This collection addresses questions of gender and sexuality as they relate to music from the middle ages to the early seventeenth century. These essays present a body of scholarship that considers music as part of the history of sexuality, stimulating conversation within musicology as well as bringing music studies into dialogue with feminist, gender and queer theory.
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About the Author
Todd Borgerding is Assistant Professor of Music at the University of Wisconsin-Oshkosh.
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Inside This Book
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First Sentence:
When Signora Isabella de' Medici (1542-1576) was abandoned by her husband, Paolo Giordano Orsini, she conducted an illicit affair with his cousin, Troilo Orsini of Monterotondo. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
chaste warriors, musical rhetoric, musical spectacle, court ballets, cadential formula, female rule, early music, harmonic language Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Maria Maddalena, University of Chicago Press, Christine de Pizan, Cambridge University Press, Gender Sexuality, Oxford University Press, Suzanne Cusick, Anthony Newcomb, Claudio Monteverdi, Marco da Gagliano, New Haven, Princeton University Press, Tim Carter, University of California Press, Musicological Society, Andrea Salvadori, Baroque Instrumental Music, Madalena Casulana, Torquato Tasso, Yale University Press, Cipriano de Rore, Isabella Medici-Orsini, Italian Renaissance, Pietro Pontio New!
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
When Signora Isabella de' Medici (1542-1576) was abandoned by her husband, Paolo Giordano Orsini, she conducted an illicit affair with his cousin, Troilo Orsini of Monterotondo. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
chaste warriors, musical rhetoric, musical spectacle, court ballets, cadential formula, female rule, early music, harmonic language Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Maria Maddalena, University of Chicago Press, Christine de Pizan, Cambridge University Press, Gender Sexuality, Oxford University Press, Suzanne Cusick, Anthony Newcomb, Claudio Monteverdi, Marco da Gagliano, New Haven, Princeton University Press, Tim Carter, University of California Press, Musicological Society, Andrea Salvadori, Baroque Instrumental Music, Madalena Casulana, Torquato Tasso, Yale University Press, Cipriano de Rore, Isabella Medici-Orsini, Italian Renaissance, Pietro Pontio New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 37
books:
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3
books
cite this book:
- The Book of the Courtier (Penguin Classics) by Baldesar Castiglione on 4 pages
- Mellon Chansonnier, Volume 1 by Leeman Perkins on page 274, and page 281
- The Lives of the British Saints by S. Baring-Gould on page 114, and page 116
- The Golden Legend: Readings on the Saints, Vol. 1 by Jacobus de Voragine on page 114, and page 118
- Queering the Renaissance (Series Q) by Jonathan Goldberg on page 195, and page 262
See all 37 books this book cites
- Medici Women: Portraits of Power, Love, and Betrayal in the Court of Duke Cosimo I by Gabrielle Langdon in Back Matter
- Musical Childhoods and the Cultures of Youth (Music Culture) by Susan Boynton in Back Matter
- Queering the Pitch by Philip Brett in Back Matter
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