In Generations and Geographies in the Visual Achallenge of Arts: Feminist Readings the challenge of contemporary feminist theory encounters the provocation of the visual arts made by women in the twentieth century. The major issue is difference: sexual, cultural and social. The book points to the singularity of each artist's creative negotiation of time and historical and political circumstance. Griselda Pollock calls attention to the significance of place, location and cultural diversity, connecting issues of sexuality to those of nationality, imperialism, migration, diaspora and genocide.
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About the Author
Griselda Pollock is Professor of Social and Critical Histories of Art and Director of the Centre for Cultural Studies at the University of Leeds. She is the author of Old Mistresses: Women, Art, and Ideology, Framing Feminism; Art and the Women's Movement, and Vision and Difference.
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Inside This Book
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First Sentence:
I am the Director of a graduate programme I devised in 1991. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
maternal nude, vida series, matrixial borderspace, pudica gesture, imperial motherhood, military comfort women, pudica pose, knotted subject, uncanny anxiety, feminist art history, phallic logic, military brothels, white scabs, traditional art history, signifying space, repressed group, untitled film stills, maternal state, dream representation, maternal body, modernist criticism, western painting, integrated narrative, monstrous feminine Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Bracha Lichtenberg Ettinger, Ana Mendieta, Cindy Sherman, Griselda Pollock, Group of Seven, Athabasca Valley, Mary Kelly, Shimada Yoshiko, Jasper Park, Art Bulletin, Cambridge University Press, Canada Council, Elisabeth Bronfen, Julia Kristeva, Vancouver Art Gallery, Jacques Derrida, Las Meninas, Ellen Key, Indiana University Press, Latin American, Re-Hyun Park, United States, Yale University Press, Art Resource New!
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Front Cover | Table of Contents | First Pages | Index | Surprise Me!
I am the Director of a graduate programme I devised in 1991. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
maternal nude, vida series, matrixial borderspace, pudica gesture, imperial motherhood, military comfort women, pudica pose, knotted subject, uncanny anxiety, feminist art history, phallic logic, military brothels, white scabs, traditional art history, signifying space, repressed group, untitled film stills, maternal state, dream representation, maternal body, modernist criticism, western painting, integrated narrative, monstrous feminine Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Bracha Lichtenberg Ettinger, Ana Mendieta, Cindy Sherman, Griselda Pollock, Group of Seven, Athabasca Valley, Mary Kelly, Shimada Yoshiko, Jasper Park, Art Bulletin, Cambridge University Press, Canada Council, Elisabeth Bronfen, Julia Kristeva, Vancouver Art Gallery, Jacques Derrida, Las Meninas, Ellen Key, Indiana University Press, Latin American, Re-Hyun Park, United States, Yale University Press, Art Resource New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Surprise Me!
Citations (learn more)
This book cites 100
books:
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57
books
cite this book:
See all 57 books citing this book
- The Female Nude: Art, Obscenity and Sexuality by Lynda Nead on 6 pages
- The Group of Seven by National Gallery Of Canada on 5 pages
- Over her dead body by Elisabeth Bronfen on 4 pages
- Untitled Film Stills by Cindy Sherman on 4 pages
- Arnold Schwarzenegger: The True Story by George Butler on page 33, page 35, and page 41
See all 100 books this book cites
- Differencing the Canon: Feminism and the Writing of Art's Histories (Re Visions : Critical Studies in the History and Theory of Art) by Griselda Pollock on 7 pages
- Differencing the Canon: Feminism and the Writing of Art's Histories (Revisions, Critical Studies in the History and Theory of Art) by Griselda Pollock on 7 pages
- Feminist Visual Culture by Fiona Carson on page 34, page 54, and page 88
- Singular Women: Writing the Artist (BFI Modern Classics) by Kristen Frederickson in Front Matter, page 161, and Back Matter
- An Introduction to Visual Culture by Nicholas Mirzoeff in Front Matter, page 125, and page 192
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