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George Szell: A Life of Music (Music in American Life) Hardcover – June 1, 2011

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Product Details

  • Series: Music in American Life
  • Hardcover: 464 pages
  • Publisher: University of Illinois Press; 1st Edition edition (June 1, 2011)
  • Language: English
  • ISBN-10: 0252036166
  • ISBN-13: 978-0252036163
  • Product Dimensions: 6.1 x 1.5 x 9.2 inches
  • Shipping Weight: 1.9 pounds (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (10 customer reviews)
  • Amazon Best Sellers Rank: #587,408 in Books (See Top 100 in Books)

Editorial Reviews


"Reading this book would serve as a manual of music appreciation.  Charry's tribute reflects the scope and brilliance of Szell's career, in the careful detailing of his performances and music critics' opinions of them."--Ohioana Quarterly

"A fine biography of one of the 20th century's greatest classical conductors.  This thorough biography of one of the most important figures on the American classical scene in the post-World War II era is a valuable contribution to the literature on classical music."--Library Journal


"A discerning and highly informed new biography.  Charry makes a convincing case for admiring his subject's skill in musical matters without concealing Szell's many personality flaws."--Forward

"Charry not only gives us invaluable insights into his leadership style and musical tastes ... but details some of the financial and political issues facing the orchestra during that era. . . . Perhaps the book’s greatest value lies in humanizing a man whom many have come to see as a humorless (or perhaps joyless) martinet."SymphonyNow

"Charry’s achievement is unlikely to be surpassed for a long time, if ever, and the reader will come away with a real depth of insight into this towering, complex figure, which can only enhance our appreciation of his extraordinary accomplishment and artistic legacy."--Fanfare

About the Author


Michael Charry has conducted widely in the U.S. and internationally. He was a member of the conducting staff of the Cleveland Orchestra for nine years under George Szell and for two years after Szell's death. He is on the faculty of Mannes College The New School for Music, in New York City, where he was head of orchestral studies and music director of the Mannes Orchestra.

Customer Reviews

4.2 out of 5 stars
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See all 10 customer reviews
Am excellent biography that should be on every real musician's shelf (and READ!).
Col William Russell (ret)
The research is extensive and impeccable, and it is well written with many interesting stories and little-known bits of information.
Mark Perlman
I enjoyed being able to partake in Charry's insights into Szell's life and professional work.

Most Helpful Customer Reviews

45 of 49 people found the following review helpful By R.D. Monsoon VINE VOICE on June 8, 2011
Format: Hardcover Verified Purchase
As a big George Szell fan, I was hoping to love this biography, but I was disappointed. I did not feel that the Michael Charry revealed any new insights about what made Szell such a great and noteworthy conductor.

The major problem is that Charry feels the need to account for every moment in Szell's life. As a result, many of the chapters provide superficial overviews of a year in Szell's life, mentioning just the music he conducted, anecdotes about contract negotiations, and discussions with administrators at other orchestras about programming for guest appearances. It feels like it was originally written in bullet form and then converted into complete sentences. Understandably, Charry paces things very quickly to get to Szell's Cleveland tenure as soon as possible, and devotes the majority of the book to that. A lot of this period in Szell's life is already well known -- in fact, a lot of the stories and anecdotes Szell devotees will recognize from CD liner notes (many written by Charry) as well as Szell's hour long interview with John Culshaw for the BBC (which is by far the most insightful Szell document), audio interviews with Paul Myers and WQXR, and the Bell Telephone Hour documentary. What I wanted to know more about was Szell's life before Cleveland, especially when he was a prodigy in pre-war Europe.

Szell continues to fascinate listeners over 40 years after his death because of his unique interpretations and ability to exert total control over how the Cleveland Orchestra sounded -- so I was hoping for more analysis of this. From reading about Szell in the past, I know that he was meticulous at preparing a score he would conduct -- he would play through them on the piano several times -- and that his rehearsals were legendary for their intensity.
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11 of 11 people found the following review helpful By Gerald Marxman on September 6, 2011
Format: Hardcover Verified Purchase
Charry's book is an important contribution, because it's the only biography (as far as I know) of George Szell, one of the greatest conductors of the 20th century. It's a good book, well written and loaded with factual information about Szell's life as a musician. But it could have been a great book by telling us more about Szell, the man. He was, after all, a controversial figure, a musical genius capable of occasional juvenile behavior.

Charry was one of Szell's closest associates for nine years and knew many other musical greats of that era. He could have told us more about Szell's opinions of contemporary conductors, whose performances often contrasted with his own. And it would have been interesting to know how those conductors and other artists of that time viewed Szell. Charry also might have offered more insight into Szell's likes and dislikes among the great classical composers.(We can discern some of that from the book's detailed listings of programs for all of Szell's performances.) And it would have been interesting to know how today's great conductors and artists view Szell's legacy to classical music. Which of his performances might be considered by musicians and critics as the ones never likely to be surpassed? Did his transformation of the Cleveland Orchestra into one of the world's best influence an overall improvement in American orchestras that has occurred since his time? Charry had a unique opportunity to answer questions like those, and unfortunately most of the people who might have provided some of those answers are now gone. Despite this missed opportunity, Charry's book is a must for lovers of classical music, and especially for admirers of George Szell.
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13 of 16 people found the following review helpful By Brian G. Ruschel on August 11, 2011
Format: Hardcover
R.D. Monsoon's detailed review is excellent. I love classical music but almost all my experience has been listening to it on Cleveland radio. In reading this book, I could see in writing the names I've heard.

The book starts out very well-edited, conscientiously and clearly written, etc. (The acknowledgments point out various people who helped edit it.) But it seemed to be less excellent in the second half--still very well-edited and written but something different (for example, I found myself needing to re-read sentences).

I had some big questions, never answered, including:

We get an interesting tidbit that Szell's father moved to Vienna and opened the first security service there--and was apparently prosperous at it. Then, in the rest of the book, there is not ANY mention of the parents. I kept wondering what happened to them. And my stream-of-consciousness kept wondering if George inherited anything from them. Did they die in the holocaust? Did others in his family? (We are never even told of ANYBODY else in his family!) Reading this book, it seems George totally eliminated all his family from his life.

There is quick mention that Helene's father and brother had died in France during WWII. What happened to them? Also, was Helene of Jewish origin? All we hear about his her sister in England (who she visited often)--but almost nothing else about her (just that she lived west of London in something-on-Thames (I can't find in the index)).

Although we are told a few times that Szell got, for example, $850 a concert in one place, and something else somewhere else (very limited mention of this) I never got any sense of how much he made, or how much he was worth.
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George Szell: A Life of Music (Music in American Life)
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