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Gauguin: Catalogue Raisonne of the Paintings (1873#1888)
 
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Gauguin: Catalogue Raisonne of the Paintings (1873#1888) [Hardcover]

Daniel Wildenstein (Author)
2.0 out of 5 stars  See all reviews (1 customer review)

Price: $440.00
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Book Description

July 19, 2002
This two-volume set launches a glorious project in art history for a central figure of French Post Impressionism: the multi-volume catalog raisonne of the work of Paul Gauguin. But this is no ordinary catalog raisonne, not a book just for scholars, but more of a biographical or narrative catalog raisonne, with extensive sidebars and texts detailing different aspects of the Gauguin's life and work. These first volumes center on a Gauguin less well known to the general public, and featuring the paintings made from 1873 to 1888, works that offer a wide range of styles from youthful experiments to the realized work of a mature and innovative painter. This is Gauguin in France - the period before he sought inspiration in Tahiti. Here is the countryside on the coast of Brittany, on Martinique, and the environs of Paris as only Gauguin saw them. Here are all the still-lifes and portraits, including 9 never before published pieces.

This is deluxe slip-cased set of books is distinguished by its scholarly provenance and by its more accessible progression of material from Gauguin's daily life: sketches, letters, family photographs, extracts from his writings, with individual entries on his models, the locales, and his friends and family. The combination makes for a marriage of true scholarship and a deeper enjoyment of this singular painter.

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About the Author

Daniel Wildenstein, art historian and publisher, has been a member of the Paris Académie des Beaux-Arts since 1971. He began comanaging the Wildenstein Galleries in New York, London, and Tokyo in 1939, and later assumed sole responsibility for them. He has also headed two art journals of international reputation: Arts (1956-1962) and, since 1963, the Gazette des Beaux-Arts. Through the Wildenstein Institute, he has enhanced the prestige of French culture by supporting numerous art exhibitions. He edits and directs the publication of catalogues raisonnés of 18th, 19th, and 20th century artists; a renowned authority on the Impressionist painters, he is the author of the Manet and Monet catalogues in particular.

Product Details

  • Hardcover: 648 pages
  • Publisher: Skira/The Wildenstein Institute (July 19, 2002)
  • Language: English
  • ISBN-10: 8884911370
  • ISBN-13: 978-8884911377
  • Product Dimensions: 10.7 x 3 x 12.7 inches
  • Shipping Weight: 11.2 pounds (View shipping rates and policies)
  • Average Customer Review: 2.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #2,618,673 in Books (See Top 100 in Books)

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4 of 5 people found the following review helpful:
2.0 out of 5 stars An excellent psychological biography and raisonne of early works; but just an okay art book, September 27, 2009
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This review is from: Gauguin: Catalogue Raisonne of the Paintings (1873#1888) (Hardcover)
Wow, this is an art historian's dream book, and finally answers that great unknown countless people have pondered: Just what does one do with an art history degree? Answer: One does exhaustive research on a subject and puts it all in a book.
This book, in one sense, is peerless for it compiles an abundance of information and presents it in an easily read and interesting format. It not only covers all known paintings of the covered time period, it introduces some heretofore unknown ones and provides as much background information about them all as possible, including unbelievably great provenance info; copious asides describing the lives and relationships of various subjects, influences, artistic periods, and stylistic evolutions.
Reading this two volume set which will take many, many hours of reading will leave one with a thorough appreciation of Gaugin's ancestry, family, personality, life, and art (of the covered period).
The problem is that the book is so thorough that it really is most suitable for fellow art historians and gallery owners/employees who sell Gaugin paintings. In other words its broadest appeal is to a miniscule sliver of the population.
For other people, people who just want to look at pretty pictures, this book is probably not going to cut it for the following reasons: It covers the EARLY part of Gaugin's career before his most brilliant works were done -- certainly his most popular, in any event; and the reproductions in this book are overshadowed by the voluminous amount of textual information.
This is somewhat ironic don't you think, that a book about a visual artist is constructed in such a way that paintings are hidden amongst the text?
The editors of this high quality Skira publication, printed in Italy, should have included more large, lush reproductions of the subject paintings. One suspects this wasn't done because, frankly, many of the early paintings are more intimate level, whereas Gaugin's later works were generally monumental.
I don't believe this two volume set is good value at its full retail price. Nor is it an essential purchase except to the two tiny interest groups mentioned above.
Oh, and finally, it ought to be said that the contributors to this book are a little too obsessed with the notion of genetic determinism to suit my tastes. I understand that they are trying to make the book interesting but the psychologically speculative digressions they engage in put me in mind of that great obsessive character played by Sandra Bernhardt in 'The King of Comedy.'
This isn't a recommended purchase, I'm sorry to say, the genuinely great background material and extensive research contained in these two volumes notwithstanding.
Wildenstein which sponsored this book as a replacement of its 1964 catalogue raisonne should have created a three volume set that covered his entire career. This would make much more sense and would have made this a worthwhile four star purchase.
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