Geek Love [Audio CD]

Katherine Dunn (Author), Christina Moore (Narrator)

Product Details

• Audio CD
• Publisher: RecordedBooks (2002)
• ISBN-10: 1428170502
• ISBN-13: 978-1428170506
• Average Customer Review: 4.1 out of 5 stars  See all reviews (303 customer reviews)
• Amazon Best Sellers Rank: #4,760,993 in Books (See Top 100 in Books)

More About the Author

Katherine Dunn is an award-winning boxing journalist whose work has appeared in many publications, including Esquire, KO Magazine, The New York Times Sunday Magazine, Playboy, The Ring, Sports Illustrated, and Vogue. She is the author of three novels, including Geek Love, which was a finalist for the National Book Award. In 2004, Dunn and photographer Jim Lommasson won the Lange-Taylor Documentary Prize for their work on the book Shadow Boxers. She is currently associate editor of cyberboxingzone.com, an internet boxing encyclopedia and magazine. She lives in Portland, Oregon.

Customer Reviews

Most Helpful Customer Reviews

226 of 240 people found the following review helpful:

5.0 out of 5 stars Warning: Viewer Discretion Advised, June 3, 2004

By 

lizvelrene "lizvelrene" (Boston, MA USA) - See all my reviews

This review is from: Geek Love: A Novel (Paperback)

I couldn't put this book down, and carried it around for about a week, deeply and happily immersed. But, just for comparison, when I showed it to my boyfriend and he read the back cover, he physically recoiled and hastily handed it back to me. Funnily enough, he enjoys true-crime books/programs, and I can't stand the things. I think it's the same impulse though: we feel that these things, though repulsive to many, have things to teach us about human nature. With that in mind, I have to commend Katherine Dunn for a very well written, memorable, and thought-provoking book -- with the disclaimer it is absolutely not for everyone.

Basically, if you are armed with the knowledge that the book is about a family of circus freaks (including a fish-boy with no real limbs, siamese twins, and an albino dwarf, all purposely bred for birth defects with the use of drugs and radiation), and you are assured that ***it only gets worse from there***, and you still find yourself curious, then for goodness sake go out and get the book right now, because it delivers everything you would want except perhaps for a happy ending.

While I find writers like Chuck Palanuik and Bret Easton Ellis to be smug and shallow (there goes my reviewer rating!) I find them to be the only comparison to this book for actual shock value. I can't remember the last time I was actually shocked, not disturbed but shocked, at a book, and without being inclined to throw it out the window. The amount of humanity and vibrancy in these characters despite their ugly and often cruel natures kept me riveted. Highly recommended, for those with strong stomachs.

104 of 116 people found the following review helpful:

5.0 out of 5 stars Beastly portrayal of physical deformity & mental oppression, September 19, 2004

By 

Schtinky "Schtinky" (California) - See all my reviews
(VINE VOICE)   

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This review is from: Geek Love: A Novel (Paperback)

It was Douglas E. Winter who said, "Horror is not a genre, it is an emotion." With that bold and all-too-true statement ringing in your ears, I will tell you that "Geek Love" is a horror story. The protagonists are not simply trapped by their physical deformities, but also by their own familial love and the malevolent manipulation from one who is of them.

The majority of the story is told by Olympia Binewski, born into a carnival family of intentional freaks. Al and "Crystal Lil" Binewski set about starting their family with one intention; additions to the carnival's attractions. Lily takes illegal drugs, insecticides, and even radioisotopes in order to purposefully "give their children the gift of making money just by being themselves." In other words, they create a family of horribly deformed children, their own freak show.

Arturo, known as Aqua Boy, is the first of their children to survive. He is a torso with flippers for arms and legs. Second born are the Siamese twins Electra and Iphigenia, two perfect torsos rising up from one set of hips and legs, stunningly beautiful despite their deformity. Olympia herself is the third living child, a hunchback albino dwarf, she is considered to be too commonplace to be useful but is kept anyway. The youngest child, Fortunato, called Chick, was almost left on a doorstep for being normal when his telekinetic powers were discovered. Kept in what was called "The Chute", in glass display jars, were the children of Al and Lily that did not live, yet kept as attractions in the Binewski Fabulon Carnival.

Dunn's tale of quiet, creeping horror takes place in two separate time frames, Olympia's childhood with the carnival and a present day encounter with the daughter who doesn't know her. The "present-day" storyline is a bit weak, stilted and practically unfeeling in its telling, but Olympia's childhood with the Fabulon is wrought with deeply impacting emotions of fear, hate, bitterness, happiness...and love.

From the quietly acquiescing Olympia to the independence of the twins to the narcissistic brutality of Arturo, and the gentle genius of Chick, you love and hate the Binewski's as you find yourself completely engulfed in their strange world. Arturo performs in a fish tank, and the twins take piano and singing lessons to entertain the crowds, while Olympia basically becomes a slave to her brother Arturo.

But Arturo is not satisfied simply swimming in a tank, and with the help of an underwater sound device and his very own gift of speech, begins to mesmerize the crowds and forms a cult around himself. A deadly cult of self-mutilation and butchery that called themselves Arturans rises up to follow the Aqua Boy, including a questionable physician called Dr. Phyllis, who joined the carnival after performing abdominal surgery on herself in her dorm room.

You will meet Horst, the cat man and his tigers; Zephir McGurk, who tries to sell Arturo a strange device and winds out joining the Arturans; Norval Sanderson, a reporter who exposes Arturo's cult and then joins the carnival to sell maggots; Vern Bogner, a madman who eventually becomes "The Bag Man"; and the numerous Redheads who tends the carnival's food and game stands.

From languid childhood afternoons to horrifying parking lot murderers, from close-knit family story times to vicious sibling rivalry, Geek Love is anything but dull or boring. Innocence at the beginning, trepidation in the middle, heartbreak at the end, all stirred in with the tendrils of horror that creep from the pages and bite unexpectedly, Dunn has managed to puncture my mind and my flesh with this expertly crafted story.

Powerful, heartbreaking, maddening, frustrating, sickening, fascinating, repugnant and yet alluring, Geek Love is a tightly written masterpiece of finding beauty in sewers, and putrescence in that which glitters. Any book that stirs my love/hate passions as deeply as Geek Love deserves to receive my highest recommendation. Do yourself a favor and pick up a copy. Enjoy!

39 of 42 people found the following review helpful:

3.0 out of 5 stars Difficult to read, but impossible to ignore, December 12, 2001

By 

D. Movahedpour "doeadear" (CA United States) - See all my reviews
(REAL NAME)   

This review is from: Geek Love (Paperback)

Much like its subject matter, the side show "freak", this book can be ugly and disturbing, but it is impossible to turn away. Told from the viewpoint of the bald, Albino, hunchback dwarf daughter of a mother who deliberately took drugs and chemicals to give birth to freaks for the family carnival, the narration can be incredibly calm in the midst of the storm. The parents, who run a freak show and have freak children for fun and profit, have a son with flippers, and daughters who are Siamese twins, and a seemingly normal son who has telekinesis. Katherine Dunn's imagination is frightening. The story runs the gamut from gratuitous violence to incest to rape and murder. I could not wait to finish the book, but once I did, I never wanted to read it again. I was disturbed, confused, intrigued. There are some gaping holes in the story, you have to suspend disbelief, and the concurrent story about the woman who disfigures beautiful women with battery acid is downright chilling. But, it certainly captures your interest. It is unique, and I, personally, had seen nothing of its type before. It's difficult for me to say whether I recommended it. I can only say proceed with caution; it is engrossing and also terribly un-nerving.