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Jon Fasman has taken a big chance with The Geographer's Library, his debut novel, setting out a complicated scenario in which a collection of priceless objects is stolen from the titular library and, eventually, scattered and re-collected a thousand years later--with very bad results for the final collector. The geographer is a real person, Al-Idrisi, a Spanish-Muslim philosopher, cartographer, linguist, and scholar who served in the court of King Roger of Sicily in Palermo in the year 1154. For the most part, Fasman's risk pays off, although there is a lot of meandering before we finally get to the final revelation.
The "wraparound" story is about a young journalist, Paul Tomm, who sets out to write a simple obituary about a professor who died in his office at Paul's Alma Mater. The man is Jaan Puhapaev, an Estonian perhaps, who is a terrible teacher, fires his gun out his office window twice, is odd, unavailable, and reclusive and yet is allowed to stay on for unknown reasons. He also collects only $1.00 a year in salary and has no other visible means of support. The core narrative is a description of the provenance and travels of each of the 15 objects--some or all of which may hold the secret of eternal life--stolen from Al-Idrisi.
A professor friend of Paul's, a policemen and a curious editor all get an investigation rolling regarding what really happened to Jaan, who is he, and is he perhaps much, much older than they think? Paul meets and falls for a neighbor and putative friend of Jaan's, a music teacher named Hannah Rowe, which moves the information curve upward. This is the least believable part of the story: it's easier to accept the alchemical power of the Emerald Tablet of Hermes than Hannah. That said, Fasman does bring it all home at the end with an expository chapter and two letters. A bit of a cheat, but at least the reader is neatly taken off the literary hook he has dangled on for 380 pages. --Valerie Ryan --This text refers to an out of print or unavailable edition of this title.
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Most Helpful Customer Reviews
98 of 111 people found the following review helpful:
5.0 out of 5 stars
Alchemy Meets Small-Town Journalism in this Great Debut,
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This review is from: The Geographer's Library (Hardcover)
"The Geographer's Library" skilfully weaves together two story lines: the first being a present-day mystery about a deceased college professor, and the second a series of historical vignettes about fourteen antiquities that were stolen from a geographer's library in the twelfth century. The geographer al-Idris also dabbled in alchemy, and the ancient objects were all used in this science. From the first pages of the novel, I was hooked on both stories, and the pages simply flew past.The editorial review here on Amazon compared this book to "The DaVinci Code", but in my opinion this book is far more enjoyable. The characterization of the Connecticut protagonists is well-done. But my favorite part of the book is the background on the fourteen objects that were once part of the famous scholar al-Idris' library in Sicily. I whole-heartedly disagree with the reviewer who dismissed this part of the book as "too much information." Author Fasman carefully develops the plot, tying together the connection between the ancient alchemical tools and the death of the mysterious Estonian professor in Connecticut. This story is full of beautiful prose and is a finely crafted mystery. I'd recommend it to all.
57 of 64 people found the following review helpful:
4.0 out of 5 stars
More Intellect than Action,
By Gary Griffiths (Los Altos Hills, CA United States) - See all my reviews (TOP 1000 REVIEWER) (VINE VOICE) (REAL NAME)
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This review is from: The Geographer's Library (Hardcover)
"The Geographer's Library" is one of many new releases that have been favorably compared to "The DaVinci Code." It is not that. Alan Furst, the accomplished author of WWII espionage thrillers, describes Jon Fasman's first novel as "a real reader's book." It is definitely that. While lacking the adrenalin-charged pace of DaVinci Code, "Geographer" is a cleverly conceived, intelligent novel illuminating the ancient and shadowy art of alchemy. Paul Tomm, a young journalist for a rural Connecticut weekly paper, sets out on a supposedly simple assignment to write the obituary of town resident and college professor Jann Puhapaev. Puhapaev's death - and life, as it turns out - are shrouded in mystery, and Tomm is drawn into a deliciously convoluted plot spanning a millennium and four continents. A number of priceless artifacts, stolen from the alchemist of the 11th century's King of Sicily, begin showing up in unlikely places. With the help of a former professor and his policeman brother, Tomm begins connecting the dots while attracting some unwanted and malevolent attention. This is a risky venue, accomplished with aplomb in Dan Brown's "DaVinci", while more often attempts to capture Brown's formula have bogged down in hip-deep minutia and laughingly improbable plots. While Fasman's effort borders at times on tedium, there is sufficient mystery and intrigue to keep the reader hooked to the climax. "The Geographer's Library" could have benefited from a more ruthless editor's cut of another fifty pages or so, but this is nonetheless an impressive debut, well worth the reader's time and attention.
23 of 24 people found the following review helpful:
2.0 out of 5 stars
Competently written, but disappointing,
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This review is from: The Geographer's Library (Hardcover)
As others have mentioned, there are two stories here: the present-day mystery and the ancient story related to alchemy.The mystery surrounding the death of Jaan is competently told, but it didn't engage me probably because of the hapless nature of the main character, Paul, and because this plot is relatively simple and uninteresting. The intersection of this story with the ancient story could have made it a much more interesting mystery, except that the ancient story was the biggest disappointment in the book. It was disappointing because the author failed to develop the sense of wonder and excitement around the ancient objects that might have made the story compelling and interesting. In fact, the objects which play such a large role in the text play virtually no role at all in the plot, which I found very puzzling and frustrating. I waited in vain for the book to tie these objects to the plot, to make them relevant and interesting. Here's another way of expressing why I was disappointed. I felt like there might have been a centuries-long, fascinating story that tied all of the objects together---but that I was sitting on the very periphery of that story with only a few not very interesting glimpses of that story as they reflected on the rather mundane present-day mystery plot. I don't recommend this book.
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