"Modern Literatures in Perspective" is a series of collected critical essays on post-1800 European-language authors, works or concepts. It is designed to help the reader study these literatures in isolation and in context by selecting and presenting the most representative and inspiring reactions to the works in question from the time of their first appearance to the present day. A crucial feature of the series' approach is its open recognition of the critical revolution which has taken place in the 20th century and in particular in the last 30 years. Marxist, structuralist, psychoanalytical, deconstructionist and feminist theories have utterly transformed our assessment of literature. "Modern Literatures in Perspective" takes full account of the general issues raised by the revolution in theory, together with the practical effects which these theories have on the reading of the literary canon. Recognizing the need for direction within this plural field of perspectives, each volume offers a high degree of critical guidance and advice in addition to presenting its subject in a methodical and accessible manner. A substantial introduction outlines the historical and cultural contexts within which the literature in question was produced. It explores and explains the conflicting critical reactions to the literature in perspective and suggests ways in which these critical differences may be put to work. Each essay is prefaced by an introductory headnote setting forth the significance of the piece. A glossary of critical terms and cultural references provides further background information. "Modern Literatures in Perspective" offers much more than textual analysis, therefore. It openly examines the relationship between literature and a range of wider issues. At the same time, its approach is more concrete than any history of literature. Rather than impose a synthesis or single methodology, the volumes in this series bring the reader into the heart of a crucial critical debate.
