Garth Brooks: In Pieces

Garth Brooks | Format: Audio CD

Product Details

• Audio CD
• Number of Discs: 1
• Label: Select Artifials
• ASIN: B000002UQQ
• Also Available in: Audio CD  |  Audio Cassette  |  Sheet music  | 
• Average Customer Review: 4.1 out of 5 stars  See all reviews (32 customer reviews)
• Amazon Best Sellers Rank: #105,537 in Music (See Top 100 in Music)

Editorial Reviews

Amazon.com

In Pieces finds Garth at the height of his popularity--the album scored 5 hit singles--but in the basement of his admittedly considerable talent. This rise and fall coincided with Brooks's boldest movement yet away from traditional country. "Standing Outside the Fire," another Garth anthem to emotional risk, ends with bongo and rock guitar while "Ain't Going Down till the Sun Comes Up" is rock down to its "Subterranean Homesick Blues" melody. All of which would be fine if the songs were catchier, or if the lyrics--one song disses welfare recipients, another valorizes a father who beats up his boys--weren't such an annoying muddle. --David Cantwell

Product Description

Unavailable individually in the U.S., his smash 1993 albumthat stayed at #1 for five weeks & has sold over fivemillion copies. --This text refers to an out of print or unavailable edition of this title.

Customer Reviews

Most Helpful Customer Reviews

5 of 5 people found the following review helpful:

4.0 out of 5 stars Good CD., June 4, 1999

By A Customer

This review is from: Garth Brooks: In Pieces (Audio CD)

Look, brooks is good, there is no doubt about it. The best song, and the most under appreciated, is "Night I called the old man out". In fact, the only song I didn't like that much was the first & most famous song on the CD, "Standing outside the Fire". It repeats itself to damn much. In short: If ya like Garth, or country in general, you'll love this CD. If not, go buy some Radiohead or Korn, cause this ain't for you.

4 of 4 people found the following review helpful:

4.0 out of 5 stars Fine music, January 14, 2002

By 

Ken "KC Music Fan" (Olathe, KS, U.S.A.) - See all my reviews

This review is from: In Pieces (Audio CD)

Garth Brooks' In Pieces has some fine music. The #1 smash hit "Ain't Going Down 'Til The Sun Comes Up", with Chris Leuzinger's lead guitar and Terry McMillan's harmonica, is a fun romp. Another #1 song, "American Honky-Tonk Bar Association", is more hard core country but still fun. I also liked Garth's spirited remake of the New Grass Revival's hit "Callin' Baton Rouge", on which the guys from the New Grass Revival back up Garth. The closing number, "The Cowboy Song", is the most traditional country song on the record and another fine Western song by Garth. Garth's friend Tony Arata, the writer of Garth's classic hit "The Dance", contributed the bluesy romp "Kickin' And Screamin'".

However, though I like the musical arrangements here, I think Garth veered too heavily in the pop direction on some of the songs. There are several songs on here that are musical gems but that wouldn't be considered "country" by some listeners. In my opinion, "Standing Outside The Fire", "The Red Strokes", "The Night Will Only Know" and "One Night A Day", although they are well done, sound more pop than country. Garth has also ignited controversy at times(for instance, on "The Thunder Rolls" and "We Shall Be Free"). In Pieces is no exception as it includes two songs that tackle controversial topics. "The Night I Called The Old Man Out" deals with a confrontation between a father and his son, and the aforementioned "The Night Will Only Know" tells the story of two adulterous lovers who hear the sounds of a murder being committed(while lying "in the back seat") and then keep quiet about what happens. I don't think Garth has made too many friends in Nashville by putting out songs such as these two numbers. However, I believe that overall, Garth made a fine, listenable effort here. I give In Pieces four stars.

6 of 7 people found the following review helpful:

5.0 out of 5 stars This Album Is Perfectly Named (III), October 17, 2003

By 

Scott Kolecki (Brooklyn, Ohio USA) - See all my reviews
(REAL NAME)   

This review is from: In Pieces (Audio CD)

At the point in which Garth released this album, his career was so large, that Garth had become an icon-more of an idea than a real person-in which people invested their beliefs, and indeed their wallets, with unwavering support. Garth was selling out arena size concert venues in record times (as when he was in Cleveland, selling out 5 shows in 18 minutes). So it was no suprise that "In Pieces" would meet with the success that it did.

This album, perfectly named for its disjointed collection of songs, written in styles ranging from driving rock to almost folk/country, was a reflection of the many directions Garth's professional and private life was going. By this point, he was a television star, with several live performances and cameo television appearances on such shows as Empty Nest and SNL. He was reaching ever larger audiences, performing at Superbowls and much more.

"In Pieces" was also a stronger effort to provide an audience with music they could come to expect from Garth. Stylistically, he had become known for taking country and making it very mainstream by giving it an edgier feel that was reminiscent of his own exposure to such bands as KISS and QUEEN. This album, whether a carefully calculated product of commercial merchandising, or a genuine effort to really push the limits of country music, succeeded in doing that.

The opening track, "Standing Outside the Fire" is an upbeat reworking of the themes found in "The River" (on "Ropin' the Wind). The song is up-tempo, that feels more like rock and roll than country. The album continues in the same vein with "The Night I Called the Old Man Out", a song that some might correlate with child abuse, while others might view it as a coming-of-age piece in which a father confronts his son when the son stands against him for something he believes in. Rounding out the first third of the album is "The American Honky-Tonk Bar Association", a piece that is vaguely reminiscent of "Friends In Low Places" (on "No Fences"). A good song, but not as good as earlier efforts to write about acceptance in your local bar after confronting the challenges of daily life.

This album does contain some beautiful ballads, which Garth executes beautifully. On this album, it could be said that the ballads are the bigger strength, and although none of them went on to become huge hits for him, they remain pure to the Garth Brooks that we saw most vividly in his earliest albums. "The Red Strokes" is a power-ballad, almost in the stylings of Elton John or Billy Joel. "One Night A Day", a song about a man who has lost his lover, is still more rock than country, but beautiful nonetheless. But it is "The Cowboy Song" that rises above the rest, and gives us a glimpse at the Garth we all came to love. It is a wonderfully conceived piece, reminiscent of his early years, about a cowboy "pushin 'horns'", living the rough life of ranching steer and surviving the western frontier, and at the same time, embracing the simple, rugged beauty of that life. As Garth fans know, his final song on each album is the one that holds most personal meaning to him, and so it is no suprise to find that this icon would be drawn to a song that would remind him of his roots.

In total, the album went on to produce a total of four No.1 hits, including the line dance favorite "Callin Baton Rouge" a cross between rock, country and bluegrass-banjo picking and all. The album, still an inferior addition to such records as "Ropin the Wind", "No Fences", and "Garth Brooks", is still a great album, even if reflects Garths obvious strength in marketing rather than his inane talent for songwriting. A solid effort and worth the time and money.