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Generation Multiplex: The Image of Youth in Contemporary American Cinema [Paperback]

Timothy Shary (Author)
4.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

November 1, 2002 029277771X 978-0292777712 1

"Generation Multiplex represents an important contribution to our understanding of the relationship between youth and the mass media, in this case movies. From both a personal and a professional perspective, I welcome this work which builds on themes and issues I addressed in The Cinema of Adolescence in 1985."

—from the Foreword

When teenagers began hanging out at the mall in the early 1980s, the movies followed. Multiplex theaters offered teens a wide array of perspectives on the coming-of-age experience, as well as an escape into the alternative worlds of science fiction and horror. Youth films remained a popular and profitable genre through the 1990s, offering teens a place to reflect on their evolving identities from adolescence to adulthood while simultaneously shaping and maintaining those identities.

Drawing examples from hundreds of popular and lesser-known youth-themed films, Timothy Shary here offers a comprehensive examination of the representation of teenagers in American cinema in the 1980s and 1990s. He focuses on five subgenres—school, delinquency, horror, science, and romance/sexuality—to explore how they represent teens and their concerns, how these representations change over time, and how youth movies both mirror and shape societal expectations and fears about teen identities and roles. He concludes that while some teen films continue to exploit various notions of youth sexuality and violence, most teen films of the past generation have shown an increasing diversity of adolescent experiences and have been sympathetic to the particular challenges that teens face.


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Editorial Reviews

From Publishers Weekly

In this comprehensive academic work, film scholar Shary analyzes hundreds of "youth films" made between 1980 and 2001 to detail how young people are represented "within a codified system... [of]... certain subgenres and character types." He is particularly insightful in his breakdown of film genres (e.g., school-based, delinquent youth-centered, horror, science, sex) and on subgenre trends, such as changes in youth sex films since the prevalence of AIDS and more open attitudes toward teenage homosexuality. Appropriately, Shary criticizes some film reviewers for their condescending attitude toward teen films. But his constant reminders of how hard it is for him to remain objective doing research that "will always be imbued with the problematics of her or his personal ideological positions" are tiresome, as most readers accept this condition as the cost of reading another person's writing; seeking complete objectivity in a humanistic study seems misplaced. Still, Shary's conclusions raise thought-provoking questions, among them: what is the "elitist" cinema? and who are the "we" who "tell youth who they are"? The in-depth analysis and embrace of all types of teen movies, from Porky's (1981) to Save the Last Dance (2001), make this is a useful book, albeit one directed toward Shary's fellow academics.
Copyright 2002 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Library Journal

Shary (screen studies, Clark Univ.) takes an engaging and thorough look at American teen movies of the last 20 years. Instead of discussing celluloid and popular culture as corrupting influences on youth or providing a guide to them, Shary treats them as reflections of adolescent culture. But this is a book about films (e.g., John Hughes's The Breakfast Club and Todd Solondz's Welcome to the Dollhouse), not the psychology of teenagers. He posits that the emergence of the multiplex cinemas in shopping malls led to a diversification of the teen/youth film, with a number of distinctive subgenres developing in response to the newly identifiable audience in the malls. He names five major subgenres-"Youth in School," "Delinquent Youth," "The Youth Horror Film," "Youth and Science," and "Youth in Love and Having Sex"-and devotes a chapter to each, referring to more than 900 films released between 1980 and 2001 to illustrate his points. Any film buff who grew up in the 1980s or 1990s will find this book fascinating, filled as it is with films we've either forgotten or are ashamed to discuss in our cinema studies classes. The book is aimed at an adult audience, though the language and diction are clear and not too weighted with jargon. YA librarians in particular may find the filmography and appended lists of best/worst films useful and the film analysis enlightening. Highly recommended for academic and public libraries.
Andrea Slonosky, Long Island Univ. Lib., Brooklyn, NY
Copyright 2002 Reed Business Information, Inc.

Product Details

  • Paperback: 348 pages
  • Publisher: University of Texas Press; 1 edition (November 1, 2002)
  • Language: English
  • ISBN-10: 029277771X
  • ISBN-13: 978-0292777712
  • Product Dimensions: 8.8 x 6 x 0.6 inches
  • Shipping Weight: 15.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #783,169 in Books (See Top 100 in Books)

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8 of 8 people found the following review helpful:
5.0 out of 5 stars A Necessity for College & High School Libraries, December 3, 2002
This review is from: Generation Multiplex: The Image of Youth in Contemporary American Cinema (Paperback)
Because of my background interest in adolescent culture, I was very interested to read Dr. Timothy Shary's book about the image of youth in american film. I was delighted to find Shary's book not only to be well-written, but filled with insight and a pervasive gentle humor. The author successfully shows how film images of teenagers reflect pervasive social and political trends and often better depict adult fears of teenage behaviors rather than a realistic sense of actual teen culture. I found his dividing up the hundreds of films he describes into subgenres (like movies about school culture, slasher films, movies about love and sex) to be extremely helpful in placing the films in their larger context as well as to see how some concepts evolve while other archetypes appear to be repeated again and again.

As a librarian and teen educator, I felt that this work had a lot of value. With the emphasis on media literacy and critical thinking skills in education today, teachers and librarians need to be thinking about appealing ways of presenting information that will engage students into critically examining their culture. Using popular films that star teen characters and/or teen culture would be a good way to accomplish this goal, and Dr. Shary's book would be an excellent and accessible text to use as both a model and as background knowledge in this type of class. Because of the prevalence of cable television in the lives of teens, even the older movies from the 80s are likely to be relatively familiar and useful for discussions about historical trends and changes.

Dr. Shary should be complemented on this excellent, academic work on the image of youth in contemporary film. All college and high school libraries would be recommended to have a copy on hand and use it as a guide for collecting some key films of high quality for their visual collections.

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0 of 4 people found the following review helpful:
3.0 out of 5 stars Multiplex, December 13, 2009
This review is from: Generation Multiplex: The Image of Youth in Contemporary American Cinema (Paperback)
A very boring book that looks at films in the 80's and 90's. Basically, he descibes movies and what they apparently mean.
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Inside This Book (learn more)
First Sentence:
American cinema in the late twentieth century revealed a curious and often inconsistent cultural fascination with stories about and images of young people. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
science subgenre, youth love stories, youth cinema, teen horror films, youth films, horror subgenre, delinquency films, slasher series, nerd characters, film subgenres, teen films, supernatural films, teen characters, other subgenres, youth genre, school films, youth representation, science films, teen sex comedies, reforming teacher, losing virginity, youth movies, last starfighter, youth sexuality, youth conditions
Key Phrases - Capitalized Phrases (CAPs): (learn more)
African American, Final Girl, The Breakfast Club, Elm Street, Pump Up the Volume, Fast Times, She's All That, Can't Hardly Wait, Slumber Party Massacre, David Denby, Billie Jean, David Edelstein, Defense Play, John Hughes, Real Genius, American Pie, Cold War, Dangerous Minds, Wes Craven, Class Act, Gas Food Lodging, Iron Eagle, Ridgemont High, The Faculty, Tuff Turf
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