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The cyborg trio poses as Doctor Ruy Lopez, his daughter Rosa (the irrepressible Mendoza, now grown), and her duenna, Doña Marguerita; Sir Walter's hospitality and discretion are bought for the promise of restored youth. (There are hilarious moments that call to mind the Coneheads, who claimed to be from France when caught doing anything peculiar.) Sir Walter's secretary, Nicholas Harpole, is immediately suspicious of and hostile towards the strange "Spanish" visitors, which prompts Mendoza to fall in love with him. Nicholas has his own badly kept secret: he's proudly Protestant at a time when Queen Mary and Philip of Spain are on a Catholicizing rampage. Mendoza knows Nicholas is probably doomed, and that as a Company operative she cannot meddle with his fate, but love makes people do desperate things. Baker surpasses even Connie Willis in humor and precision of period detail in this fresh, ingenious first novel.--Barrie Trinkle --This text refers to an out of print or unavailable edition of this title.
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I was really impressed with the premise of "In the Garden of Iden". I thought the idea of a company that could make employees of 'indigenous' people and send them along ('along' mind you, not 'through') history to preserve plants, animals, art works, etc. only as long as they did not change history in the process to be a neat, if not revolutionary idea. Baker pulls off the idea quite well to in this book. She gives us a good feel of history unfolding while the characters of the book go about their mission in a country that's teetering on the verge of a new dark age just before it's greatest era begins.
The science in the book is well-researched. The history in the book is very well researched. Even the romance manages to push the reader into an interesting parallax between love and practicality. Surprisingly enough, the one thing that bothered me about the novel was the stipulation in the premise that people sent back couldn't change "recorded history". I found myself wondering what constitutes 'recorded history'. We as a race have so much difficulty sorting the fact from the lie and the myth in our 'recorded' history - even in the past century - that I wondered how valid an argument this could be. Perhaps it's an idea that she'll pursue in a later "Company" novel. I'd be interested to see what she could do with it...
All in all, I really enjoyed this novel. I blew through it like I haven't blown through a science fiction novel in a long time. While some of the topics it deals with are quite heavy, the overall read is really light. If you're looking for a fun, light book with a genuinely interesting premise, I recommend picking "In the Garden of Iden" up. Personally, I'm looking forward to getting on to the rest of the series...
I've loved Kage Baker's work ever since I read her stories in the various Year's Best Fantasy books, and I was eager to dive into a novel written by her. It was definitely worth the wait. Her prose style is wonderful and she seamlessly changes dialogue depending on who's talking, thus giving us the dialect of the time alongside the modern phrasings of a group of cyborgs honed by time travelers. I'm not expert enough to tell whether or not she gets the Renaissance dialogue right, but she certainly makes it feel right. It really makes you feel like you are there listening.
Another thing Baker avoids, for the most part, is making the romance cloying. While there were a few times where Mendoza and Nicholas became annoyingly written, most of the time this was turned on its head by a choice comment from Joseph (the leader of the expedition and Mendoza's recruiter) or something else happening. She doesn't overwrite the romance scenes and she deftly "fades to black" when the sex scenes are about to start. Thus, while the novel definitely has some adult themes, there are no actual scenes that should keep kids away from the book. Instead, she writes two adults who love each other deeply but know that there are some serious potential problems that might get in the way of that love.
The concept of the Company is very interesting. Time travel and cyborg technology have been invented, so what they do is send operatives back in time to recruit local people, train them in secret facilities (bringing them up to modern standards), turn them into immortal cyborgs, and allow them to do the job of preserving things. They take samples of various things that will become extinct, hide them away for a thousand years, and then "discover" them again in the present. One of Baker's most inspired creations is a radio that broadcasts at a frequency that humans can't hear, and which operatives can listen to and find out what is going on locally. Thus, there is a news story about the reintroduction of Papal law in the British parliament, along with commentary similar to a CNN broadcast. It was very innovative.
Baker also does a credible job with the characters. All of the operatives (there are four) in the house are interestingly written and have some sort of way to keep them straight. Nefer is stuck in limbo while she's waiting for an assignment in northern England, and she's also the resident animal expert. Thus, she has an affinity for them and takes umbrage at what she sees as the torturing of a goat (the owner tried to graft a horn on its forehead and called it a unicorn). Joseph has the worn feel of a man who's been around for hundreds of years and has seen it all, but yet he knows exactly how it feels to be a first-time operative. He's incredibly understanding with Mendoza, forgiving her the jitters and mistakes that any rookie will have. He is a wonderful mentor to her as well. I didn't feel like I knew Flavius very well, but he's not in the book much so there isn't a reason to flesh him out further than he already is. The local characters have their character hooks and are recognizably different, but aren't anything special.
The romance would not work if Nicholas is badly done, so it's a good thing that Baker saved her best for him. He is well-rounded with intelligence and wit, and the verbal sparring between Mendoza and him is great. His beliefs are very strong, and he sticks to them through everything. Watching Mendoza try desperately to convince him to run away from the inquisition that is coming to England is almost heartbreaking. With the exception of a few times, the book sparkles when the two of them are on the page, and he is a worthy companion for Mendoza. When things start to go sour, it's on an understandable basis and Nicholas reacts as he should.
The plot is a bit slow-moving, but it is interestingly told. There are a few places it drags as Baker takes a detour to do a little philosophizing. The trigger event for the climax also feels a bit artificial as Joseph makes a mistake that I didn't really think he would make with his experience in the field. Then again, these people are human so mistakes do happen to the best of them. It just felt a little bit too much like it was there just so that the plot could start moving.
Baker has created a wonderful little sci-fi story and if she can continue to write this strongly, she will continue for a very long time. The fact that there are already 3 other books, along with a short story collection, bodes well for the success of the series. If you want something new to try, this would be a good one to start with. Even if you don't like science fiction, you might find something in here to enjoy.
David Roy
In the 24th century a company known as Dr. Zeus has discovered not only the means to time travel but also the secret of immortality. Whether it was right to do so or no, it used its time travel capibility to effect events in the past so that in the 24th century, the company rules the world. There were some scientists that had signed on to the venture with the understanding that time travel would be used to help mankind. In an effort to do this the business types at Dr. Zeus go back to different time periods and create immortal agents from humans of the time. The mission of these agents is to save valuable cultural artifacts that would otherwise be lost forever.
Flash backward to 1500's Spain in the height of the Spanish Inquisition. A nameless child of an impoverished mother is imprisoned wrongfully and is set to be tortured. An agent shows up offering her freedom. She takes it. She becomes known as Mendoza and enters the process of becoming immortal. The agents are in actuality cyborgs who are stronger and faster than a human. I thought it was really cool that while the world goes about its business there is a secret society of immortals carrying on their business in underground facilities, or in remote areas. Their business being to preserve some of man's and nature's lost treasures.
Mendoza is sent to England and the Garden of Sir Walter Iden who is famous for having the most extensive samples of flora in the world. Her mission: to catalog and preserve extinct plant forms for the Company. She also falls in love with a mortal and thus begins the real meat of the novel.
To me, reading the synopsis on the back of the book, I thought it would be boring. But as I began to read it reminded me of another writer whose plots sound boring but when read are real treasures. I was reminded of Jane Austen. This book is really well written, especially the historical detail and feel. Baker was a teacher of Elizabethan English so I don't think it was much of a stretch to write about this time. Which is ok. An author's first work is usually written in a comfort zone. Not a lot really happened in this book. It is more a character driven story in which the interest is kept by the interaction of different personalities. The only complaint I have is that the love story sometimes, but not often, gets fluffy. The rules for effecting the past seem a little sketchy too. Overall, though, the idea of the book is fascinating and the prose style is interesting. It was nice to see a sci-fi novel with living breathing characters and an author who is well on the way to mastering her voice. I look forward to the second book in the series, Sky Coyote.