Generosity: An Enhancement [Hardcover]

Richard Powers (Author)

Book Description

Publication Date: September 29, 2009

FROM THE NATIONAL BOOK AWARD–WINNING AUTHOR OF THE ECHO MAKER, A PLAYFUL AND PROVOCATIVE NOVEL ABOUT THE DISCOVERY OF THE HAPPINESS GENE

When Chicagoan Russell Stone finds himself teaching a Creative Nonfiction class, he encounters a young Algerian woman with a disturbingly luminous presence. Thassadit Amzwar’s blissful exuberance both entrances and puzzles the melancholic Russell. How can this refugee from perpetual terror be so happy? Won’t someone so open and alive come to serious harm? Wondering how to protect her, Russell researches her war-torn country and skims through popular happiness manuals. Might her condition be hyperthymia? Hypomania? Russell’s amateur inquiries lead him to college counselor Candace Weld, who also falls under Thassa’s spell. Dubbed Miss Generosity by her classmates, Thassa’s joyful personality comes to the attention of the notorious geneticist and advocate for genomic enhancement, Thomas Kurton, whose research leads him to announce the genotype for happiness.

Russell and Candace, now lovers, fail to protect Thassa from the growing media circus. Thassa’s congenital optimism is soon severely tested. Devoured by the public as a living prophecy, her genetic secret will transform both Russell and Kurton, as well as the country at large.

What will happen to life when science identifies the genetic basis of happiness? Who will own the patent? Do we dare revise our own temperaments? Funny, fast, and finally magical, Generosity celebrates both science and the freed imagination. In his most exuberant book yet, Richard Powers asks us to consider the big questions facing humankind as we begin to rewrite our own existence.

Editorial Reviews

From Publishers Weekly

Starred Review. About halfway into Powers's follow-up to his National Book Award–winning The Echo Maker, a Nobel Prize-winning author, during a panel discussion, talks about how genetic enhancement represents the end of human nature.... A story with no end or impediment is no story at all. This then, is a story with both. Its hero, at least initially, is Russell Stone, a failed author of creative nonfiction turned reluctant writing instructor who cannot help transmitting to his students something of his flagging faith in writing. One of them, a Berber Algerian named Thassadit Amzwar, is so possessed by preternatural happiness that she's nicknamed Miss Generosity by her prematurely jaded classmates and has emerged from the Algerian civil war that claimed the lives of her parents glowing like a blissed out mystic. After Stone learns that Thassadit may possess a rare euphoric trait called hyperthymia, her condition is upgraded from behavioral to genetic, and Powers's novel makes a dramatic shift when Thassadit falls into the hands of Thomas Kurton, the charismatic entrepreneur behind genetics lab Truecyte, whose plan to develop a programmable genome to regulate the brain's set point for well-being may rest in Miss Generosity's perpetually upbeat alleles. Much of the tension behind Powers's idea-driven novels stems from the delicate balance between plot and concept, and he wisely adopts a voice that is—sometimes painfully—aware of the occasional strain (I'm caught... starving to death between allegory and realism, fact and fable, creative and nonfiction). Like Stone and Kurton, Powers strays from mere record to attempt an impossible task: to make the world right. (Oct.)
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From Bookmarks Magazine

Hailed as Powers's most accessible work to date by the Denver Post and, conversely, as his most demanding novel thus far by the Washington Post, Generosity created a stir among critics. While Newsday protested the throng of subjects vying for readers' attention, others praised the complexity of Powers's novel of ideas. Critics also diverged over Powers's characters—"flesh-and-blood" (Denver Post) or "two-dimensional" (Los Angeles Times)—and his unnamed, postmodern narrator, who periodically interrupts the story to question readers' beliefs about the characters and plot. Despite these differences of opinion, all reviewers agreed that Generosity is a chilling and fascinating work that will provide readers with much food for thought.

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Product Details

• Hardcover: 304 pages
• Publisher: Farrar, Straus and Giroux; First Edition edition (September 29, 2009)
• Language: English
• ISBN-10: 0374161143
• ISBN-13: 978-0374161149
• Product Dimensions: 9.1 x 6.4 x 0.9 inches
• Shipping Weight: 1.2 pounds (View shipping rates and policies)
• Average Customer Review: 3.9 out of 5 stars  See all reviews (26 customer reviews)
• Amazon Best Sellers Rank: #322,210 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

38 of 38 people found the following review helpful:

5.0 out of 5 stars Now, "Feelings are the new facts. Memoir is the new history. Tell-alls are the new news.", October 9, 2009

By 

Mary Whipple (New England) - See all my reviews
(COMMUNITY FORUM 04)    (HALL OF FAME REVIEWER)    (TOP 100 REVIEWER)   

This review is from: Generosity: An Enhancement (Hardcover)

(4.5 stars) Once again, Richard Powers has reinvigorated the whole concept of the "novel of ideas,' writing yet another intellectual novel, based on neuroscience but defying facile categorization into genres. In some respects GENEROSITY is a social satire, and in others, it verges on science-fiction, but it also incorporates elements of metafiction, and its intellectual focus keeps the reader on his/her toes as Powers develops and expands themes and plot lines about the human genome that are both fascinating and original.

Russell Stone, a dweebish "nice guy," is teaching a course at Chicago's Mesquakie College of Art in "creative non-fiction," a genre formerly known as the "personal essay." His class consists of the usual assortment of art students of various ages with various goals, and, as they read their journal entries on successive class meetings, they soon become close. Thassadit Amzwar, a twenty-three-year-old Algerian Berber from Kabylie, however, quickly becomes the focus of the group for her perennial good humor and upbeat attitudes. Thassa has survived the ongoing Algerian Civil War, which began in 1991, supported by Islamist fundamentalists. An entry in her journal includes the discovery of her father's executed body after he wrote a letter to the newspaper challenging governmental policies, and it shocks the class, but it is her unconquerable good humor which leaves the longest-lasting impression on her classmates.

In Boston, Thomas Kurton, a pure scientist, is investigating the chemistry that underlies emotions and the genome which may be responsible for human happiness. Kurton believes that "aging is not just a disease; it's the mother of all maladies. And humankind may finally have a shot at curing it." The concept of deliberately "adjusting" the genome to produce happier, longer-living people with less disease, drives him relentlessly. Tonia Schiff, regarded as "America's most irreverent science television journalist," often features Kurton on her programs, "humanizing" him so that non-scientific viewers can identify with his discoveries. Back in Chicago, Russell Stone begins to wonder if Thassa's constant cheerfulness can be a sign of mental illness, and he contacts Candace Weld, an on-call college counselor, for insights. These three main plot lines converge when Kurton hears about Thassa and wants to map her genes, looking for the ephemeral "happiness gene" he believes she may have.

Powers writes a cerebral and challenging novel which incorporates much new science regarding the human genome, and his emphasis on provable data contrasts with the position of Russell Stone who is trying to free the minds of his students to their imaginations and creativity. The ethical questions that Powers raises regarding the effects of tinkering with the genome, and how one must redefine reality (and even the arts) in light of that are thought-provoking and get at the heart of the (threatened) values which have endured for thousands of years.

Though the characters sometimes give the impression that they have been created specifically to illustrate the non-fictional, scientific points the author wants to develop, and the plot sometimes wanders afield, the novel is both enlightening and absorbing for any reader who is curious about neuroscience. Filled with surprises, twists and turns in the plot, and an ending that feels a bit like a trick, this unusual and thought-provoking novel will entertain those interested in exploring the cutting edge of scientific investigation into the nature of humanity. Mary Whipple

22 of 23 people found the following review helpful:

4.0 out of 5 stars Characteristic Powers, October 16, 2009

By 

Jay C. Smith (Portland, OR USA) - See all my reviews
(REAL NAME)   

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This review is from: Generosity: An Enhancement (Hardcover)

Generosity: An Enhancement
Many fans, myself included, appreciate Richard Powers as a humanist who can artfully bridge his understanding of sciences into his fiction, as he did in Gold Bug Variations and Galatea 2.2: A Novel, for example. In his new novel, Generosity: An Enhancement, Powers explores issues entangled in genetic engineering, questions about what it means to be human and to be happy.

The principal characters are a young Algerian woman who appears happiness gifted, Thassadit Amzwar (Thassa), and her writing teacher at a fictional Chicago college ("Mesquakie"), Russell Stone. Based on just a few exposures to Thassa in his writing class Russell begins to worry that she is too happy, which he somehow perceives to put her at risk. He involves a college counselor, Candace Weld, who after a brief informal meeting assigns a diagnostic name to Thassa's condition, "hyperthymia." The plot proceeds along two main lines from there, as television personalities and bio-engineering entrepreneurs fasten on to Thassa to serve their own ends and as a romance between Russell and Candace inches along.

Powers brings in a fair amount of what psychologists, neuroscientists, and geneticists have to say these days about the causal correlates and manifestations of happiness. His chief vehicle is his fictional genomics entrepreneur, Thomas Kurton, who takes on Thassa as an object of study and potential profit. Kurton believes there are happiness genes and he advocates market access to them for parents who want to bestow such blessings upon their children.

Powers is more satirically critical of contemporary culture in Generosity than in his earlier works. In addition to over-reaching bio-engineers, he particularly targets mass communications: cell phones, blogs, streaming "news," "time shifting," "user generated" content, social networking sites, television news, science celebrity shows, the Oprah show, and more.

One other significant thing is going on in Generosity: Powers writes about writing. Interlocutions from an author character are staggered throughout. We are frequently reminded that it is just a story, that the author hasn't figured out yet what will happen, and that he cares about his characters. Remember too that Russell teaches (the course is "creative non-fiction"), so the class scenes and his assigned text ("Make Your Writing Come Alive") offer opportunities for further commentary on the enterprise of writing. One wonders whether this aspect reflects Powers' own doubts and concerns about the story he is constructing.

Powers has been criticized in the past for failing to fully animate his characters. Here Thassa might appear to rescue him from that charge. But it is never credibly demonstrated for us why people are so convinced of her elevated and persistent happiness almost immediately upon meeting her. For the most part we are simply told that they are. When Russell and Candace quickly become concerned about her they have insufficient evidence either that she has some sort of unique endowment or that she is exposed because of it. Consequently they become rather too frantic about Thassa's fate very early on when nothing was yet out of hand.

Russell himself is not the sort of dynamic protagonist that might ease the author's task. At one juncture we are told that, "He's forgotten exactly what subassembly of the collective human project he is responsible for, or when exactly it might be due," a characterization that seems applicable more or less throughout. Candace is the responsible adult, a consummate professional in her counseling work and a dutiful single mother. Powers writes that together Russell and Candace "... stand there awkwardly, two more victims of natural selection, caught between negativity bias and the eternal belief that the future will be slightly better than the present." As you might surmise, this hardly makes for a sizzling romantic relationship.

Most of the other characters basically represent stereotypes, particularly Kurton and Thassa's classmates. The most fully-realized may be Tonia Schiff, a television science journalist -- we learn enough about her upbringing and the changes she's gone through that she seems authentic, even if we may not like her. Russell's brother Robert makes only a few appearances, but delivers the funniest passages in the book.

Typically it is the fundamentals that carry good fiction, the plot and characters. With Powers it is more the intellectual superstructure. If you have read him before and enjoyed it you will likely find Generosity satisfying as well. If you are looking for some breakthrough in his writing you may be disappointed. If you are new to him, this book will show you how he works.

18 of 20 people found the following review helpful:

3.0 out of 5 stars Stick with this book at least halfway, January 9, 2010

By 

Kathleen T. Kraemer (Overland Park, KS USA) - See all my reviews
(REAL NAME)   

This review is from: Generosity: An Enhancement (Hardcover)

Russell Stone is a lonely man who gets a temporary job as a teacher at a Chicago college. There he meets Thassa, an Algerian war refugee who seems to be constantly happy. He can't understand this (since he himself is depressed), and after some Googling, decides she has hyperthymia, a psychiatric condition of constant happiness. He needs to confirm this and meets with the college counselor, Candace Weld, and soon develops a relationship with her. It is Stone's very use of the word "hyperthymia" that sets the ball rolling: Thassa suffers an assault (which she forgives), and during the police investigation Russell tells the authorities about Thassa's "hyperthymia;" suddenly the local media are all over the story. From there, Thomas Kurton and Tonia Schiff pick up on this unusual condition: they are working on research (Kurton) and a science story (Schiff) about a genetic enhancement for happiness. Now Thassa's life spins out of control, while at the same time, Russell's becomes happier.

The book seems to condemn and love technology; a fair reflection of people's true beliefs. Russell wouldn't dream of owning a cell phone (afraid of technology or afraid of people calling him?), yet he sits for hours doing research over the internet and reading blog entries. Kurton sees the field of genetics as one that can improve the whole human race, while he himself is without a soul: why not improve your own life there, Tommy? Nobody wants to end up alone and depressed like Russell, yet the "hive-mind" of media-fueled spin is not to be desired either. Social network sites, 24-hour media and blogs enrich social connections people have, but at the same time, the anonymity and remoteness of those very vehicles cause people to have and express over-reaching opinions that are none of their business; they stick their nose where it doesn't belong. Generosity really makes the reader think of the implications-good and bad- that technology brings to our lives.

Even though I ended up enjoying Generosity, it took me until halfway through to "get into" it, and I have 2 big problems with this book:

The characters are not as fully developed as I hoped. Candace seems plastic, Tonia and Kurton are so self-absorbed and lack any sort of compassion to the point that they didn't seem human, and in EVERY scene, Russell is so overly weak and depressive (does he have Asperger's like his brother, I wonder?) that I found myself exasperated to the point of yelling, "UGH!! Grow a spine, willya!!!!" He's really an "all-or-nothing" (mostly "nothing") kind of guy that has to be pushed into any action. The only characters that seemed genuine and that I ended up caring about were Thassa and Gabe.

The metafictional style (where the author introduces something into the storyline to keep you aware you are reading fiction) Powers employed of randomly interjecting a first-person account of the plot/character development was really annoying and supremely confusing in the first half of the book. Sorry, but I don't really want to know how you envision the characters or came up with the storyline; I don't care for you to outright express your like or dislike of the people you create. Let the novel speak for itself. Having said that, about halfway through, those interruptions are brought to a minimum and are less of a distraction. And even though I didn't care for this style, the ending ties the main plotline and the author's opinions of his novel together brilliantly.