- Sorry, this item is not available in
- Image not available
- To view this video download Flash Player
|You Save:||$16.01 (80%)|
This is one strange and original movie. In 1973 most American reviewers responded by panning it and deriding its director, whom they saw as having betrayed the promise of Ride the High Country, been swept up in his own cult of violence, and become incoherent as a storyteller. Coherence wasn't helped by MGM's cutting at least a quarter-of-an-hour out of the finished film and removing a bitter, retrospective prelude. Subsequent releases have restored a lot of material, and now there's more widespread appreciation of the depth and power of Peckinpah's achievement.
The cast, teeming with fine character actors, is extraordinary, making the gallery of frontier denizens vivid and resonant. Coburn's Garrett, a man who comes to loathe himself for his mission yet cannot abandon it, is the high-water mark of the actor's career. L.Q. Jones, Luke Askew, Harry Dean Stanton, Jack Elam, and Richard Bright create indelible moments, and Slim Pickens becomes the center of an unforgettably moving scene. The presence of Kristofferson (just starting out as an actor) and Bob Dylan (whose enigmatic role is nearly wordless) nudges us toward recognizing Old West outlawry as an early form of rock stardom--flesh-and-blood gods for a primitive society to feed on. --Richard T. Jameson
This was no more impressive this time (2015) than when it came out.
Somewhat ponderous, self-important 1973 flick with lots of posing and more attempted poignancy with... Read more
A truly great movie - great, great, great!! Coming two years after Robert Altman's similarly-titled anti-Western featuring folk music (Leonard Cohen), Sam Peckinpah's version ups... Read morePublished 3 months ago by Surferofromantica