Customer Reviews

The Garden at Bomarzo: A Renaissance Riddle

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The Sacred Wood at Bomarzo, Italy is arguably the most puzzling and fascinating garden in all of Europe. Created in the mid-sixteenth century by Vincino Orsini, Lord of Bomarzo, as a tribute to his late beloved wife, Giulia, it lies in a wooded valley below the Orsini palace so that Vincino could look out upon his spectacular composition.

Many of us have visited and strolled the more formal gardens - the Farnese or Borghese. This, the Bosco dei Mostri (Monsters Wood) as it is also called, is a far cry from sculptured hedges and carefully laid out pathways. It is the home of enormous, often grotesque creatures - a two-faced herm, the Mask of Madness, and the Mouth of Hell. These denizens of the garden confound most, and it is left to Classic scholar Jessie Sheeler to explicate not only the statuary but also the carved texts accompanying them.

The garden is considered to be a reflection of Vincino's thinking, perhaps his search for meaning. Fortunately, many of his letters are still in existence, which give us an inkling of his ideas. We can read his comment to a friend, "I prefer living here among these woods to being immersed in the falsities and vanities of the courts, especially that of Rome."

While a precise account of who the man was is probably lost to us, his garden remains an incredible sight after having been restored some 25 years ago. Mark Edward Smith's photographs are stunning and The Garden At Bomarzo is both a treasure and a puzzle for both historians and garden enthusiasts.

- Gail Cooke

Bomarzo is a place in central Italy. The Lord of Bomarzo in the middle part of the 1500s was a Vincino with a wife named Giulia. Vincino lived a long time after his wife died. Though he displayed a sense of melancholy throughout the rest of his life and occasional periods of depression, this cannot be attributed solely to the untimely loss of his wife. For from the garden he founded and remained involved with during his life as well as what other sketchy biographical facts there are to go on, the Lord of Bomarzo had a rather gloomy soul; though one enlivened by intellectual curiosity about diverse interests of the Renaissance, including classical culture, mythology, alchemy, literature, and sculpture. The Garden at Bomarzo was not particularly a memorial to the Lord's departed wife, but rather something of a museum of sculptural representations of the Lord's varied intellectual interests.

A war elephant with its trunk curled around a soldier, a small classical theater, a temple, large stone acorn, the three-headed mythological dog Cerberus, and a dragon being attacked by lions are among the statuary of the Renaissance garden. The "riddle" of the garden is posed by inscriptions in Latin in prominent spots of many of the statutes. "The cave and the fountain free one from all serious thought" and "I want to tell you, and make you in amazement/purse your lips and raise your eyebrows" are two of these. Sheeler--who has a background in classics studies--does not solve the riddle, but to the extent possible makes sense of the garden's diverse objects and cryptic statements. The Renaissance-era personality of the Lord Vincino go a long way toward this explanation. "The ambivalences and the attractive intelligence in his own character find an expression in the variety and puzzling allusiveness of the [garden's] works...." The Lord was a respected soldier who also had leanings toward "Epicurean pacifism"; he sought out the company of his social superiors for intellectual stimulation while chaffing against the social conventions of the time; the balance between his sensuality and intellectuality shifted at different times of his life. The Lord of Bomarzo shows something of the modern spirit of individuality and independence arising in the Renaissance, while still referring to medieval symbolisms and beliefs for expressing itself. The many color photographs, several full-page and a couple double-page, of the moss-covering, in some cases partly deteriorated statutes of the Bomarzo garden are a treat in themselves of classical and baroque statuary.