes more of a distraction than anything.
If you ignore the fact that the story isn't told with the events occurring in chronological order (like in the novel), one of two things that might upset purists is how the story goes in a different direction than the novel at around episode 18. With Edmond's character being key to the story, Edmond only caring about revenge in the anime was the reason behind the change of direction towards the end. In the novel Edmond was persuaded by Mercédès to alter his plans, yet in the anime Edmond turned a deaf ear to her and continued... This one seemingly minor change had a huge impact on how the story progressed beyond that point. Thankfully, Gonzo handled the changes very well, making the finale interesting for people who have read the novel since, if like me, those people would find themselves fascinated by the new angle on Edmond's character.
All in all, the story was a wonderful ride. An adaptation of a timeless classic with artistic differences, it was executed excellently, at times perfectly. You do have to wait for the 'main event' before you discover just how amazingly well told the story is, the first half in particular being nearly all build up, but I still felt compelled to keep watching even without any major twists/events occurring.
Characters: 9.7/10
I liked pretty much the entire cast...apart from the main character, Albert. Although I knew he had to be made rather stupid for the sake of the plot, his stupidity and inability to see the obvious became very annoying after awhile. You'd think he'd be able to put two and two together when Edmond just randomly kept appearing and Edmond himself had told Albert that there were no coincidences!
After reading the book, it became even more clear how stupid Albert had been made in Gankutsuou in order for the story to be told from his perspective. Although Albert was quite impulsive in the book, stupid was not one of the words that entered into my mind whilst reading... If anything he came across as a rather intelligent and likeable character. Believe me when I say that Albert was neither a crybaby nor an idiot in the novel.
Franz, Albert's childhood friend in Gankutsuou (they aren't that close in the novel), shares a close relationship with Albert, the two being near enough inseparable. Unlike in the book, there are definite homosexual overtones, Franz obviously viewing Albert as more than a friend and Albert unable to see it. Franz, like in the book, is a calm and very intelligent character, in many ways being the exact opposite of Albert in the anime. Albert and Franz fall out many times in the anime over Edmond after Franz tries to warn stupid Albert on various occasions about Edmond not being all he seems.
Edmond, the Count of Monte Cristo himself, remains a mystery for most of the series. He acts kind, yet you can tell that underneath he's hiding something; wearing a mask to fool those around him. His character differs considerably from the character you see in the book because, where as Edmond views himself as a servant of God in the book, Edmond views himself as a demon of revenge in the anime adaptation. Gankutsuou's Edmond is certainly an interesting take on a famous character, one that I'm sure would likely have created more discussion had more people read the novel Gankutsuou is based on.
The one glaring omission from the anime cast is one of the most important characters in the book: Abbé Faria. In the novel, Faria saved Edmond from killing himself after he had spent many years alone in the prison of Château d'If, giving him renewed hope and someone to converse with. Faria soon become a sort of mentor to Edmond, giving him the vast amounts of knowledge he had inside his elderly mind, ending up changing Edmond from a silly boy to a respectable man. Faria also ended up leading Edmond to fortune by telling him about the treasure hidden on the island of Monte Cristo on his death bed.
In the anime, no explanation whatsoever was given for how Edmond transformed from a naive boy to the charismatic man you see as The Count of Monte Cristo. He doesn't even go to the island of Monte Cristo in the anime, his cave of wonders being moved to underneath his house in France. Although this does work and goes with the changes made to Edmond's character (demon of revenge; not the servant of God he believes himself to be in the novel), Gankutsuou would've had more depth if Faria had at least been shown.
Overall, Gankutsuou has an amazing cast of characters. I do recommend you read the novel if you wish to understand them fully, though - a 24 episode anime can only fit in so much.
Art / Animation: 9.7/10
The first thing that hits you about Gankutsuou is the rather bizarre CG effect clothing and hair has. The effect is hard to put into words; it's as if the characters clothing and hair are reflective. It takes a few episodes to get used to it. If nothing else, you have to praise the studio behind Gankutsuou (Gonzo) for the huge amount of effort they put in.
The second thing to hit you is the bright range of colours used. If, like me, you went into Gankutsuou expecting to see dark and dull colours, the sort fitting for a tale set in the 1800's, you'd be completely wrong since the colours are anything but dull, vibrant being a much better description.
As expected of a Gonzo production, Gankutsuou also has a fair amount of CG outside of the clothing/hair effect, including some epic mecha fights. The CG is stunning at times, almost jaw dropping for a TV series.
Overall, Gankutsuou is a joy to watch...once you get used to the unique animation effect. Production values were clearly not low here.
Sound: 9.5/10
First of all, let me say that I didn't think very much of the opening (OP) song. The OP, while fitting, was so dull and slow I had to skip it after watching it once. The ending (ED) song, on the other hand, I did like, the lyrics fitting the show perfectly and the song being fast paced. I feel the ED song would've worked better if it had been used for the OP.
The soundtrack is very high quality, as you'd expect. There aren't too many tracks I'd listen to outside of the series (although there is one AMAZING track), but the music fitted the show like a glove and helped keep the story epic. I also loved how classical music was chosen - it made the experience feel even more special to hear both unedited and edited versions of some of the most famous classical music in existence playing alongside the animation.
I have to mention track 18, one of the best pieces of music I've ever listened to. It was cheek-tinglingly stunning to listen to when it played during the best episode in the series (strangely enough, episode 18!!!), making the sequence even more thrilling than it was already.
The selection of classical music (some remixed for the anime), excellent newly created music and one the most fitting ED songs of all time make 9.5/10 a fair score.
Total: 9.7/10
Having watched a fair amount of anime, I'm hard to please. Read more ›
I decided to start collecting the series after watching it. It wasn't an easy task to accomplish with me living in the UK and Geneon being dead in the water, but I'll save you the details and simply say that I'm now the happy owner of the art box and all 6 volumes of this truly fantastic series.
Plot: 9.7/10
Not having read the novel prior to starting this, I had no idea what to expect. I knew about certain vague details, such as a young man becoming fascinated with the Count of Monte Cristo, but that's all. But, as a result of having no expectations, I was blown away by the story of Edmond Dantes; The Count of Monte Cristo.
In a nutshell, Gankutsuou is a fairly simple revenge story that's executed extremely well: a young man called Edmond Dantes loses his freedom, his love and almost his life because of the greed, jealousy and pride of three men. Then, after many years, he returns, posing as the Count of Monte Cristo - a rich 'noble' who appears out of nowhere and sends shockwaves through Paris with his riches - and puts into action his plan to get the ultimate revenge on the men who destroyed his life. After spending many years suffering, he doesn't simply want to kill them: he wants to destroy them, throwing them in the pits of despair.
In order to add mystery to Edmond's character, the story is not told from his perspective (unlike in the book). Instead, the story is told from the perspective of Albert, a young noble and son of Fernand de Morcerf; a general and one of the three Edmond wants revenge against. This brings both bad and good points - the good being the added mystery and a different angle on the story, the bad being Albert having the IQ of a dog. I wanted to kill him when he failed to work out that it was in fact Edmond pulling the strings behind the awful sequence of events unfolding around him for the 10th time.
The setting was quite a shock at first, with the story taking place in the year 5053, where as the novel takes place during the 1800's. It was a further surprise to discover the story starts during the Rome part of the novel, the only difference being that the writers replaced Rome with a city on the moon. I do kinda wish the story had been told in the 1800's instead since very few details are given about the futuristic universe and the setting becomes more of a distraction than anything.
If you ignore the fact that the story isn't told with the events occurring in chronological order (like in the novel), one of two things that might upset purists is how the story goes in a different direction than the novel at around episode 18. With Edmond's character being key to the story, Edmond only caring about revenge in the anime was the reason behind the change of direction towards the end. In the novel Edmond was persuaded by Mercédès to alter his plans, yet in the anime Edmond turned a deaf ear to her and continued... This one seemingly minor change had a huge impact on how the story progressed beyond that point. Thankfully, Gonzo handled the changes very well, making the finale interesting for people who have read the novel since, if like me, those people would find themselves fascinated by the new angle on Edmond's character.
All in all, the story was a wonderful ride. An adaptation of a timeless classic with artistic differences, it was executed excellently, at times perfectly. You do have to wait for the 'main event' before you discover just how amazingly well told the story is, the first half in particular being nearly all build up, but I still felt compelled to keep watching even without any major twists/events occurring.
Characters: 9.7/10
I liked pretty much the entire cast...apart from the main character, Albert. Although I knew he had to be made rather stupid for the sake of the plot, his stupidity and inability to see the obvious became very annoying after awhile. You'd think he'd be able to put two and two together when Edmond just randomly kept appearing and Edmond himself had told Albert that there were no coincidences!
After reading the book, it became even more clear how stupid Albert had been made in Gankutsuou in order for the story to be told from his perspective. Although Albert was quite impulsive in the book, stupid was not one of the words that entered into my mind whilst reading... If anything he came across as a rather intelligent and likeable character. Believe me when I say that Albert was neither a crybaby nor an idiot in the novel.
Franz, Albert's childhood friend in Gankutsuou (they aren't that close in the novel), shares a close relationship with Albert, the two being near enough inseparable. Unlike in the book, there are definite homosexual overtones, Franz obviously viewing Albert as more than a friend and Albert unable to see it. Franz, like in the book, is a calm and very intelligent character, in many ways being the exact opposite of Albert in the anime. Albert and Franz fall out many times in the anime over Edmond after Franz tries to warn stupid Albert on various occasions about Edmond not being all he seems.
Edmond, the Count of Monte Cristo himself, remains a mystery for most of the series. He acts kind, yet you can tell that underneath he's hiding something; wearing a mask to fool those around him. His character differs considerably from the character you see in the book because, where as Edmond views himself as a servant of God in the book, Edmond views himself as a demon of revenge in the anime adaptation. Gankutsuou's Edmond is certainly an interesting take on a famous character, one that I'm sure would likely have created more discussion had more people read the novel Gankutsuou is based on.
The one glaring omission from the anime cast is one of the most important characters in the book: Abbé Faria. In the novel, Faria saved Edmond from killing himself after he had spent many years alone in the prison of Château d'If, giving him renewed hope and someone to converse with. Faria soon become a sort of mentor to Edmond, giving him the vast amounts of knowledge he had inside his elderly mind, ending up changing Edmond from a silly boy to a respectable man. Faria also ended up leading Edmond to fortune by telling him about the treasure hidden on the island of Monte Cristo on his death bed.
In the anime, no explanation whatsoever was given for how Edmond transformed from a naive boy to the charismatic man you see as The Count of Monte Cristo. He doesn't even go to the island of Monte Cristo in the anime, his cave of wonders being moved to underneath his house in France. Although this does work and goes with the changes made to Edmond's character (demon of revenge; not the servant of God he believes himself to be in the novel), Gankutsuou would've had more depth if Faria had at least been shown.
Overall, Gankutsuou has an amazing cast of characters. I do recommend you read the novel if you wish to understand them fully, though - a 24 episode anime can only fit in so much.
Art / Animation: 9.7/10
The first thing that hits you about Gankutsuou is the rather bizarre CG effect clothing and hair has. The effect is hard to put into words; it's as if the characters clothing and hair are reflective. It takes a few episodes to get used to it. If nothing else, you have to praise the studio behind Gankutsuou (Gonzo) for the huge amount of effort they put in.
The second thing to hit you is the bright range of colours used. If, like me, you went into Gankutsuou expecting to see dark and dull colours, the sort fitting for a tale set in the 1800's, you'd be completely wrong since the colours are anything but dull, vibrant being a much better description.
As expected of a Gonzo production, Gankutsuou also has a fair amount of CG outside of the clothing/hair effect, including some epic mecha fights. The CG is stunning at times, almost jaw dropping for a TV series.
Overall, Gankutsuou is a joy to watch...once you get used to the unique animation effect. Production values were clearly not low here.
Sound: 9.5/10
First of all, let me say that I didn't think very much of the opening (OP) song. The OP, while fitting, was so dull and slow I had to skip it after watching it once. The ending (ED) song, on the other hand, I did like, the lyrics fitting the show perfectly and the song being fast paced. I feel the ED song would've worked better if it had been used for the OP.
The soundtrack is very high quality, as you'd expect. There aren't too many tracks I'd listen to outside of the series (although there is one AMAZING track), but the music fitted the show like a glove and helped keep the story epic. I also loved how classical music was chosen - it made the experience feel even more special to hear both unedited and edited versions of some of the most famous classical music in existence playing alongside the animation.
I have to mention track 18, one of the best pieces of music I've ever listened to. It was cheek-tinglingly stunning to listen to when it played during the best episode in the series (strangely enough, episode 18!!!), making the sequence even more thrilling than it was already.
The selection of classical music (some remixed for the anime), excellent newly created music and one the most fitting ED songs of all time make 9.5/10 a fair score.
Total: 9.7/10
Having watched a fair amount of anime, I'm hard to please. Read more ›
13 of 14 people found the following review helpful
By Lee D. Owens
Format:DVD
Gankutsuou is the Japanese anime interpretation of Dumas' The Count of Monte Cristo. Although nothing can surpass Dumas' original story, this interpretation is very fulfilling. Gankutsuou is a futuristic retelling of the story that focuses on Albert and the relationship with his best friend Franz and the mysterious Count. The story can get confusing at times, so it helps to be familiar with either the original story or the film adaptations. The animation style is truly unique. The background art is extraordinary, but what sticks out is the use of matted patterns as decorations and costume. The music is also very good. The opening theme seems out of place at first, but is eventually woven into the story. Fans of Classical and ambient pieces will enjoy the music within the context of the story. The story itself is very emotionally gripping. You will become attached to these characters over the 24 episode arc. This is probably the best work that GONZO animation has produced. It is very much a cerebral anime, so fans expecting tons of action should look elsewhere.
20 of 24 people found the following review helpful
Format:DVD
Never let it be said that modern anime is particular about where it draws its inspiration. The concept of creating a series based on a novel written in 1844 then setting it in the year 5053 sounds like a far stretch for any production staff and yet somehow, someway Mahiro Maeda (the director of Blue Submarine No. 6) manages to pull it off in Gankutsuou with style. The novel of course is none other than Three-Musketeer's author, Alexandre Dumas' Count of Monte Cristo (in case you somehow missed this series' title).
Here in the United States, this is a re-release by Funimation of an earlier Geneon DVD release of basically the same name. Side note: Geneon typically labeled the show Gankutsuou: The Count of Monte Cristo while Funimation flips the order to The Count of Monte Cristo: Gankutsuou. Other than that the only difference is that rather than spreading the 24 episodes across six discs, Funimation manages to do it in four (packaged in a pair of beautiful thin packs within a subtle cardboard outer case). The source material comes to us via the brilliant minds of Japanese anime studio Gonzo; who themselves bring a long list of unique, thought-provoking titles to the table (such as their 2007 anime adaptation of Romeo and Juliet).
This set, as has been the trend of late, contains virtually no extras to speak of although the language options are thorough (English dub and original Japanese with or without English subtitles).
The story is setup to appeal to fans of the original work and those with no prior exposure alike as it retains all of the key plot points but adds a few new elements and tells it from a totally different perspective (kind of like what John Gardener's novel Grendel does to the classic Anglo-Saxon poem Beowulf).
The Count of Monte Cristo: Gankutsuou tells the epic tale of a wrongfully accused man's intricate plot of exacting revenge through the relatable doings of a fifteen-year-old aristocrat from Paris named Albert (pronounced "al-bear" in homage to the French author's original motif). As stated above, the show goes to great lengths to establish an atmosphere stunningly reminiscent of 19th century France while integrating just enough technology to remind the viewer that this is, in fact, the future- and the very distant future at that.
Pacing is deliberately slow and thorough and really compliments that rather dry-nature of the source material. However, while this may be viewed as a negative with some shows, Gankutsuou turns the story telling element into an art form in and of itself. This is adult anime and not because of the usual pitfalls that eliminate younger viewers from the equation. Rather than sexual references, violence and language, Gankutsuou can be called mature on account of its sophistication and mood-appropriate visuals.
In fact it is nearly impossible to find a review of the show that doesn't trip all over itself in praise for the artistic vision and unique animation style. The best way to describe it is imagine near photo-realistic textures layered behind transparent character models. If that sounds odd to you, rest assured, it is but somehow it works. What makes the visuals so unique is that the textures are static, meaning they don't move even when the character boasting them does. It's one of those traits so unique that you may go as far as to label it distracting early on yet it manages to become subdued as the viewer loses himself in the ever-thickening plot. Even by the later episodes there are a few ugly examples of where texture-overloaded scenes come off as overly busy or muddled but as a whole, the source material literally benefits from this unique art style.
If there were a single complaint worth mentioning about the show it would have to be the simple reality that this isn't run of the mill anime by any sense of the word. It's pretty difficult to place the show into a genre in fact. The story is, quite frankly, unlike any other seen in modern anime, which I suppose is to be expected when you remember that this is classic literature in animated form. Viewers expecting scantly clad women, characters with abnormally large and watery eyes, or slapstick of any kind need not apply. Being that the setting does take place in the distant future, there are a few robotic fight scenes (duels that wouldn't look out of place in Escaflowne) and some pretty cool space travel concepts.
As a whole, though, it would be easy for viewers with a short attention span to become bored. There's a steady and reliable flow to the plot that requires patience and a bit of maturity (or at the very least, an appreciation for fine culture).
When directly compared to the original novel, some may scoff at the fact that there is a slight supernatural angle that acts as the backdrop here. Without revealing too much of the actual mystery presented within, let me just comment on the character of Edmond Dantes allowing an insalubrious entity (Gankutsuou) possession of his body so as to escape imprisonment and to realize his ambitions of revenge. A fan of the original work, it is a bit disappointing personally to note that Edmond's creativity in escaping his prison was omitted here. Worse still is that while the original can be viewed essentially as a cautionary tale in the dangers of allowing vengeance to overtake one's life, here the metaphor is perhaps taken a bit too literally. Otherwise, and especially true for those not tied to the beauty of the original work, the supernatural elements do go a long way in adding intrigue and creepiness to the formula.
The show's music score is not only hauntingly appropriate; it's at times, dare I say, catchy (especially the opening theme which is about as unique as they come). Throughout are rich piano scores and solid symphonic pieces.
In all, Gankutsuou: the Count of Monte Cristo is one of the most unique properties of all time to grace anime ideology. With a timeless story, unique art style, and underlining themes that nearly anyone can benefit from in their own lives, Gankutsuou reminds us all that modern art is far from dead; if even only the result of rejuvenating the classics as the case may be.
Here in the United States, this is a re-release by Funimation of an earlier Geneon DVD release of basically the same name. Side note: Geneon typically labeled the show Gankutsuou: The Count of Monte Cristo while Funimation flips the order to The Count of Monte Cristo: Gankutsuou. Other than that the only difference is that rather than spreading the 24 episodes across six discs, Funimation manages to do it in four (packaged in a pair of beautiful thin packs within a subtle cardboard outer case). The source material comes to us via the brilliant minds of Japanese anime studio Gonzo; who themselves bring a long list of unique, thought-provoking titles to the table (such as their 2007 anime adaptation of Romeo and Juliet).
This set, as has been the trend of late, contains virtually no extras to speak of although the language options are thorough (English dub and original Japanese with or without English subtitles).
The story is setup to appeal to fans of the original work and those with no prior exposure alike as it retains all of the key plot points but adds a few new elements and tells it from a totally different perspective (kind of like what John Gardener's novel Grendel does to the classic Anglo-Saxon poem Beowulf).
The Count of Monte Cristo: Gankutsuou tells the epic tale of a wrongfully accused man's intricate plot of exacting revenge through the relatable doings of a fifteen-year-old aristocrat from Paris named Albert (pronounced "al-bear" in homage to the French author's original motif). As stated above, the show goes to great lengths to establish an atmosphere stunningly reminiscent of 19th century France while integrating just enough technology to remind the viewer that this is, in fact, the future- and the very distant future at that.
Pacing is deliberately slow and thorough and really compliments that rather dry-nature of the source material. However, while this may be viewed as a negative with some shows, Gankutsuou turns the story telling element into an art form in and of itself. This is adult anime and not because of the usual pitfalls that eliminate younger viewers from the equation. Rather than sexual references, violence and language, Gankutsuou can be called mature on account of its sophistication and mood-appropriate visuals.
In fact it is nearly impossible to find a review of the show that doesn't trip all over itself in praise for the artistic vision and unique animation style. The best way to describe it is imagine near photo-realistic textures layered behind transparent character models. If that sounds odd to you, rest assured, it is but somehow it works. What makes the visuals so unique is that the textures are static, meaning they don't move even when the character boasting them does. It's one of those traits so unique that you may go as far as to label it distracting early on yet it manages to become subdued as the viewer loses himself in the ever-thickening plot. Even by the later episodes there are a few ugly examples of where texture-overloaded scenes come off as overly busy or muddled but as a whole, the source material literally benefits from this unique art style.
If there were a single complaint worth mentioning about the show it would have to be the simple reality that this isn't run of the mill anime by any sense of the word. It's pretty difficult to place the show into a genre in fact. The story is, quite frankly, unlike any other seen in modern anime, which I suppose is to be expected when you remember that this is classic literature in animated form. Viewers expecting scantly clad women, characters with abnormally large and watery eyes, or slapstick of any kind need not apply. Being that the setting does take place in the distant future, there are a few robotic fight scenes (duels that wouldn't look out of place in Escaflowne) and some pretty cool space travel concepts.
As a whole, though, it would be easy for viewers with a short attention span to become bored. There's a steady and reliable flow to the plot that requires patience and a bit of maturity (or at the very least, an appreciation for fine culture).
When directly compared to the original novel, some may scoff at the fact that there is a slight supernatural angle that acts as the backdrop here. Without revealing too much of the actual mystery presented within, let me just comment on the character of Edmond Dantes allowing an insalubrious entity (Gankutsuou) possession of his body so as to escape imprisonment and to realize his ambitions of revenge. A fan of the original work, it is a bit disappointing personally to note that Edmond's creativity in escaping his prison was omitted here. Worse still is that while the original can be viewed essentially as a cautionary tale in the dangers of allowing vengeance to overtake one's life, here the metaphor is perhaps taken a bit too literally. Otherwise, and especially true for those not tied to the beauty of the original work, the supernatural elements do go a long way in adding intrigue and creepiness to the formula.
The show's music score is not only hauntingly appropriate; it's at times, dare I say, catchy (especially the opening theme which is about as unique as they come). Throughout are rich piano scores and solid symphonic pieces.
In all, Gankutsuou: the Count of Monte Cristo is one of the most unique properties of all time to grace anime ideology. With a timeless story, unique art style, and underlining themes that nearly anyone can benefit from in their own lives, Gankutsuou reminds us all that modern art is far from dead; if even only the result of rejuvenating the classics as the case may be.
Most Recent Customer Reviews
5.0 out of 5 stars
astonishing
I was introduced to this storyline by a friend, and I'm grateful I watched it. It's well played and for some reason, I can't get the theme song out of my mind -I listen to it all... Read more
Published 24 days ago by DS
5.0 out of 5 stars
Enjoyed this series as much as the original book
Even though it takes place in the future this is still a great adaptation of Alexandre Dumas' work. I especially like that it was shown through the eyes of Albert de Morcerf.
Published 3 months ago by David
4.0 out of 5 stars
Strange but interesting
This is perhaps *the* most accurate and detailed visual retelling of the second half of the classic novel, The Count of Monte Cristo to be found anywhere. Read more
Published 4 months ago by Gideon Kalve Jarvis
5.0 out of 5 stars
Gankutsuou
This is a one-of-a-kind series, I haven't seen anything like it. Spoiler alert: "A naive boy invites a mysterious man into his estate and despair soon follows."
Published 4 months ago by C.E.
3.0 out of 5 stars
Great series, but questionable quality in this set.
This is one of my favorite anime based on my favorite story of all time. I loved how this story followed the same basic structure as the original, but deviated from the book to... Read more
Published 7 months ago by Hasan S. Rizvi
5.0 out of 5 stars
Madames, monsieurs...
Albert and his friend Franz are young aristocrats enjoying Carnival on the Moon. There, Albert meets and befriends the mysterious Count of Monte Cristo. Read more
Published 7 months ago by Cilantron Xenotheophilos ERV
4.0 out of 5 stars
Nice!!
Really a good story with original animation boarder lining art "the lazy kind like Picasso but it gives it a good feel" likeable characters the story was just the right length not... Read more
Published 8 months ago by The Notorious J.O.O.
3.0 out of 5 stars
Review
Gankutsuou is a fascinating visual display of computer graphics alongside an anime based story in the year 5000 A.D.. Read more
Published 9 months ago by Cole J.
1.0 out of 5 stars
Do not buy this...........! Jult Warfell
I lost over 600 + minutes of my life having to watch this crap. What waste for dub talented actors. Jult Warfell
Published 12 months ago by The Red Corsair
5.0 out of 5 stars
One of the best anime series ever
I got this because the art style intrigued me but I was beyond impressed with this series. I am familiar with Alex Dumas' story but haven't read the book so this was a truly... Read more
Published 12 months ago by Polka loves Polka Dancing
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